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Young, the protagonist, is a Korean immigrant; she is Pak’s wife and Mary’s mother. Although Young is well educated and from a relatively wealthy family, she assumes the role of the obedient wife when she marries Pak. She does not argue when Pak insists that she and Mary move to the United States, nor does she argue when Pak insists that Young lie about their whereabouts on the night of the explosion. Despite her outward compliance, however, Young secretly questions her husband’s judgment and eventually realizes that by not doing so openly, she has almost ruined her relationship with her daughter and allowed an innocent woman to be accused of murder. Her deepest hurt comes from the loss of her closeness to her daughter; only by refusing to be silent can Young repair this relationship.
Unlike many of the other characters in the story, Young is one of the few who does not act out of self-interest once she realizes the truth. Despite the pain it causes her and the strain it puts on her marriage, she insists on telling the truth to the district attorney, to herself, to Mary, and to Pak. They all must face the truth: Mary started the fire, and Mary is responsible for the deaths and injuries caused by the fire. At the end of the story, when Young reflects on all that has happened as she waits for the movers to come get her things in preparation for her move to Teresa’s house, Young seems happier for two reasons: she and Mary have resumed their former intimacy, and Young has told the truth at last; in doing so, she stood up both for herself and for her daughter.
Matt is a medical doctor pursuing infertility treatments because of what he sees as constant nagging from his wife, Janine. However, it is not Matt’s relationship with his wife that positions him as a villain, but his own self-centered and selfish behavior. At the beginning of the trial, for example, all he can focus on is his own discomfort and shame at being singled out. He doesn’t consider the suffering of others.
While Matt does feel guilty for what happens to Henry, a part of him believes that he could have done more to save Henry but stopped because he “didn’t want to damage his precious hands” (51). At first, the reader might believe Matt is being too hard on himself: He lost some of his fingers and damaged his hands after trying to save Henry. However, as the story continues, Matt’s character becomes morally bankrupt.
For instance, Matt assaulted Mary on the night of her 17th birthday. He presents it as something that happened almost accidentally, a result of alcohol and the strain of his marriage. However, this ignores the fact that he, a 33-year-old man, spent an entire summer flirting with a 16-year-old girl. Matt lies about the encounter with Mary—to his wife, Abe, and to himself. Matt uses Mary as an object, and his only concern is that she not tell anyone. Other than his attempts to save Henry, Matt seems to have few, if any, redeeming qualities.
Teresa functions as a foil to Matt; the other characters often refer to her as “Mother Teresa because she’s extremely kind and patient” (27). Teresa’s daughter, Rosa, is the same age as Mary. However, when Rosa was five, she got very sick and lapsed into a coma. When she finally woke up, she had “brain damage, severe and irreversible” (279). Teresa doesn’t feel like a saint; she feels guilty for wanting to have time to herself, and even for questioning whether her prayer for Rosa to live no matter what was the “right thing to pray for” (279), considering how hard both Teresa and Rosa’s lives have been since. However, Teresa’s guilt about this only emphasizes her kindness, rather than detracting from it.
Teresa is the most empathetic character in the text, a function of her position as the parent of a disabled child. Teresa understands Elizabeth in a way no one else seems to, even if Elizabeth did hurt Henry. At the end of the novel, Teresa is the one providing Young with a home, and helping to plan and run Henry’s House. Teresa helps the others see their own way to kindness.
Pak is Young’s husband and Mary’s father. He is controlling and arrogant, particularly in the way he treats Young, who attributes this behavior to Pak being a “traditional Korean man who expected nothing but meek obedience from his wife in public” (100). However, in the last section told from Pak’s perspective, his behavior has stemmed only from wanting what’s best for his child. Nonetheless, he doesn’t understand Young’s belief, that good parents don’t just want their children to be happy, they want them to be good people.
Pak parallels Elizabeth, who spends all her time trying to “normalize” Henry but damages him in the process and ruins their relationship. Unlike Elizabeth, Pak never realizes the negative effects of his behavior. He continues to cover up the truth, even threatening to tell Abe, if Mary confesses, that she is lying to protect Pak; Pak would then get sentenced to death, which would make Mary responsible for her own father’s execution. What Pak interprets as love, others interpret as cruel; this is also true of Elizabeth.
Mary is the daughter of Young and Pak. Mary blames Young for her suffering since coming to America; she is cruel and cold to Young, despite knowing that Young did not want to come to America either. Mary doesn’t understand her cruelty toward Young, and she misses their close relationship. This complicated dynamic represents Mary’s maturity level as a teenager, as well as her place as an immigrant in the United States. Similarly, Mary enjoys Matt’s attention, but is horrified by his assault. She believes what happened was her fault, but Mary was looking for love and tenderness and was taken advantage of by a grown man.
Though Mary is responsible for the deaths of two people, she is also a sympathetic character. While the reader may not understand Mary’s thought process in starting the fire, the reader can understand that Mary was suffering. Furthermore, Mary wants to tell the truth and voluntarily decides to confess everything to Abe, despite the consequences to herself.
The other characters perceive Elizabeth as a mother who is driven to seek perfection, despite what it does to her son, Henry. Despite how Elizabeth treated Henry, she loved him; therefore, she is a sympathetic character like Mary. Elizabeth understood that her behavior was damaging Henry, not just the pinching and scratching, but the never-ending therapy and complicated diets. She finally gave herself permission to let Henry be himself, and it was only her own hubris that drove her to take Henry to that last, fatal dive. After Henry’s death and during the trial, Elizabeth suffers. When Young asks Teresa if Elizabeth deserves to be punished for abusing Henry, Teresa says:
She’s lost her only child in a horrific way. The entire world blames her. She’s lost any friend she’s had. She has nothing left in her life. So if all that happened and she didn’t set the fire? I’d say that’s enough punishment for anything she’s done (274).
This makes Elizabeth’s suicide all the more poignant.