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57 pages 1 hour read

Fred Gipson

Old Yeller

Fiction | Novel | Middle Grade | Published in 1942

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Themes

Coming of Age: Discovering the True Meaning of Adulthood

As the story opens, Travis believes he is already “nearly a man” (25). Confirming this feeling, Papa entrusts him with a man’s job: protecting the family and taking care of the homestead. Their man-to-man handshake seals Papa’s trust in Travis, and Travis takes on the new responsibilities with confidence. Travis respects Papa and does not want to let him down. Papa is a touchstone and role model for Travis: Travis is thrilled when he can kill a deer on the run as well as Papa can. He uses Papa’s words to assert authority over Little Arliss, and he adopts Papa’s opinions, choosing to believe Papa’s way of picking a puppy is superior to that of Lisbeth and her grandfather. Travis wants to be like Papa. Mama smiles at Travis’s initial efforts at asserting his adulthood; humoring, but supporting, his new role.

In his efforts to show he is grown-up, Travis distances himself from his childhood. Travis does not want Mama to remind him that was ever as childish as Little Arliss. He scoffs at the speckled pup, confident that he, like a grown man, has a “full-grown dog” (126). Travis exemplifies a traditional masculine gender role. Travis initially thinks that being a man means not showing weakness or fear. Unlike Mama and Little Arliss, Travis resists crying when Papa leaves—even though he wants to—suggesting that he thinks that grown men, unlike women and children, do not cry. He does not admit that he is scared of hydrophobia, instead assuring Sanderson he can fill his Papa’s shoes. Men show strength and overmaster fear and emotion.

Until Old Yeller arrives and the two bond, however, Travis is largely acting a man’s role. He still feels childish emotions, sulking and feeling disrespected as man of the family when Mama dresses him down. Old Yeller helps Travis grow emotionally and psychologically. When Old Yeller saves Little Arliss from the bear, Travis realizes his own limitations and admits he needs Yeller’s assistance: He could not have saved his brother from the bear, or the corn crop from the varmints, without the dog. Old Yeller helps Travis understand himself. The conflicts the two face and overcome help build Travis’s self-confidence and knowledge. Travis also demonstrates his maturing thought process when he masters the fear and repulsion, the “numbing terror” (107) of seeing his beloved dog’s terrible injury and acts maturely to save him. Yeller’s sacrifice catalyzes Travis’s emotional growth. Mama recognizes Travis is truly becoming a man when he declares he will return for Old Yeller despite her instructions.

Killing Old Yeller is the act that transitions Travis fully to adulthood. Travis now understands that being an adult is not simply a matter of mimicking a man’s speech or completing a grown man’s chores, but involves difficult decisions, complex emotions, and personal sacrifice. Travis must kill his best friend—one who saved his life—for the safety of his family. Travis internalizes the lessons Yeller taught him about love, loyalty, and sacrifice. He takes personal responsibility for shooting Yeller, not allowing his mother to do the deed, and in so doing brings the full weight of grief and guilt and the pain of injustice on himself. Travis struggles with emotions he has never felt before, learning that being an adult means having to balance the “cruel and unfair” parts of life with the good (156). Travis is now able to take on an adult, mentoring role towards Little Arliss and the pup, much as Papa did for him.  

Character Versus Nature: The Struggle for Survival and Superiority

The Coates family is engaged in a continual struggle for survival against natural forces. Their livelihood is dependent on the land for everything from natural medicines, supplies for shelter, and food. Travis notes that they live in a “new country and a good one…we had plenty of grass, wood, and water. We had wild game for the killing, fertile ground for growing bread corn, and the Indians had been put onto reservations” (2). While the land provides, the settlers must nonetheless work hard to turn these raw materials into resources that sustain their lives.

Travis observes a hierarchy in nature. Living things prey on other living things and struggle for dominance. Papa taught Travis that “every creature has to kill to live” (24). Even the wild hogs can turn into predator carnivores, killing newborn calves and even baby humans. All creatures fight for their survival, and Travis, on top of the hierarchy, admits he likes to see fights “between bulls or bears or wild boars or almost any wild animals” (30). Travis relates to their struggle for primacy.

