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37 pages 1 hour read

Charlotte McConaghy

Migrations

Fiction | Novel | Adult | Published in 2020

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Part 2, Chapters 14-18Chapter Summaries & Analyses

Part 2, Chapters 14-18 Summary

Content Warning: This section mentions sexual violence

On their wedding night, Franny tries to strangle Niall in her sleep. Over the following nights she sleepwalks destructively, feeling trapped in their newfound intimacy. Hoping to hide her “ugliness” from Niall, she ties her wrists to the bed. He is upset when he finds out.

Niall accompanies Franny to Doolin to visit John Torpey. John admits that he is Franny’s maternal grandfather. His wife Maire “was a wanderer” who would vanish for days at a time, provoking John’s jealousy (131). When Iris was born, John believed she was the product of infidelity and kicked both wife and daughter out of the house. Upset, Franny quickly leaves. Niall asks why she doesn’t want to be part of John’s family. Franny says, “why would I choose someone who never chose me?” (133). She tells Niall that her mother abandoned her. Franny blames herself, saying “I always leave” (135). Niall responds by asking her if she comes back.

One morning in Galway, Franny leaves the apartment early without telling Niall and goes to Dublin. When she realizes the panic she’s caused him, she feels guilty and returns. Later, they attend a faculty party at the university, where Niall speaks bitterly about the destruction humans have wrought on Earth. Franny realizes that her love for him makes her feel bound by a responsibility she has never had before. She promises that she will never leave him “for good.”

In Chapter 16 Franny admits that Niall left her because she is “bad for him” (142), raising questions about why she continues to write him heartfelt letters.

In the narrative present, the government outlaws fishing for profit. It’s a bittersweet moment which provides a huge win for climate activists but signals the destruction of Ennis’s livelihood. Franny is torn; she knows the new law will ruin Ennis, but she also knows it will make Niall ecstatic. The Saghani is frozen in place for 30 days, after which Ennis will have to take it to his home port in Alaska under police supervision. Franny has nowhere to go—she reveals she has broken parole for the voyage, and that if she goes back to Ireland she’ll be arrested. As Franny wanders, trying to clear her head, she’s approached by one of the climate protestors who had attacked the crew. The man tries to sexually assault her. She stabs him in the throat with her pocketknife. Ennis and the Saghani crew hustle her off to the boat and they escape onto the water. Franny wonders “if this was how [her] father felt the day he killed a person” (146).

In a narrative interlude from 19 years ago, Franny sneaks into her grandmother Edith’s private lockbox, searching for information about her father. She learns that his full name is Dominic Stewart, and that he was sentenced to life in prison for strangling a man named Ray Young to death.

Part 2, Chapters 14-18 Analysis

As McConaghy delves into Franny’s past, the reader learns of additional traumatic events which contextualize Franny’s constant wandering. Her family was fractured at a young age, informing her constant search for belonging as well as her inability to settle down. Franny proclaims to desire freedom above all, but past interludes reveal that her desire for a family is just as strong as her migratory instinct. Niall accepts her frequent flights. As an ornithologist, he understands instinctual behavior. He makes peace with the fact that, like his beloved terns, Franny must stay in motion to survive.

Franny’s marriage to Niall and their domestic life in Galway conflicts with her internal wildness. Franny wants to stay put for Niall’s sake, but she has spent her entire life without close bonds and is not used to altering her behavior for another person. To Franny, love is a “ruinous binding.” She worries that their bond will turn destructive, a callback to the Atwood quote in Chapter 4.

The newlyweds’ daily life in Galway highlights the difficulty of living sustainably. Even though they are both consumed by climate anxiety, Niall to an obsessive degree, they live essentially ordinary lives. They drive, smoke, and consume more than the bare minimum of material goods. Niall is disgusted by the selfishness of humans but hesitates to act. Their situation parallels a common one in the real world. Even for those who care about the Earth, it can feel pointless to alter small-scale habits when climate change feels so out of control. Breaking out of the convenient patterns of daily life is hard. Their reluctance to act is a microcosm of the self-centeredness that has allowed humanity to destroy so much of the world.

The government’s banning of commercial fishing raises ethical questions about Ennis’s character. Ennis was raised in a long line of fishermen and is simply enacting the traditions passed down to him through decades. His need to make a living by fishing is almost as hardwired as Franny’s need to migrate from place to place. Readers are left to contemplate whether that is an acceptable justification for engaging in a practice that harms the Earth.

Though her crewmates accept that Franny killed the man who tried to assault her, Franny sees it as the ultimate manifestation of not being able to control herself. Her inner “wildness” has saved her life, but Franny takes it as proof that she is an inherently destructive person. The revelation that her father went to jail for killing another man illuminates Franny’s fear of her own nature—she worries that her father passed down some killer gene.

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By Charlotte McConaghy