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40 pages 1 hour read

Fyodor Dostoevsky

Notes from Underground

Fiction | Novel | Adult | Published in 1864

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Character Analysis

The Underground Man

The unnamed Underground Man is the story’s narrator. He is 40 years old, small in stature, and describes himself as “unattractive” (5). The Underground Man is a retired collegiate assessor—a petty bureaucratic official—who lives in a small apartment on the outskirts of town. In his later years, he has a servant who is an old woman. In his younger years, his servant is the elderly Apollon, whom the Underground Man thinks is haughty.

The Underground Man spends most of his time reading books. He likes people and the world in theory, but he is unable to deal with human emotions and any but the most cursory interactions. He socializes only when he can no longer bear his isolation, and when he does so, he always has a bad time. He grew up among distant relatives and fantasizes about having a family, but he is too cowardly to risk loving another person.

The Underground Man’s main characteristics are spite and self-loathing. His narrative voice is sarcastic, and he has a negative opinion about every facet of society. The worst of his vitriol he reserves for himself, and he acts in a self-defeating way, putting himself in situations that inevitably lead to his embarrassment. He complains that “to be too conscious is an illness” (8) because he suffers from understanding society’s ills, while men of action and “direct persons” (8) live their lives without obsessing over their decisions. The Underground Man consistently overthinks situations, blowing them out of proportion. The incident in which the officer bumped into him in the bar illustrates this tendency: He carries a chip on his shoulder and devotes money he cannot spare to arranging a so-called vengeance on which he ruminates for years because he primarily inhabits the twisted world of his imagination. Meanwhile, the officer appears to be entirely unaware of this situation.

The Underground Man is an antihero whose main challenge and opportunity for change is his acquaintance with Liza; she is willing to see his humanity and engage in a real relationship with him while most others are not. However, he is able to experience relationships only as a power struggle in which he must play the dominant role. As a result, he ruins his connection with her by throwing money at Liza in an attempt to humiliate her after they have sex. Given his inability to change, the Underground Man is a cautionary tale about the dangers of intellect without compassion.

Liza

Liza is a young woman whom the Underground Man meets at the “brothel” where she is a sex worker. Liza is 20 years old, tall, strongly built, and timid. She has worked at the “brothel” for only a “fortnight” (76), about two weeks, and is originally from Riga. She is not in Saint Petersburg of her own choosing: Her parents sold her away, and now she is indebted to the woman who owns the “brothel” and brought her to the city.

At first, Liza is resigned to her situation. Her noncommittal responses to the Underground Man’s claims that she will die in the “brothel’s” basement annoy him. But as the Underground Man paints an increasingly grim picture of her life, describing the ways that she will be mistreated at the “brothel” until she dies alone and unloved, Liza becomes agitated and desperate. The Underground Man leads her to believe that he will help free her from her debt to the “brothel” owner so she can leave, and this gives Liza a false sense of hope. She mistakes his desire to influence her for compassion but is disappointed after he humiliates her at his home.

Liza wants to prove she is worthy of love by showing the Underground Man the letter that a young man wrote to her professing his love. The idea that she is not worthy of love because she is a sex worker is endemic to the beliefs of the time; the Underground Man describes in detail the horrible abuse that sex workers endure, but neither he nor Dostoevsky questions this treatment or explores her inability to control or liberate herself from her situation.

Liza is a foil for the Underground Man because she is a sounding board for his philosophies. He knows he can influence her mind and emotions; for this reason, the Underground Man sees Liza only as an extension of himself, rather than as a human being in her own right. Liza is a three-dimensional character, but only barely so: Most of her actions are reactions to the Underground Man. She asserts her agency by visiting him and throwing his money back at him when she leaves, but that is the extent of her ability to act. She is the archetypal damsel in distress, whom the Underground Man has the opportunity to save. He refuses to do so, consigning her to a life of abuse and rendering her a tragic figure.

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