In Salt Licks, Texas, the settlers are at the top of the natural order. They maintain their dominant status over the natural world thanks to their knowledge, skills, and firepower, but their status is delicate. They face multiple threats to themselves, their property, and their food sources. Wild animals can cause death or injury. Even domestic animals are dangerous: free-ranging bulls almost destroy the Coates’s cabin, and hogs nearly kill Travis and Yeller. Varmints endanger the Coates’s “precious bread corn” (74), without which they would have no bread the following winter. Weather can be another natural hazard: Drought dries up water and pasture.

Humans achieve natural superiority thanks to several advantages. They work together: the menfolk of Salt Licks realize it is to everyone’s benefit to team up for their cattle drive. Their settlement succeeds because of community and mutual respect; everyone, for instance, is aware of different families’ hog marks and respects them. Similarly, the settlers help each other out in times of need: Lisbeth proves a boon to the Coates family when Travis is laid up. Largely, however, the settlers survive on self-reliance, demonstrating historic frontier individualism. They learn and adapt information from different, competing, regional cultures: Travis knows the Spanish words for black persimmons (chapotes), and Mama shares that Indians transport sick individuals on kind of cowhide travois (88, 116).

Their observations of the natural world also empower them. Travis is well-versed in animal habits and behavior. The settlers’ ingenuity in utilizing natural resources also contributes to their position on the top of natural hierarchy. They make mattresses out of corn shucks and cowhide frames, lye water from wood ashes, and poultices from prickly pear root. They waste nothing. Guns also enable the settlers to retrain supremacy. Their guns allow them to shoot meat and protect their property and family. The gun is an essential tool on the frontier.

Disease is the most unpredictable threat the settlers face. Hydrophobia cannot be predicted to the extent weather can and cannot be prevented with knowledge or weapons: it can only be guarded against. Hydrophobia puts the settlers in a defensive, rather than superior, position.

Bonds of Love and Responsibility

During the summer Travis spends with Old Yeller and transitions to adulthood, Travis learns the nature of different kinds of love. One is the love Travis has for Old Yeller. Travis bonds deeply with Yeller. The dog is an invaluable companion, helping Travis fulfill his responsibilities to his Papa and the family. Yeller and Travis work together seamlessly to complete tasks vital to their livelihood and generally have fun doing it. Travis admits that Yeller is essential to the home, blurting out that “We can’t do without Old Yeller” (81), when Burn Sanderson comes to claim the dog.

Travis’s relief at keeping Old Yeller reveals the depth of his feeling for the dog. Travis moves beyond just seeing Old Yeller as an asset: Travis loves him. Travis says, “I knew that if I didn’t get out of sight in a hurry, this Burn Sanderson was going to catch me crying” (84)—an emotional display Travis normally avoids at all costs. Travis appreciates that Yeller sacrifices himself to let him get away from the hogs and returns the act of devotion with one of his own, showing his love for Yeller by compounding his injury when he hurries home and back to save Yeller’s life.

Travis begins to love Old Yeller when Yeller saves the life of Little Arliss. Old Yeller helps illuminate Travis’s feelings towards his family: Travis realizes the depth of his brotherly love. Previously, Travis looked on Little Arliss as a hindrance, but after Arliss’s brush with death, Travis suddenly realizes that “I loved him as much as I did Mama and Papa, maybe in some ways even a little bit more” (54). Travis shows this understanding by developing greater patience with Arliss and beginning to take on a more active role as big brother. Travis now recognizes the bond between them in a more mature way.

As Travis comes of age, his loving bonds with both his family and Old Yeller strengthen, but familial love must supersede the love he feels for Yeller. Travis takes to heart Sanderson’s fatherly warning to “watch close and not let anything—anything—get to you or your folks with hydrophobia” (86). Although Yeller saves the lives of Travis, Little Arliss, and Mama, Travis must shoot him to protect the family. Travis fulfills his adult, masculine role of protector and shows the strength of his love for his family by sacrificing Yeller. Both his depth of love for Yeller and the grief over his loss help Travis achieve emotional maturity.

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