logo

42 pages 1 hour read

Kamala Markandaya

Nectar in a Sieve

Fiction | Novel | YA | Published in 1954

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Themes

Poverty and Survival in a Changing World

Markandaya writes characters who dream of rising above their current socioeconomic status, owning land, and not being beholden to another person’s whims—things that become increasingly impossible as life under the British Raj becomes more restrictive. Rukmani and Nathan plan carefully and work hard to achieve their goals, yet there are factors they cannot control that continually push them backward. When the rain comes (or fails to come), the characters must act as they see fit to survive in an ever-changing world, and even when they do everything right, they risk eviction by a dispassionate landlord. Each villager reacts to their situations differently, yet all act with hope for survival. Two dynamics in the novel—between Rukmani and Kunthi and between Rukmani and Kenny—demonstrate the contrasting effects of poverty on individuals and how those effects influence their opportunities and choices.

One effect of poverty is desperation. Kunthi is willing to go to any lengths necessary to survive another day. This creates an antagonistic relationship between her and Rukmani, whose despair never extends to taking from others in communal times of need. While Rukmani debates how to respond to Kunthi’s threats, Kunthi waits “with the patience of one who knows what power she wields, patient, like a vulture” (82). The vulture imagery draws attention to how Kunthi preys on others in times of crisis. This behavior parallels Murugan’s, Rukmani’s son, who turns to gambling to either improve his financial circumstances or self-soothe in a harsh world. Regardless of his motives, these actions leave his wife and child penniless, just as Kunthi leaves Rukmani’s family without food. These anecdotes interrogate whether individualism can lift people out of poverty; even those who act in their own self-interest do not escape their lower social position.

On the other hand, Rukmani’s dynamic with Kenny shows the resilience, determination, and acceptance with which those in need can face worldly struggles. While Nathan is ill, Kenny passively comments that he needs a more substantial diet to improve his health. Rukmani responds, “Those can only come our way when the yield is rich [...] It cannot be always or indeed even frequent, for we are not rich, you understand” (127-28). Rukmani recognizes their economic status and endeavors to work within their means rather than pushing to rise beyond them. Rukmani is resilient and never loses her belief that her family will survive. Rather than despairing, she focuses on the things she can control, such as feeding her family by taking smaller portions herself. Markandaya questions the efficacy of this self-sacrifice as well; Rukmani ends the novel poorer and with fewer living family members, showing the way imperialism causes life in India to deteriorate for Indians. Ultimately, the novel alludes to this greater colonial power keeping the villagers in poverty no matter how they approach their circumstances.

The Clash Between Tradition and Progress

One of the challenges the villagers face is the disconnect between the traditions that carry them through difficult times and the modernization that could help improve their lives. Some villagers accept progress as it occurs, while others adhere to their longstanding traditions. Though Markandaya portrays both sides of the clash, the construction, presence, and overwhelming power of the tannery comment on the inevitability of progress, especially under a regime that is pushing industrialization and urbanization. In contrast, the inclusion of active resistance portrays the author’s belief that while development may be inevitable, people should not unquestioningly accept it.

When workers construct the tannery in the village, Rukmani hopes that “one day things will be as they were that we have done these things. Now that they have gone let us forget them and return to our ways” (28). Rukmani, throughout the book, represents the individuals who desire to avoid progress or modernization. She believes wholeheartedly that the workers leaving means they can pretend nothing has changed. However, Nathan pushes back, telling her to “[bend] like grass, that you do not break” (28). When tradition and progress clash, Nathan’s words represent an approach Markandaya encourages—be flexible. Nathan does not encourage submission, but his words describe the need to allow change to happen rather than solely resisting. Nathan repeatedly keeps Rukmani in check and balances her desire for tradition by recognizing when they must accept change. When Nathan dies and Rukmani loses hope for a better life, she also loses hope for a return to tradition. However, the novel ends before Rukmani chooses her next steps. She no longer has hope, yet she has not accepted progress. Even in the end, she still clashes against it. By ending the narrative this way, Markandaya leaves the question of whether to embrace tradition or modernization open-ended for the reader.

While the author encourages bending and accepting some progress, she also promotes healthy skepticism by using Kunthi as a worst-case scenario. When the tannery opens, Kunthi proclaims, “The tannery is a boon to us” (46), believing that the wealth created at the facility will spread to the villagers. Yet when times become difficult, Kunthi must exploit Rukmani and her family to survive. Rukmani, who adheres to tradition, stores food and takes time to prepare for hardships, which Kathi avoids. Kathi’s words to Rukmani, “I can look after myself; but first the bloom must come back” ring false as she has forgotten how to prepare for worst-case scenarios, believing in the safety net of modernization 81). Instead of preparing, she relies on others’ preparedness to cover for her missteps. As such, Kunthi’s fall from grace weaves a cautionary tale about abandoning tradition in a world that focuses on progress.

The Impact of Modernization on Rural Life

Conversations around modernization often focus on its benefits, like improved medical care and roads. While Nectar in a Sieve presents these benefits, it also discusses the negative impacts such changes can have on rural communities. Markandaya focuses on the economic effects, considering how job availability and market prices change when a small community modernizes. All of these impacts revolve around the symbol of the tannery and how its construction creates a trickle-down effect influencing other aspects of life.

The author first explores the economic impact of modernization through the prices of market goods. The workers building the tannery make better wages than the villagers normally do. Nathan notes the positive outcome of the workers’ wages—Rukmani gets more money to buy the family food. To counter his point, Rukmani asks him, “[B]ut what could I buy with the money with prices so high everywhere? No sugar or dhal or ghee have we tasted since they came, and should have had none so long as they remained” (28). Though Nathan notes the increased income Rukmani receives, Rukmani acknowledges the limitations of similarly more expensive goods. The propagated economic benefits of the tannery and its workers come with strong drawbacks; in the end, only those who are already wealthy and powerful benefit. This impact comes before the workers even finish constructing the tannery, and the negatives increase after the business opens and grows.

Markandaya does not stop there. In a single sentence, she communicates the impact of the price increases on a local family: “Then they were gone, and the shopkeepers were glad there was less competition, and the worker who moved into their hut was pleased to have a roof over his head, and we remembered them for a while and then took up our lives again” (47). Though the moment refers specifically to Janaki and her family, the author plays this scene out multiple times: a family who cannot afford to keep up with rising prices must leave the village to seek better opportunities. Many are hurt and forgotten in favor of economic development. When this fate befalls Rukmani and Nathan—two characters nobody believed would leave the village—Markandaya draws attention to the inevitability of these effects. Even the best prepared, as Rukmani strove to be, risk succumbing to the losses that come with modernizing the area.

blurred text
blurred text
blurred text
blurred text