51 pages • 1 hour read
William ShakespeareA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Vincentio arrives at the city gates once again dressed as the Duke. He greets Angelo and proclaims that he has heard good things about the justice done in the city. Isabella comes forward and accuses Angelo of being a murderer and a violator of her virginity. Angelo denies it and Duke Vincentio pretends not to believe Isabella, suggesting that she might be mad. However, Isabella gives a clear and rational account of her bargain with Angelo and Duke Vincentio declares that mad people are rarely so logical. He asks for evidence, and Isabella and Friar Peter tell him that another friar called Friar Lodowick—actually the Duke’s former disguise—can confirm their testimony.
Angelo suggests that this might be a conspiracy against him and that the women are being manipulated by Friar Lodowick. Lucio agrees, claiming that Friar Lodowick is a scoundrel who insulted the Duke, when, in fact, he was the one who insulted Vincentio. The Duke proclaims that they must find the friar and interrogate him. As Isabella and Friar Peter go to fetch Friar Lodowick, Mariana steps forward and claims that she was actually the one who had sex with Angelo, who was her husband despite them not being wed. Angelo denies this as well.
At the palace, Vincentio puts on his Friar disguise again and appears before Escalus and Angelo for questioning. When Lucio accuses him of insulting the Duke and slandering the state, Vincentio knowingly replies, “I love the duke as I love myself” (V.1.2756). Lucio continues to accuse him of insulting the Duke and wrestles with him, causing his hood to fall back and revealing Friar Lodowick to be Vincentio in disguise. Angelo immediately confesses his guilt and begs to be executed. Vincentio commands him to marry Mariana first so that she will not be dishonored and his estate will go to her. They are led off to be wed. Isabella apologizes to Vincentio for not recognizing him as her sovereign and he comforts her, continuing to pretend that Claudio is truly dead.
Angelo returns, married to Mariana, and Vincentio declares that he must be executed because he hypocritically killed Claudio for the same offense. The law, Vincentio argues, demands that crimes are paid for with equal punishment. Mariana, however, begs for mercy, asking for Angelo to be spared even though she now has the money to find a different husband. Vincentio refuses, but Mariana continues to plead, asking for Isabella to join her as well and plead for Angelo’s life. Even though she believes that Angelo killed her brother, Isabella kneels and asks Vincentio to spare Angelo because he did not actually violate her, even if he intended to do so.
Vincentio commands the provosts to go and fetch the prisoners who have not yet been executed. Barnardine appears with Claudio, his identity concealed with a muffler. Vincentio takes off the muffle and reveals that Claudio is alive. He asks Isabella to marry him in exchange for saving her brother. She does not reply.
Finally, Vincentio condemns Lucio to be hung for slandering the Duke, but proclaims that first he must marry the sex worker whom he impregnated. Lucio begs not to be made a cuckold—a man whose wife has slept with other men—before his death, but Vincentio refuses. Angelo is spared and allowed to live as Mariana’s husband and they all return to the palace.
The conclusion of Measure for Measure turns the tragic elements of the plot into an ending more suitable for a comedy and resolves the unsettling paradoxes of justice and hypocrisy through the application of The Miraculous Nature of Mercy. While Angelo deserves to die by the decree of the law and he even asks to be executed after he confesses his guilt, the play ends with multiple marriages rather than deaths.
After Vincentio’s scheme comes to fruition and his Friar Lodowick disguise is removed during a scuffle with Lucio, the duke commands that Angelo’s punishment should suit his crimes—since he ordered Claudio to die for the sin of fornication, he should thus be executed. While this is a fair and reasonable application of the law, Mariana intervenes and begs Vincentio to spare Angelo’s life. Remarkably, she asks Isabella to join her in pleading for mercy, despite the fact that Isabella has lost her brother and nearly her virginity to Angelo. Isabella surprisingly agrees and pleads for Angelo to be spared because he did not technically accomplish his goal of fornicating with her, but rather consummated his half-complete marriage to Mariana. She no longer expresses anger at Angelo for Claudio’s death, stating, “My brother had but justice / In that he did the thing for which he died” (V.1.2883-2884). Thanks to her intervention, Vincentio spares Angelo and allows him to remain married to Mariana.
After this moment of miraculous Mercy, Vincentio appears to perform another miracle when he restores Claudio to life. By sparing Angelo’s life, Isabella is repaid with the life of her brother. Furthermore, Vincentio turns this gift into a proposal of marriage, telling Isabella, “If he be like your brother, for his sake / Is he pardon’d; and, for your lovely sake, / Give me your hand and say you will be mine” (V.1.2935-2937). Isabella never responds to this proposal, although the end of the play implies that they will continue to discuss marriage once they return to the palace together. By leaving her response ambiguous, Shakespeare allows room for some ambiguity in this happy ending. Isabella intended to enter a convent and become a nun, living as a virgin for the rest of her life. While she has escaped the coercive sexuality of Angelo, she has no power to refuse the duke when he decides to offer her a legal and Christian marriage. Her silence might represent assent, but it also leaves room for the possibility that she is dissatisfied by the outcome and simply has no agency to refuse. This ending contributes to Measure for Measure’s status as a “problem play”—one that does not fit neatly into the category of comedy or tragedy (See: Background).
While Claudio and Angelo are both forgiven for their sexual sins, receiving mercy and the opportunity to live in legal marriages, one character is executed at the end of the play. Through his disguise, Vincentio has ascertained that Lucio impregnated a sex worker, refused to marry her, and left her with a child to raise. For this reason, the duke sentences him to be forcibly married to the sex worker and then executed. Lucio protests his sentence, trying to argue that he should be granted mercy for his role in exposing Vincentio’s disguise when he says, “Your highness said even now, I made you a duke: / good my lord, do not recompense me in making me a cuckold” (V.1.2961-2962). However, Lucio does not receive mercy. Without a woman to intervene and plead for his life, he is left to suffer the penalty of the law. Through this ambiguous ending, Shakespeare affiliates mercy with the persuasive power of women, who provide an antidote to the strict and often hypocritical civil justice enacted by men. Virtuous women like Isabella offer mercy even when it is undeserved, making her a Christ-like figure within the Christian context of the play. The marriage of Vincentio and Isabella therefore also suggests an ideal balance between strict earthly authority and heavenly mercy, reconciling Earthly and Divine Justice.
By William Shakespeare