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52 pages 1 hour read

Monica Sone

Nisei Daughter

Nonfiction | Autobiography / Memoir | Adult | Published in 1979

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Chapters 9-12Chapter Summaries & Analyses

Chapter 9 Summary: “Life in Camp Harmony”

In preparation for “E day, evacuation day,” Mr. Itoi wraps up his business affairs, while Benko packs up the suitcases (165). The family receive typhoid injections before entering the camp.

When the bus arrives to take them to Camp Puyallup, Sone notices that “everyone was dressed casually, each according to his idea of where he would be going” (169). The outfits range from stylish ski clothes to fishing jackets and hiking boots.

Camp Puyallup is a mass-organized affair with basic accommodations. The family are assigned apartment 2-1-A, which is one room the size of a living room. They arrange partitions between the rooms for privacy and are subject to curfews. In order to deal with “the carnivorous Puyallup mud,” Sone asks her friend, Chris, to send galoshes, but the old people have a more inventive idea and reintroduce getas, Japanese platform shoes (180).

Sone wonders why she was not given a fair trial and why she is “behind a fence like a criminal” (177). She wonders whether she is even an American anymore, because she is certainly not Japanese, like her parents.

Camp life is organized, and there are even employment opportunities. Henry works at the camp hospital, while Sone does a boring job in the Personnel Department, something she sticks with because the Administration Building is the only one with adequate heating.

One day, the family are ordered to turn in all literature printed in Japanese. Benko is hurt and reluctant because her Japanese Bible and collection of poems are not “dangerous” (188). She refuses to hand over her dictionary, wondering why the government wants to take away the little she has.

The family keep getting moved around, from Area A to the more spacious Area D and finally to Idaho, where their permanent camp is to be built. Sone looks forward to the change somewhat, though she knows it will not be a “comfortable experience” (189).

Chapter 10 Summary: “Henry’s Wedding and a Most Curious Tea Party”

In the middle of August, the Itoi family set off by train to Camp Minidoka in Idaho. When the train stops and they are allowed to get out and stretch their legs, Sone notices that a group of white farmers has made a special trip to come and inspect the Japanese arrivals.

Camp Minidoka is a large army-type barracks, and the family’s room measures 20-by-25 feet. The seasons in Idaho are harsh, and the family suffer dust storms, blazing-hot summers, and inadequate clothing during the freezing winter.

By fall, “Camp Minidoka had bloomed into a full-grown town,” with a school, an administration, a hospital, libraries, and even church activities in Christian and Buddhist denominations (195).

Sone feels that she and her family “had drifted farther and farther away from the American scene” and are relegated to a “peripheral existence” (198). Then, unexpectedly, a group of army personnel march in to recruit a special combat unit of Nisei volunteers. There is uproar in the camps at how people who are being treated like second-class citizens are now being recruited to die for this democracy. They also protest the military’s decision to segregate the Nisei from other chapters of the army.

There is great debate in the camps as to whether to enlist; finally, Sone’s brother, Henry, does. While his Issei parents initially do not know how to feel about his decision, they accept it, with Benko even saying “it’s about time we all stopped thinking about the past. I think we should go along with our sons from now” (201). Though Henry enlists, he never sees action due to his poor eyesight. 

Henry and Minnie announce that they are getting married, and the Itoi and Yokohama families get permission to travel to Twin Falls to prepare and have the wedding. An organ and a wedding dress are procured with great difficulty; Henry sprains his ankle the night before the wedding.

At the ceremony, Sone is charged with playing the organ, which is intended to sound dignified, but “howled like a drunken village idiot” and is so loud that it has to be played from the bathroom (208).

Back at the camp, the newlyweds and their siblings host a tea in celebration of their wedding. However, because they host “an American tea party,” as opposed to a Japanese one, their Issei guests are confused (212). They arrive late, so as not to appear too eager, and will not touch the food until Sone serves all 100 of them. Moreover, they refuse to eat or talk while the music is playing because they do not consider it “polite” (214). Sone is left feeling that “to try to force East to meet West had been a terrible mistake. Our American tea party with Japanese guests had nearly been a complete failure” (215).

Chapter 11 Summary: “Eastward Nisei”

In 1943, a year after Evacuation Day, the War Relocation Authority is “opening channels through which the Nisei could return to the main stream of life” (216). Those cleared by the FBI, who had proof of a job and a place to live, were allowed to participate. While the West Coast is off limits, there are placements out east.

