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37 pages 1 hour read

Leslie Marmon Silko

Lullaby

Fiction | Short Story | Adult | Published in 2002

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Character Analysis

Ayah

Ayah is an elderly Navajo woman who lives in her family’s ancestral hogan (a traditional Navajo structure) in New Mexico. Unlike her husband Chato, she speaks only Navajo, and she is suspicious of contemporary American society as a result of the losses she has suffered; her eldest son Jimmie died while serving in the U.S. Army, and her two younger children, Danny and Ella, were taken from her by the government after testing positive for tuberculosis. Ayah remains proud and defiant in the face of her grief, thanks in large part to her ongoing sense of connectedness to her ancestry, culture, and homeland. Nevertheless, the loss of her children to white America, as well as the broader encroachment of American society on Navajo life and culture, compromises Ayah’s understanding of the world and her place within it. It is only as the story ends that she recovers some sense of equilibrium, reconciling with her long-estranged husband and easing his way into death the way a mother sings her child to sleep. 

Chato

Chato is Ayah’s husband of forty years. He speaks both English and Spanish, and he has spent much of his life driving cattle for a white rancher. Ultimately, however, his faith that he can make his way in white society proves misplaced when the rancher fires him when he grows old. Chato’s willingness to interact with white American culture also causes a rift with Ayah, who blames him for teaching her to sign her name in English, and thus, blaming him for the loss of Danny and Ella. By the time the story takes place, Chato’s health is frail; he has developed a drinking problem, funded primarily by his welfare checks, and he is suffering from some form of dementia. His mental deterioration is highly symbolic, given Chato’s enduring willingness to assimilate, which is an act of ethnic and cultural forgetting. At the same time, Chato’s memory loss is part of what enables his reconciliation with Ayah, since it reduces him to a childlike state; at the end of his life, she can care for him as if he were her child. It is implied that Chato freezes to death at the end of the story. 

Jimmie

Jimmie was Ayah and Chato’s eldest child; he died in a helicopter crash while serving in the U.S. Army. His death is symbolic of white American treatment of Native Americans, which not only exploits men like Jimmie but destroys their future as a people. In losing Jimmie, Ayah also loses the hope of passing her culture on to the next generation; she believes that Jimmie would have prevented Ella and Danny from being taken from her if he had been alive. Jimmie’s Army blanket provides Ayah with a sense of cross-generational unity because it enables her to remember the blankets her own mother and grandmother used to make.

Danny and Ella

Danny and Ella are Ayah and Chato’s two surviving children. When Danny was a young boy and Ella was a toddler, they were taken into government custody after Ayah unintentionally waived her parental rights. The ostensible reason for rehoming the children was to treat them for tuberculosis, but on the few occasions Ayah was able to see them after they were taken from her, she observed that they had also been culturally indoctrinated. By their second visit, they had lost the ability to speak Navajo, and thus, their ability to communicate with their mother. In this sense, the children are less characters than symbols of the decline of traditional Native American culture and the alienation of younger generations from their historical identity. 

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