55 pages • 1 hour read
Philip ReeveA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Katherine spends more time in the museum the closer London gets to the wall. Aside from the quiet, she finds Bevis’s presence comforting and wonders if she’s falling in love. One evening, Dr. Arkengarth shows her the bones of extinct animals, which are attributed to Pandora Shaw, formerly Pandora Rae, who was Valentine’s assistant years ago. Pandora was murdered about seven years ago, around the same time Valentine obtained MEDUSA, and in a moment of sickening clarity, Katherine realizes that her father killed Pandora to get the machine. Katherine bursts into tears and starts running, though she doesn’t know why because “there was no way that she could outrun the dreadful truth” (283).
Tom follows Valentine at a distance, torn about what to do. He doesn’t want to betray London, but he also doesn’t want to see the city destroyed. He finally decides to expose Valentine, but when he reaches him and yanks down the hood, he realizes that he lost Valentine in the crowd. Tom tries to warn the people, but none of them understand him. Instead, he gets directions to the inn where Fang is staying and tells her what he saw. Valentine is likely there to destroy their airships, and Fang thanks Tom for warning her in a gentle voice, “as if she understood the agonizing decision he had had to make” (289).
Despite Fang’s orders to stay put, Tom finds Hester and tells her about Valentine. As they approach the top of the high steps where the air fleet is stabled, plumes of fire blast from the hanger. Valentine blew up the entire fleet. Tom follows Hester into the flames but loses track of her in the maze of hallways. He finally emerges onto a platform where Fang and Valentine battle. Fang disarms Valentine, who smiles up at her with an expression that conveys he isn’t beaten. The 13th Floor Elevator appears overhead and fires, forcing Fang to dodge, and Valentine retrieves his sword to run her through. The last thing Fang says before she dies is “Hester Shaw will find you” (295).
Tom runs to Fang’s body as Valentine’s ship disappears into the sky. Anger bubbles up in him as he realizes that Valentine has been the enemy all along, and he can’t stand that Valentine will be celebrated for what he did to Batmunkh Gompa’s airships. He takes the key to the Jenny Haniver from Fang’s neck and meets Hester as she staggers onto the platform. Valentine can’t be allowed to get away with what he’s done, and they’re going back to London because “someone's got to make him pay” (298). As they board Fang’s ship and take off, Tom feels like he’s finally doing the right thing.
Valentine returns to a hero’s welcome in London. Katherine watches his arrival from her bedroom, feeling a mix of anger and grief. When he comes to see her, Katherine accuses him of killing Pandora Shaw and stealing MEDUSA, and Valentine explains that he did it to get into Crome’s good graces so that Katherine could be a high-society Londoner, not a scavenger like him. Katherine is appalled that Valentine retrieved MEDUSA, knowing what Crome would use it for. She runs from the house, “the whole of High London […] between her and Father” (309).
Katherine’s character arc concludes in these chapters, bringing the theme Our World as More Than What We See to a climax. She finally faces who her father truly is, which makes her decide to stop him no matter what it takes. Valentine says that he obtained MEDUSA so Katherine could have a good life, which suggests that she wouldn’t have without Valentine’s interference. Given that Pandora Shaw and Valentine worked together, Pandora could be Katherine’s mother, which would make Katherine and Hester at least half sisters. If that’s true, Valentine killed the mother of his child and wounded his child, showing that he’ll go to any lengths to achieve his goals and alluding to the theme Losing What We Love Most Due to the Quest for Power.
Much of Tom’s internal conflict is resolved in these chapters. He grapples with what to do when he sees Valentine in the city, and his choice to warn Fang shows that even though London will always be his home, Tom can no longer think of Anti-Tractionists as barbarians or less than him. Fang’s death is the final catalyst Tom needs to realize the type of person that Valentine is. Killing Fang makes Valentine Tom’s enemy, and it’s ironic that Tom must be the one to convince Hester that they need to return to London and stop Valentine. The title of Chapter 30 is also ironic. Valentine arrives to cheers from the crowd, but his reception from Katherine, the one person for whom he hopes to be a hero, leaves him feeling like the villain in her story.
Action & Adventure
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Books on Justice & Injustice
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Challenging Authority
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Class
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Class
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Colonialism & Postcolonialism
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Community
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Fate
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Fear
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Forgiveness
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Good & Evil
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Memory
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Power
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Revenge
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Truth & Lies
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Valentine's Day Reads: The Theme of Love
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War
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