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62 pages 2 hours read

Fredrik Backman

My Grandmother Asked Me to Tell You She's Sorry

Fiction | Novel | Adult | Published in 2013

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Chapters 21-25Chapter Summaries & Analyses

Chapter 21 Summary: “Candle Grease”

At Granny’s funeral, the church is “so packed that people are standing all along the walls” (222). Elsa sees many faces she recognizes, including the policewoman with the green eyes, Alf, and the landlords’ accountant, who is “dressed as a priest now” (222) and winks at Elsa.

Overwhelmed with grief, Elsa runs out of the church. In the cemetery she smells the familiar tobacco before she turns and sees the slim man with the cigarette coming toward her. He grabs her arm, but she breaks free. Elsa runs all the way past her school and into the park, collapsing on a bench. She is picked up and carried out of the park by Wolfheart, who tells her never to run alone again.

Elsa asks Wolfheart about the names of all the other kingdoms in the Land-of-Almost-Awake and what they mean in his mother’s language. He tells her: Miamas means “I love,” Miploris means “I mourn,” Mirevas means “I dream,” Miaudacas means “I dare,” Mimovas means “I dance,” and Mibatolos means “I fight.” Elsa recalls that Wolfheart was born in Miamas but grew up in Mibatalos. Wolfheart says he will never fight again. Elsa realizes that he is not afraid of his enemies but “of himself. Afraid of what they made him into in Mibatalos” (229).

Alf appears in his taxi to take Elsa back to the church, while the policewoman scans the park. Wolfheart disappears again. As Elsa hugs Mum, she realizes that Mum—and everyone else—“know more than they are letting on” (229).

Chapter 22 Summary: “O’Boy”

Back at the apartment, Mum and Elsa sit in Granny’s Renault with the wurse. Mum is neither surprised nor upset that Elsa has been hiding it. Elsa tells Mum that she is afraid of the man chasing her and begins thinking about fears. In the Land-of-Almost-Awake, fears are “small fiery creatures” (230) that were eventually defeated by two golden knights who, instead of yelling at the fears, laughed at them. The fears were turned to stone, and the sixth kingdom, Maudacas, where courage is cultivated, was built.

Mum says that she knows the man who was chasing Elsa and confirms that he is a “shadow.” Mum knows about shadows because when she was a young girl and Granny was away, Granny would call her on the phone to tell her the stories of the Land-of-Almost-Awake. However, Mum had been resistant and angry because she wanted Granny to be home with her. Mum says she was a difficult child, who Granny nicknamed “the girl who said no” (235).

Mum tells her that she needs to ask Maud and Lennart about the man who was chasing her, since they know him best. As they enter the apartment building, they meet up with Alf, who tells Elsa that he also knows who was chasing her but that “you’re not the one he’s hunting” (238).

Chapter 23 Summary: “Dishcloth”

Mum is tired and lies down on her bed. Elsa sits with her and, at Mum’s request, recounts all the stories from the Land-of-Almost-Awake until Mum falls asleep.

The living room is filled with people from the funeral. Mum says they are the children in the photos from Granny’s ceiling, noting, “They’re grown up now. They were allowed to grow up because your granny saved their lives” (241). However, Elsa cannot yet forgive Granny for abandoning Mum to save other people’s children.

Elsa goes to the stairwell and meets up with the woman in the black skirt, although today she is wearing jeans. The woman couldn’t bring herself to go to Granny’s funeral, but she did visit her boys’ graves. The woman understands Elsa’s conflicted feelings about Granny and her life choices, specifically her decision to save others at Mum’s expense. The woman brings up the trolley problem, the philosophical conundrum of “whether it’s morally right to sacrifice one person in order to save many others” (243). Elsa insists she is only angry with Britt-Marie, but the woman warns her, “Don’t fight with monsters, for you can become one” (243).

The woman gives Elsa an envelope that she found on her sons’ headstone. It says, “To Elsa! Give this letter to Lennart and Maud!” (244).

Chapter 24 Summary: “Dreams”

Elsa brings the letter to Lennart and Maud, and they tell her about the man with the cigarette. His name is Sam, and he is a drug addict with a violent temper. He is the father of the boy with the syndrome. After Sam beat the boy and his mother badly, Lennart and Maud sought help from Granny, who brought the boy and his mother to live in her apartment building. When Alf went to fetch the boy’s things from their former home, Sam beat him badly. Sam then disappeared until the day Elsa saw him outside the undertaker’s.

Maud explains that Sam has mistaken Elsa for his son, the boy with the syndrome, since they have a similar appearance. She says, “He thinks you’re our grandchild” (251). Lennart admits that they are Sam’s parents.

Maud gives Elsa a letter that Granny left with them months ago. It is addressed to the boy with the syndrome’s mother, but Granny left them instructions that Elsa must come for the letter herself. Maud says that in the letter she and Lennart received, Granny apologized for saving Sam’s life.