Sone receives a letter from Dr. Richardson, a Presbyterian pastor in Chicago. She will stay with his family and work for a dentist who is in desperate need of an assistant and willing to hire a Nisei.

The Richardsons call Sone by her European middle name, Monica, and are kind to her. As she enjoys her lovely room and new family, she feels that she “had at last come to the end of a long journey, and walked into a resting place for tired souls” (219).

Initially, Sone worries about people’s reactions to her Oriental face, but it turns out that people stare “out of curiosity and not hostility” (220). She is mistaken for the actress Anna May Wong and a Chinese fan dancer. Nevertheless, she likes Chicago and enjoys meeting Matsuko, her childhood friend, and her social circle. She also briefly reunites with her brother and sister.

Dr. J.J. Moller, her dentist boss, turns out to be a “slave driver” (223). He works Sone so hard that she faints in front of a patient. This incident drives Sone to quit her job. When she returns home, the Richardsons have a surprise for her: she has received a scholarship to Wendell College in Indiana and will live with a minister’s widow, Mrs. Ashford.

Chapter 12 Summary: “Deeper into the Land”

At Wendell College in southern Indiana, Sone flourishes and regains her old confidence and zest for life. Her interests “exploded in a number of directions—music, history and current events” (229). Deciding that her interest in people is profound, she studies clinical psychology. She observes that “faculty and students alike went out of their way” to make the Nisei girls “feel a real part of the campus life” (227). However, while they are swept up in a round of dinners and teas, they are not permitted to join a sorority, owing to a national ruling against it.

Nevertheless, Sone makes good friends with people from numerous ethnic backgrounds, including Caucasian, Colombian, and Thai.

She goes home to visit her parents in Camp Minidoka, where her father is recovering from pneumonia and her mother is aging. She is depressed by the “silent and bare” camp room, where the walls have gone a “dingy gray from the coal smoke” (231). She feels deeply the sacrifices the Issei generation made in coming to America, and for their children. She sees that they have “struggled so much for us” and that being born into two cultures is a gift (236). Instead of a “two-headed monstrosity,” Sone feels that “two heads are better than one” (236).

When she leaves her parents, Sone returns to Wendell College full of hope, feeling “like a whole person instead of a sadly split personality. The Japanese and American parts of [Sone] [are] now blended into one” (238).

Chapters 9-12 Analysis

Moving away from Sone’s childhood home of Seattle, Chapters 9-12 trace her chronological transition from internee at Camp Harmony to flourishing student at Wendell College. Even in the basic conditions of Camp Harmony, where she is disturbed by the “wire fence encircling us” and the men with Tommy guns, keeping watch, the industriousness, resilience, and dignity of Sone’s family is remarkable (177). Sone’s mother immediately admires the dandelions that push through the cracks in their dingy room, saying she will make a cutting of them, while her father applies himself to making furniture. As soon as the camp is organized, both she and her brother, Henry, apply for jobs there, so as to pass the time and be productive. When the family are herded to Idaho, the harsh winters and inadequacy of their clothing mean that their skin color “slowly changed to an ominous purple, the color of eggplants” (197). The family are given unisex long johns for clothing, meaning the women have to sacrifice elements of their femininity and sense of self.

The distinction between the Nisei and the Issei is also heightened in 1943, when the Nisei are permitted to return to “the main stream of life,” whereas the Issei have to stay in the camp (216). While Sone regains her sense of self, first in Chicago and then as a student at Wendell College, her parents at the camp “looked like wistful immigrants” in their dingy, crowded surroundings, their only happiness being vicarious through their children or through their memories (237).

Another thematic strand that emerges in the final chapters is Japanese resignation to circumstances. For example, the Itois’ camp-mate, Mr. Sawada, tells his son that “it is for the best. For the good of many, a few must suffer. This is your sacrifice” (235). Displaying a typically Issei reverence for the community’s need over the individual’s, Mr. Sawada discounts his personal frustration at being interned without trial because some American souls are resting easier. While Sone recognizes her parents’ sacrifice wholeheartedly in the Preface, in the text she is more optimistic, remarking that in having two cultures, she has received “a real bargain in life, two cultures for the price of one” (236). Her attitude displays Japanese resilience presented in a slangy, consumerist, all-American tone.

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