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John SteinbeckA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
It is now Sunday afternoon, and the men play horseshoes outside the bunkhouse. Lennie is alone in the barn, looking “at a little dead puppy that lay in front of him” (95). He makes a plan to bury the puppy in hay, and then to tell George that he found the puppy dead, but he remembers that “George always knows.” Lennie gets angry at the puppy for dying because he is worried that now he won’t get to tend rabbits at the farm, rocking “himself back and forth in his sorrow” (96). Curley’s wife discovers Lennie in this state. She tries to draw Lennie into conversation. He resists stubbornly, but she notices the dead puppy and asks him about it. Lennie admits to her the truth: “[H]e made like he’s gonna bite me…an’ I made like I was gonna smack him…an’…an’ I done it. An’ then he was dead” (98). Curley’s wife responds to Lennie kindly, which breaks down his determination to follow George’s instructions and avoid her. She talks openly with Lennie about her hopes of becoming an actress and her dreams of the life she might have had. Her dashed hopes contribute directly to her frustration with her life on the ranch. She admits she only married Curley to get away from her mother and that she “don’t like Curley” who “ain’t a nice fella” (100). When Lennie talks over and over about his rabbits and their softness, Curley’s wife becomes annoyed and then fearful. She shifts away from him, calling him “nuts” but “kinda nice.” She offers to let him stroke her soft hair. However, Lennie strokes her hair too roughly and messes up her curls. When she yells and tries to get away, Lennie clings to her tighter. As Curley’s wife becomes more panicked, Lennie’s fear that George will find out he has been talking with her intensifies. He covers her mouth with his hand, and while she struggles, he explains to her: “You gonna get me in trouble jus’ like George says you will” (103). He shakes her in anger and inadvertently breaks her neck. Lennie is immediately fearful as he realizes he has “done another bad thing” (103). He covers Curley’s wife’s body partly with hay, like he did with the puppy earlier in an attempt to hide it from George. He decides to go down to the river like George previously instructed and takes the dead puppy with him.
In death, Curley’s wife is “very pretty and simple, and her face was sweet and young” (105). Candy enters the barn and stumbles on her body, and at first, he thinks she is asleep, but once he sees that she is dead, he goes to find George. George immediately understands what has happened and instructs Candy to tell the others. Candy wants to let Lennie “get away” because he knows Curley will want Lennie dead in recompense. When Candy asks George for reassurance about the farm, George is unable to give it. Instead, George talks practically with Candy; he’s worried that the men will find him culpable, even though “Lennie never done it in meanness” (107). Candy and George make a plan. George leaves, and Candy thinks sadly of the farm that will never be as he curses Curley’s wife for causing trouble. He goes to tell the rest of the men, and they enter the barn, “[t]heir eyes found Curley’s wife in the gloom” (109). Curley immediately sets out to find his shotgun, and Carlson follows, intending to get his Luger. Slim makes the connection between Curley’s wife’s broken neck and the incident in Weed, and George nods in agreement as Carlson returns to the barn empty-handed. The men set off to search for Lennie, who is assumed to have stolen Carlson’s missing gun. Candy is left behind as George is forced to accompany the men in their hunt for Lennie.
Lennie appears in the brush around the pool where George had told him to go in case of trouble. He drinks from the pool and congratulates himself on remembering the plan: “Hide in the brush an’ wait for George” (113). He frets over George’s inevitable anger for what he has done and considers living in a cave when a vision of his Aunt Clara appears to him. The vision scolds him for “never [giv]ing a thought to George” who “been doin’ nice things for [him] alla time” (114). Lennie acknowledges his guilt, and then the vision of his aunt is replaced by “a gigantic rabbit” who “sat on its haunches in front of him, and it waggles its ears and crinkled its nose at him” (115). The rabbit tells Lennie he is incapable of looking after rabbits and that George is going to beat him for being bad. Lennie defends George to the threatening rabbit, but the rabbit insists that George will leave him alone forever. At this moment, George “came quietly out of the brush and the rabbit scuttled back into Lennie’s brain” (116).
George and Lennie sit down next to the pool. The sounds of the approaching men are in the distance. Lennie repeatedly asks George if he’s in trouble and then pleads with George to tell him the story of “us.” George responds, “Guys like us got no fambly. They make a little stake an’ then they blow it in. They ain’t got nobody in the worl’ that gives a hoot in hell about ‘em–” (117). Lennie adamantly assures him that he and George are different because they have each other, and George agrees. As the voices of the men come nearer, George asks Lennie to take off his hat and look across the river. George talks at length about the dream farm and the rabbits before he “reached in his side pocket and brought out Carlson’s Luger” (119). After hesitating once, George lifts the gun in his hands and shoots Lennie in the back of the head moments before “the brush seemed filled with cries and with the sound of running feet” (120). Slim suggests that he and George go get a drink, reassuring George: “You hadda, George. I swear you hadda,” while Carlson and Curley “looked after them,” wondering “what the hell ya suppose is eatin’ them two guys?” (121).
In Chapter 5, Lennie’s overeager and careless treatment of the puppy foreshadows his inability to stroke Curley’s wife’s hair without consequence. The puppy’s death also foreshadows the death of Curley’s wife, but the innocence of the puppy resembles the innocence of Lennie’s actions more than those of Curley’s wife. Only after she dies is she portrayed as an innocent person who did not deserve to die. Until this point, the novella has characterized Curley’s wife as a needy coquette, seeking male attention wherever she can find it; in Lennie, she seeks male attention and a male touch, which may suggest to some readers that she bears some responsibility for her own demise. If Curley’s wife had been portrayed as a demure woman with a clear sense of boundaries and a direct communication style, no room for such discussion would exist. Similarly, her overt racism and violent threats against Crooks in Chapter 4 undermine her as a sympathetic character, despite her death. However, the revelation of Curley’s wife’s background cements that dreams are unattainable for Depression-era women as well.
Curley’s immediate desire for revenge is expected. Even if his character wasn’t bullyish and mean-spirited, he would have good reason to seek some sort of justice. At these moments in the novella, it is up to the reader to ponder the morality of Curley’s demands: Can Lennie be held responsible for his actions on account of his intellectual disability? More opportunities for the reader to make such decisions await at the end of the novella when George takes matters into his own hands and shoots Lennie himself, foreshadowed by Candy’s regret that he himself was not the one to shoot his old dog. George cannot bear the idea of a stranger hurting or killing Lennie. George premeditatedly steals Carlson’s gun because he knows he is responsible for Lennie. Slim alone intuits George’s need to kill Lennie himself and the reasons behind George’s caring but violent impulse; he understands that only George can do the inevitable with compassion and gentle kindness. Because Lennie trusts and loves George, and George is speaking to Lennie about their shared dream of the farm as he shoots him in the back of his head, death is not a frightening experience for Lennie. As mercifully as he could, George has released Lennie from a life of misunderstanding, fear, and persecution. Whereas the death of Curley’s wife signals the death of the dream farm, Lennie’s death signals a new beginning for George.
By John Steinbeck