34 pages • 1 hour read
Chitra Banerjee DivakaruniA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Soon after the initial jolt of the earthquake, Uma feels moisture seeping into the carpet. As the group progresses through the hours, the water level continues to rise. Soon it is not enough to sit in chairs, and the members huddle together on tabletops. Near the end of the book, water has reached the height of the tables, and soon they will be forced to sit with chairs on top of the tables. While the water level is a constant threat to the survival of the group, it also forces them into close proximity, a physical closeness which is soon by the emergence of a feeling of solidarity through the storytelling.
Cameron’s inhaler allows him to breathe; it is, for him, a lifeline. When the earthquake hits, he has five doses left in his inhaler and he thinks, ruefully, of a full inhaler waiting at his home. Each time he doses himself with the medication, he is essentially one step closer to running out of life. These doses coincide with the situation spiraling out of control in the basement of the Consulate—passageways being blocked, water rising, the ceiling collapsing. At the end of the story, Cameron has used his last dose. It is not just his life which is in jeopardy, but the lives of everyone in the group.
Malathi’s sari represents her culture, womanhood, femininity and station in life. For the sake of the survival of the group, the fabric is a necessary resource to bandage wounds. When she gives up the sari and dons a sweatshirt donated by another member of the group, she seems to lose her touch with her cultural identity. Although to the eyes of the others she is far more covered (decent) than before, she feels exposed without her sari.
Various members of the group hoard cigarettes, alcohol, or pills—cigarettes by Mr. Pritchett, a bottle of Wild Turkey by Mr. Mangalam, and anti-anxiety pills by Mrs. Pritchett. Although these objects serve a very real purpose for their daily lives, they also represent the hidden aspects of each of the characters. Essentially, in telling their stories, each member of the group is revealing a secret or a vice. It is only when these secrets and vices come to light through their stories that the teller can be released of that particular burden.
On her ill-conceived journey from Texas to New York, Uma witness the aurora borealis, or northern lights. The experience is surreal and breathtaking, and it serves to remind Uma somehow about her own purpose in life—which does not include Jeri or Ripley. She changes course and returns to college. Years later, Jeri asks her if the aurora borealis was real or a figment of her imagination. Uma has been considering this as well, but they decide that sometimes life can hand you, quite simply, one amazing thing.
By Chitra Banerjee Divakaruni