100 pages • 3 hours read
Meg MedinaA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
The scene opens with Merci lamenting her sixth-grade change of fate as she sits, sweating, in Mr. Patchett’s health and PE class. She is at Seaward Pines Academy, her private school. She is grateful that the class period is being interrupted for class photos, as the next chapter in the cue is called “I’m OK, You’re OK: On Differences as We Develop” (1). Her class is escorted out into the blistering Florida summer heat, and Merci must persuade the resident mean girl Edna to join her in an illicit stroll through on-campus construction sites in order to avoid standing in line in the heat. None of the other girls will go along with Merci’s idea until Edna agrees to it. Merci carefully sizes Edna up, wondering if the girl has gotten taller since Merci last saw her in June. Edna’s blush and mascara are new additions, though.
When the group of sixth-grade girls successfully makes their detour, led by Edna, and bursts into the gym, the girls find themselves in a crowd of ninth graders. Edna searches in vain for her brother Roli: He has taken his fancy senior portrait elsewhere already and cannot come to her aid. Edna flips her long black hair and takes charge, leading the girls to Miss McDaniels, the school secretary. Miss McDaniels does not even notice that the girls have cut in line and directs them to where they are supposed to go.
Privately, Merci frets over the photo package that her family has purchased. It’s common knowledge that school portraits are the biggest fundraiser of the year—and students’ families are expected to splurge. However, Merci’s entire family lives on the same block: She doesn’t have relatives to send her portraits to, and her family doesn’t have the money to spend lavishly on her portraits. Plus, her amblyopic eye gives her anxiety about how the photos will turn out. Despite the corrective surgery she had and the eye patch she used to wear on her right eye to make the left one stronger, her eye still troubles her.
Merci watches as Edna effortlessly preens for the camera. When Hannah Kim takes her turn, Merci sneaks a shot of her on her phone and turns her into a cute giraffe with the word “Smile” on it using an app that she uses often—one that’s even better than Snapchat. She texts her creation to Hannah and then takes her own turn. The photographer takes the picture before Merci is ready, and has to take another one. When Merci makes her way back to the group of girls, Edna tells her not to worry about how the photos will come out: “You probably didn’t buy many anyway,” she says (13).
When Merci arrives at home, there is a police cruiser parked in front of Abuela’s home. Merci wonders if her twin cousins, Axel and Tomás, whom Abuelo normally picks up from school, have instead been escorted home by the police. She expects mayhem whenever her younger cousins are involved, but she also knows that something serious is occurring, and watches nervously as her mother, who has told her to remain in the car, begins to speak with the officers.
Merci can see Abuela speaking to officers. She writes, “Abuela’s face is twisted in worry, although that’s not unusual on its own. She’s the manager of the Catastrophic Concerns Department in our family, after all, so it’s pretty much her resting face. If you want to know all the ways you can be tragically hurt in everyday life, just talk to Abuela. She keeps a long list—and she doesn’t mind sharing details” (15). She adds a long laundry list of the tales of doom that Abuela spins regarding everyday hazards—and sympathizes with Lolo for the way that she pesters him especially.
As Merci jockeys for a better vantage point and asks Roli questions, Roli simply hushes her, as he is trying to eavesdrop. Merci notices that Lolo is in the cruiser’s backseat. She watches as the officer asks her mother where the twins live. Her mother, flustered, explains the family living arrangement, which is often confusing to other people: “Our three flat-top houses are exact pink triplets, and they sit side by side here on Sixth Street. The one on the left, with the Sol Painting van parked out front, is ours. The one in the middle, with the flower beds, is where Abuela and Lolo live. The one on the right, with the explosion of toys in the dirt, belongs to Tía Inés and the twins,” explains Merci (18).
Merci feels unsettled and nervous as she eyes the officer’s billy club and gun. As the officer takes Merci’s mother out of earshot, Merci goes to the open-doored cruiser to talk to Lolo. When she asks Lolo to tell her what the twins did, he insists that they are innocent. He also claims that his glasses are faulty. The twins come barreling out of their home’s back door, and Merci makes them tell her what has happened. They tell her that Lolo insisted on trying to bring home the wrong set of twins—the Vietnamese twins in a different class. Merci turns to Lolo, whose cheeks are flushed and who will not meet her eye. He grouses about the way that parents yelled at him and treated him like a criminal, insisting that more respect should have been shown to him as an elder. The twins report that the police were called and a school mother recorded the incident with her phone.
Merci, beginning to sweat in the summer heat again, invites Lolo over for a snack so they can both decompress. She wants to tell him about picture day, and intimates that she prefers to bring her troubles to him rather than to her mother, whose constant optimism often makes her feel that it’s her own fault when things go wrong for her. They have a tradition of sharing a snack after her schooling and talking about each of their days. However, Lolo is preoccupied and tells Merci to go in without him. A storm gathers and begins, but Lolo will not be roused from the police cruiser by neither his wife nor his daughter.
These opening chapters introduce Merci’s school realm and family realm. Chapter 1 highlights Merci’s struggles at Seaward Pines—most saliently the bully and mean girl Edna, whose pretty, feminine appearance, class privilege, and imperious mean streak foil Merci and make her feel inadequate and unattractive in comparison. Merci also does not feel that she belongs at Seaward Pines, as a scholarship student who does not have the same means as her peers, and also as a newer student who joined the school only last year.
On the home front, Chapter 2 highlights the seriousness of Lolo’s advancing Alzheimer’s, which has led to his profound disorientation and combativeness during the incident at the twins’ school. Merci, who is still ignorant to Lolo’s diagnosis, is upset and scared by the ordeal but does not see it as serious, nor as an indication of the troubles yet to come due to Lolo’s disease. In her ignorance and childishness, she is still preoccupied by her own trying day and eager to hash it out with Lolo, her most trusted confidante. However, his stubborn refusal to exit the police car and join her in their customary afternoon snack foreshadows the fact that his Alzheimer’s disease will wrench him from his own identity and his role in the family.
Aging
View Collection
Books About Art
View Collection
Cuban Literature
View Collection
Diverse Voices (Middle Grade)
View Collection
Family
View Collection
Fiction with Strong Female Protagonists
View Collection
Juvenile Literature
View Collection
Newbery Medal & Honor Books
View Collection
Realistic Fiction (Middle Grade)
View Collection