Lennart and Maud explain that Sam was an angry child who became a soldier when he grew up. During a war, he met his very first friend. Both Sam and his friend were injured during an explosion, but the friend managed to carry Sam to the hospital where Granny was working. That was when Granny saved his life.

As Maud shows Elsa pictures in a photo album, she describes Sam’s friend as having “the soul of a poet” (257) while at the same time being a fearsome warrior. Elsa realizes that Sam’s friend is Wolfheart.

Chapter 25 Summary: “Spruce”

Elsa is once again able to visit the Land-of-Almost-Awake. She thinks it’s because now that the shadow is in the real world, she has nothing left to lose. She knows that “the war will come, that it’s inevitable, and the mere fact of knowing it makes her strangely calm” (259).

It is the day before Christmas Eve, which is when Dad and Elsa always go Christmas tree shopping. Before they go, Elsa checks on the wurse, who she has hidden in Renault. On her way downstairs, Elsa sees Kent leaving out poison for the wurse. Kent says the animal would lower the apartments’ property value, as would the sight of Granny’s dilapidated Renault, which has been towed. Furious, Elsa races up the stairs to get Dad. She stops when she sees Britt-Marie standing in her doorway. Elsa pleads for Britt-Marie to spare the wurse. For a “single fleeting second” Elsa sees “some humanity,” some hesitance, in Britt-Marie’s eyes, but then Kent calls for her to bring more poison, “and then the normal Britt-Marie is back” (264).

Dad and Alf help Elsa find Renault at a scrapyard, and Dad pays to bring it back. Alf puts Renault in Granny’s parking spot, then he and Elsa gather up all the bowls of poison. Elsa and Dad go to buy the tree. Elsa wants to ask Dad if she can stay with him and his wife Lisette more often after Halfie is born, but “she doesn’t want to upset him, so in the end she says nothing” (269).

Chapters 21-25 Analysis

Elsa’s conflicted feelings about Granny continue during the funeral. Instead of feeling comforted by the presence of so many mourners in the church, she feels “tricked. She doesn’t want to share Granny with others. She doesn’t want to be reminded of how Granny was her only friend while Granny herself had hundreds of others” (219). In Elsa’s opinion, all the rituals surrounding the funeral are “fake. Plastic and makeup. As if everything’s going to be fine just because they’re having a funeral” (222).

Elsa thinks a lot about grief while she sits in the church. In Granny’s stories, grief is represented by the kingdom of Miploris, where people go to drop off their sorrows so they can continue on through life unburdened. Though Granny doesn’t like to visit this place in her imaginative stories, “so many of the storehouses had her name on signs outside” (221). Granny’s sorrows likely stem from all the horror she witnessed as a doctor on the front lines of war. Thus, Granny’s view of grief is that you cannot let it drag you down or prevent you from moving on with your life.

Lennart and Maud’s explanation about their son Sam touches on the philosophical question of whether it is possible to be born bad. Though other characters, such as Wolfheart and the woman in the black skirt, harbor some darkness within, this darkness can be attributed to outside events, such as war and natural disasters. However, Sam was “the son of the world’s kindest couple, who became more evil than anyone could understand” (252). Maud is inclined to accept responsibility for Sam’s evilness, saying that she must have somehow passed the darkness onto her son. According to Elsa, this view directly opposes Granny’s, who always said that “some people are actually just shits and that it’s no one else’s fault other than the shit’s” (253).

Elsa’s fears actually diminish after she makes physical contact with Sam. Knowing exactly who her enemy is—as well as who her friends and defenders are—makes Elsa “strangely calm.” This inner peace coincides with her renewed ability to access the Land-of-Almost-Awake.

When Dad comes to pick Elsa up the day before Christmas Eve, she doesn’t at first remember that it’s their traditional tree shopping day. This signifies that Elsa is growing up and approaching the age where a bonding activity with dad has become more important to him than to her. Elsa notes that this is “a very thin line to cross. Neither dads nor their daughters ever forget when they do cross it” (260).

Kent is determined to get rid of the wurse, even if that means poisoning it, while Britt-Marie appears more hesitant, and for a fleeting second she even seems to have “some humanity” in her eyes. It is only after Kent calls to her, reasserting his presence in the scene, that the “normal Britt-Marie” returns and defends Kent’s actions as usual. This scene suggests that Kent may exert a great deal of psychological control over Britt-Marie and her behavior.

Granny taught Elsa that “You have to negotiate!” (268), and she skillfully bargains with the storeowner over the cost of the Christmas tree. This scene depicts Elsa as a confident, almost ruthless speaker who can more than hold her own when negotiating with adults. Later we see a different side of Elsa, when she wants to ask Dad if she can stay at his house but doesn’t, aware it will upset him. Elsa simply thanks him for the tree, and then “he’s happy and then he goes home to Lisette and her children. And Elsa stands there watching as he leaves” (269). Because she loves her father, getting what she wants matters less than his happiness.

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