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56 pages 1 hour read

Adam Silvera

More Happy Than Not

Fiction | Novel | YA | Published in 2015

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Character Analysis

Aaron

Aaron is the novel’s protagonist and narrator. There are several strong traits that comprise his characterization, and the narrative works to show how these traits evolve as Aaron does. One significant aspect of Aaron’s character is his romanticism. Aaron may not be romantic in a traditional sense, but it is present in his approach to life. Significantly, Aaron is an artist, a pursuit that is widely associated with romanticism. His preferred medium is the comic book or graphic novel, which relies heavily on graphics and minimal text to convey complex ideas and relationships. For additional examples of Aaron’s romanticism, consider his history of gift-giving: His Christmas gift to Collin was a subscription to a comic series they could enjoy together; his birthday gift to Thomas was the Buzz Lightyear toy that Thomas’s father never came home from getting; the party he threw for Thomas was a gift, too, in that it addressed one of Thomas’s unfulfilled emotional needs.

Another important aspect of Aaron’s character is his feeling of self-loathing and worthlessness. Aaron is insecure about his sexuality, his looks, his artistic skills, his artistic preferences, his socioeconomic status, his home, and his value to the people in his life. Because he cannot validate himself or feel worthy without external attention, Aaron is constantly buffeted by the opinions of those around him. Throughout the book we can see Aaron carefully considering and second-guessing his social interactions, attempting to present a version of himself that is both desirable and unassuming. This intense self-hatred is what fuels Aaron’s problems, as he cannot accept himself and thus is desperate for the acceptance of others, which he feels will be impossible to receive if his true self is known. Both of these traits evolve as the narrative progresses, leading to a matured Aaron who is more confident, finding happiness internally, and allowing himself to be vulnerable.

Aaron’s romanticism and self-loathing also affect the relationships Aaron turns to for external assurance and validation. This is why Aaron’s sense and fear of abandonment is so intense throughout the story. He tries desperately to turn his relationships into reasons to live, so it’s not surprising that they often crumble and fail; asking another person to provide your life’s purpose puts a great deal of stress and pressure on that person. Aaron’s longing for perfection doesn’t help here, either, as his ideal outcomes are terrifying even to himself. By the end of the novel, however, we see Aaron more comfortable in his own body and personality. The novel leaves Aaron with a real sense of optimism about his ability to heal, love himself, and develop healthier relationships.

Thomas

Thomas serves as Aaron’s friend and the object of Aaron’s affection. While Aaron desires Thomas romantically, Thomas’s character and personality are things that Aaron aspires to. Aaron is particularly taken with Thomas’s ability to quit things that he doesn’t enjoy, which reflects the deep confidence that Thomas has in himself, his decisions, and his potential. While Thomas and Aaron enjoy many of the same things, Thomas’s approach is often more pragmatic than romantic, a trait that contrasts with Aaron’s characterization. Thomas likes film and comic books and composing music; he’s wanted to be an architect and a set designer; he’s tried to write a musical and a screenplay. He even creates an elaborate chart to track his progress in key areas of his life. His approach to the arts and to building a life is a fairly straightforward trial-and-error process, which again contrasts with Aaron, who fears error or failure will lead to ridicule or ostracism.

Another significant aspect of Thomas’s character is his general pacifism and empathy. Whereas Aaron was raised to fight and value fighting, Thomas prefers to resolve his conflicts with words and mutual understanding. His empathy allows him to put himself in the shoes of other people and understand what their motivations and struggles may be. This is likely why Thomas befriends Aaron so easily, accepting his sexuality, his memory disorder, and even his unrequited love. Thomas is almost unconditionally accepting. He loves and values Aaron, so he is willing to reshape their relationship in a way that makes them both happy. Even though he romantically rejects Aaron, he values Aaron’s friendship and presence anyway. He is steadier than most of the people in Aaron’s life, and this makes him very appealing.

Genevieve

Genevieve begins the novel as Aaron’s girlfriend. The relationship between Genevieve and Aaron is complex. Genevieve knew or suspected that Aaron was gay before the initial Leteo procedure, but she stayed with him anyway. They both pretend that they’re getting something out of the relationship that they’re not. Genevieve is also the only female friend we see Aaron with in the novel. When the reader considers the many scathing criticisms Aaron received for liking “girl things” throughout his childhood, the question of whether Aaron is “allowed” to have a strictly platonic relationship with a girl arises. Because of this, Genevieve’s role in Aaron’s life is far more sisterly or motherly than it is romantic. Her caregiving nature is mentioned several times, such as when she holds Aaron while he cries. It is further exemplified by her presence at Aaron’s bedside before and during the procedure, and her obvious concern for Aaron’s happiness and well-being.

Much of Genevieve’s character is developed in relation to Aaron’s and focuses on how she appeals to and supports him. As an artist, she is creative in the same ways he is. She is funny and kind and generous, but she frequently functions more in service to Aaron’s development than her own. Her presence or absence in the book works more to move Aaron from one mental state to another than it does to explore a nuanced and complex maturation of her characterization. Her ultimate betrayal of their relationship—her romantic involvement with Thomas—may position her as someone with agency and independence, but that betrayal ultimately serves more as a trial for Aaron to overcome than as a sign of Genevieve’s character development.

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