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55 pages 1 hour read

Kirstin Valdez Quade

Night at the Fiestas

Fiction | Short Story Collection | Adult | Published in 2015

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“Family Reunion”Chapter Summaries & Analyses

“Family Reunion” Summary

Claire is 10 and the only student at her school who is not a member of the Church of Jesus Christ of Latter-day Saints. She is constantly at odds with her classmates and her teachers because of her atheism, and because she does not know when to keep quiet about her outsider opinions, she often gets herself into trouble. In an effort to fit in more effectively, Claire decides to convert. She makes a concerted effort to spend time with her classmates in order to absorb their faith by sheer proximity. She is ashamed of her own family’s obvious differences from the others in their community; her stepfather is an academic, and they watch foreign films and eat a range of international foods. She does not mention any of this when she visits friends who are Latter-day Saints. Claire’s father lives in San Diego. He is an angry, volatile man who cycles in and out of sobriety. Claire does not feel a connection to him, nor does she enjoy visiting him in the summer.

Claire meets a girl named Morgan who attends a different school but only lives a few blocks away. Because Morgan and her family have a messy house and are not particularly religious, Claire is shocked to find out that they are also Latter-day Saints. Morgan invites her to spend five days with her family at a reunion, and Claire is ecstatic. Morgan’s mother, Patsy, is youthful and fun. She listens to Paula Abdul’s music and accidentally gives the girls wine coolers on the way to the reunion. Morgan is upset, but Claire tentatively says that she has had wine before, mixed with water at a party. This she explains, is how parents give their children wine in France. Patsy is thrilled by this anecdote, but Morgan is upset because alcohol is strictly forbidden in their faith, and she is much more devout than her mother.

At the reunion, Patsy strikes Claire as being refreshingly different from her own mother. Patsy gives the girls makeovers and buys them presents at the drug store. Still, Claire cannot help but feel the difference between her family and Morgan’s. Patsy asks a series of pointed questions about Claire’s mother’s relationships with men, and this exchange makes her feel a sense of shame. Morgan reveals that there is no family reunion, and that it will just be the three of them. When Claire asks when the plans changed, Morgan snaps at her. Tension continues to characterize the trip, and Morgan is increasingly judgmental about Claire’s lack of religiosity.

After dinner, Patsy gets drunk on wine coolers and Claire overhears a strange telephone call that between Patsy and a man who is not her husband. Patsy hangs up the phone, curses, and throws one of her bottles at the wall. Claire, whose own father has an alcohol addiction, tells Patsy about her father’s drinking and voices her opinion that alcohol is bad for people. Patsy seems angry but agrees with Claire. Claire then asks if she will be cast into hell when she dies, as Morgan had told her she would, and Patsy tearfully says that yes, she will. Patsy then offers to baptize Claire and drunkenly dips her into water. Afterwards, she asks Claire to baptize her. This is a confusing experience for Claire, who tells Patsy that she wants to go home. Angry, Patsy tells her that she will take her home the next day. Still, she argues that a child whose parents regularly allow her to drink wine (albeit mixed with water) clearly needs a vacation in the company of devout people.

“Family Reunion” Analysis

This story features a family fractured by substance abuse and divorce and therefore explores new aspects of Fraught Family Bonds. However, the narrative’s prime focus involves The Contrast between Genuine Morality and Performative Religiosity. The story’s young narrator comes of age against the backdrop of a dysfunctional and broken family, and this situation contributes to her feelings of inadequacy and alienation at school: a sentiment that is further exacerbated by the fact that her classmates come from intact families and are devout Latter-day Saints. Claire, whose parents are atheists, wants desperately to fit in that she is willing to engage with the idea of converting to the religion embraced by her peers. Her motivations are already rooted in a performative mindset, for she mistakenly believes that showing interest in the community’s dominant religion will allow her to become more fully accepted by the people around her. This, and not any newfound sense of piety or revelation, fuels her interest in the church.

Within this context, the atmosphere is ripe for the doomed attempts to connect that soon ensue. Although Claire is thrilled to make a friend in her neighbor Morgan and is excited about the supposed visit with Morgan’s family, the narrative soon creates several key contrasts between ethics and religiosity. For example, while Claire asks questions that demonstrate her genuine desire to connect and to learn, Morgan cruelly judges Claire for her lack of faith and tells her that she is going to hell. Similarly, Patsy condemns Claire’s parents for giving their daughter wine mixed with water only because she wants to deflect attention from her own alcohol addiction. The family’s hypocrisy is further emphasized when Patsy tops off her poor performance as a chaperone by declaring, “You needed this time with us, Claire. A child drinking wine, disgusting!” (172). Claire, who recognizes substance abuse because of her father’s own struggles with the issue, immediately realizes that there is no small amount of hypocrisy in Patsy’s performative version of her religion, for Latter-day Saints are technically forbidden from drinking alcohol. Thus, Patsy becomes yet another figure in this collection whose outward devotion to religious ideals does not match their behavior. The author uses such characters to suggest that righteousness and redemption are not the automatic result of participation in organized religion, and characters like Patsy and Amadeo therefore embody a marked disconnect between right thought and right action.

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By Kirstin Valdez Quade