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77 pages 2 hours read

Jack Davis

No Sugar

Fiction | Play | Adult | Published in 1986

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Character Analysis

Jimmy Munday

Jimmy is presented early on as the voice of reason and protest. His case for the proper treatment of Aborigines is rooted, not only in emotion, but in an analytical view not seen in the rest of the play. He functions in a similar way to Jim Casy in The Grapes of Wrath, in that his discussions often take the form of arguments that would not look out of place on an activist pamphlet. In the family, he is Gran’s son, Milly’s brother, and the uncle of Joe, Cissie and David. 

Gran Munday

Gran represents both the wisdom of age and the strongest link between the family and their native traditions. It is she who teaches the wisdom of the earth and insists that one can survive by learning to rely on the land. It isn’t that she is anti-modernity or anti-medicine. Rather, she understands that access to modern healthcare depends on the Aborigines’ relationship to white society, which can withhold medicine at any time. Gran experiences the most drastic physical change by the end of the play. Although she is strong and commands respect, it is as if the events of the story finally weigh her down and transform her into a symbol of the frailty that also comes with advanced age. 

Joe Millimurra

Joe is a composite of all young Aboriginal men living during the depression. He has hopes and aspirations, but no clear paths to achieve them. The obstacles he faces are almost entirely out of his control. Joe’s presence in the play is understated at the beginning, but his relationship with Mary becomes the central focus in the final two acts. He is respectful and loyal to his family, which makes his treatment at the hands of the Protectorate all the more poignant and unjust. 

Mary Dargurru

Mary works for Mr. Neal and the Matron. She falls in love with Joe, creating a situation where she must reveal her fears about Mr. Neal, who leers at her body and has plans to use her for his sexual desires. This makes it difficult for her to find a way to be with Joe, short of escaping to Northam. She refuses to be intimidated by Mr. Neal during her pregnancy. She is beaten badly for her defiance but emerges from her ordeal as a stronger person. 

Mr. Neal

Mr. Neal is the ultimate irony of No Sugar. He publicly serves as the protector of the Aboriginal people, all the while denigrating them, ignoring them, and mistreating them at every turn. He is the composite character standing in for all of white Australia’s relationship to the Aborigines during the time of occupation. 

The Matron (Mrs. Neal)

Mrs. Neal is the long-suffering wife of Mr. Neal. She is responsible for the hospital at the settlement. She is empathetic to the Aborigines in a way that could not be more different from her husband. However, even though she treats the natives with more dignity and does not approve of many of her husband’s actions, it is telling that she is still limited in her ability to make substantial changes on behalf of the people in her settlements. 

Billy Kimberley

Billy is an elderly Aboriginal “tracker.” A simple man of relatively low intelligence, he works for Mr. Neal but does not seem to see the conflict of interest in the situation. In fact, he proudly refers to himself as a policeman. It is his job to hunt down runaway Aborigines and to enforce discipline with his whip. Near the end of the play, he becomes friends with Joe and Mary , a sign that he may eventually realize the implications of his actions. 

Sister Eileen

Sister Eileen represents religion and education. She finds herself in an ironic situation: religion is presented as a means of enlightenment, but it is the only form of enlightenment she is permitted to use to instruct the native. Religion does not require a person to read, or to ask themselves questions. It assumes a reliance on the authority of the teacher and the Church, and although Sister Eileen appears to a be a force for good, the natives do not necessarily have any reason to think she is more trustworthy than the other whites.

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