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Elizabeth StroutA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Lucy Barton is the protagonist of Lucy by the Sea. She was born and raised in the small town of Amgash, Illinois before leaving for New York City. Her childhood was one of impoverishment and abuse, and Lucy has become a well-known writer due to her memoir about her childhood. When the novel opens, Lucy is living alone in New York City—her husband David, a cellist, died about a year earlier, and she is still grieving.
Lucy is primarily characterized by her need to understand, or at least to attempt to. Throughout the novel, she is thoughtful and empathetic; she is always willing to reconsider what she thinks she knows. Lucy isn’t afraid to ask about things she doesn’t understand, and when she receives the answer, she consistently replies: “I get it” (32). Her willingness to absorb a new, sometimes painful understanding and change her perspective is a defining characteristic.
Lucy is also unafraid to admit when she is wrong, and strives to see things from different perspectives. She struggles to understand the monumental events that are happening around her: the Covid pandemic, George Floyd’s horrific death, and the January 6 insurrection. As an affluent white woman, she lives a privileged life in New York. That life in New York disappears, maybe forever, as the pandemic forces change upon her. Moving to rural Maine gives her the opportunity to use her childhood experience to understand different perspectives on events.
Lucy is a worrier, and feels deeply connected to her daughters. During the pandemic, she grapples with the separation between them. Strout explores the theme of The Changing Role of Motherhood through Lucy’s journey to understand her new, more adult relationship with her daughters. Lucy is also reminded, throughout the novel, of The Loneliness of Being Human. Lucy increasingly finds respite from isolation and other uncomfortable truths in the natural world of rural Maine.
William Gerhardt is Lucy’s first husband—they were married for 20 years before they divorced due to his repeated infidelity. He and Lucy have been divorced for nearly 20 years at the time the novel begins. He is recently divorced from his third wife, Estelle, with whom he has a 10-year-old daughter, Bridget. He is 71 years old when the pandemic begins.
Although William and Lucy are close due to their nearly 40-year relationship, he is a very private person. As Becka comments: “It seems like Dad always needs to have secrets” (283). This is one of his key character traits. For example, Lucy discovers, during their time in Maine, that William had prostate cancer and a botched surgery. He had told no one, not even Estelle, to whom he had still been married at the time. He doesn’t often share his feelings, but he opens up to Lucy during the novel, and they reconnect in a new way.
William is a parasitologist, which is the reason he is so quick to act when the Covid virus descends on New York City. He has recently discovered he has a half sister, Lois, and over the course of the novel, he connects with her. He also develops a new career in Maine, working with the university to help farmers with potato parasites. By the end of the novel, William has bought the house they are living in, and has convinced Lucy to stay with him in Maine.
Throughout the novel, William struggles with regrets over the way he has lived his life. In a letter to Lois, he confesses that “he had lived the life of a boy and not a real man, and he was very sorry that this was the case. I guess many of us have regrets, he wrote, but my regrets seem to grow as I get older” (76). He is deeply ashamed of his infidelity during his marriage to Lucy. Another regret William faces is the source of his wealth, which came from his grandfather’s war profiteering in World War II. While his father refused the money, William took it. While in Maine, he finds the abandoned tower on the coast that was used during World War II to look for German submarines, and his guilt comes to the surface.
Bob Burgess is one of the first people that Lucy meets when she and William arrive in Maine. He is another recurring character that appears in Strout’s fictional world of Crosby, Maine, first in her novel, The Burgess Boys (2013). Believing himself to be the cause of his father’s death, Bob was shocked later in life when his brother, Jim, admits that he had been the cause, and had let Bob take the blame for most of their lives.
Bob lived in New York City years ago and was married to Pam Carlson, with whom William had an affair. Now, he is a lawyer in Crosby and is married to Margaret, a Unitarian minister. He misses New York, yet at the same time, shares Lucy’s fear that he will not be able to go back after the pandemic is over.
When William and Lucy arrive in Crosby, Bob arranges for their house rental and brings them groceries. He is thoughtful and nonjudgmental—he is a good listener, and Lucy finds great comfort in his presence. This is partly due to their common background. Although Bob’s family was not as poor as Lucy’s, he understands her memoir in a way that no one has—“you think it’s about mothers and daughters, which it is, but it’s really, or it was to me, about trying to cross class lines in this country” (32). Lucy thanks him for being one of the few people to really understand her memoir, and from then on, considers him a true, close friend.
Chrissy Gerhardt is Lucy and William’s oldest daughter. She is married to Michael, a financial advisor. When Covid hits New York, she and Michael take William’s advice and move to Michael’s parents’ house in Connecticut. During the year that the novel spans, Chrissy has two miscarriages, contracting Covid in the emergency room after the second one. She has had one miscarriage previously, and struggles with the deep grief of three lost pregnancies.
When, near the end of the novel, Chrissy considers having an affair, Lucy warns her: “Chrissy this is about loss. You’ve lost three pregnancies and you’re angry. That’s really understandable. But don’t blow your marriage up over it” (266). Chrissy initially blames her impulse on Lucy and William’s news that they are getting back together. However, she sees the truth of Lucy’s words, and decides to reconcile with Michael.
In the course of their conversation, Lucy is able to reconnect with her daughter, but as two adult women. Although Chrissy is her daughter, Lucy helps her by being frank about the reasons behind her own affair. Her conversation with Chrissy shows how Lucy has grown as a mother; she recognizes her daughters’ adulthood and autonomy, and allows herself to be honest about her own choices.
Becka Gerhardt is Lucy and William’s younger daughter, a social worker for New York City. At the beginning of the novel, she lives in Brooklyn with her husband, Trey, and they decide to stay, despite William’s advice. Later, when she finds out that Trey had been preparing to leave her, they are forced to continue to live together due to lockdown. She relies heavily on phone conversations with Lucy until William is able to arrange for her to get out of the city and join Chrissy and Michael in Connecticut. By the end of the novel, Becka has left her career as a social worker, and has been accepted into Yale Law School.
Becka’s changing relationship with Lucy is another way that Strout explores The Changing Role of Motherhood. Throughout the novel, Lucy deals with the pain of being physically separated from her daughters, but also of discovering that they are becoming more independent. As Chrissy points out, this means that she has done her job as a mother with regards to Becka: “I think she doesn’t need you like she used to. Even those years married to Trey she still needed you, but, Mom, you did your job. She’s on her way” (130). Becka is insightful when she expresses reservations about Lucy and William’s rekindled relationship. She is protective of Lucy and suspicious of William and his motives, her observations of him so sharp that they cause Lucy to question her decision.
Becka is an example of someone who did not leave New York when Covid arrived. Her experience shows the difficult decisions and predicaments faced by those who were in lockdown in an urban environment. As she says: “Mom, it’s awful, there are refrigerator trucks right outside our apartment building filled with people who have died” (29). Through Becka, Strout offers another perspective on the pandemic. Unlike Lucy, she is not removed, but instead living at the very center of it.
By Elizabeth Strout