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50 pages 1 hour read

Jason Reynolds

Lu

Fiction | Novel | Middle Grade | Published in 2018

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Character Analysis

Lu Richardson

Lu Richardson is the story’s protagonist. Lu experiences many changes throughout the text which cause him to grow and mature. One change Lu experiences is a shift in his family role. When he learns that his mother is expecting a new baby after being told she would be unable to carry another child, Lu experiences insecurity about his place in his family. He states, “I wasn’t supposed to even be born. So, another baby was almost impossible. A miracle with some extra miracle-ness sprinkled on it” (9). Initially, Lu feels that having a new baby sibling takes away from his place in the family.

Sensing this, Lu’s father tasks Lu with choosing his baby sister’s name. Lu takes this responsibility seriously, and by the end of the text he decides to name her Light. Choosing his sister’s name also encourages Lu to reframe his feelings about this change to his family dynamic. As Lu matures, he realizes the importance of being a positive role model for his sister. This idea solidifies for Lu when he sees Coach Whit encourage her brother Torrie “the Wolf” Cunningham to go to rehab. At that moment, Lu decides, “I wanted to be a real big brother. A big big brother. And not just when she was little” (181). He no longer views his little sister as taking something away from him, but an opportunity to grow and become a better version of himself for her.

Lu’s sense of integrity develops throughout the text as well. Lu learns that even adults need help at times making the right decision, which he learns through helping his father return Coach’s gold medal. The gold medal becomes an important symbol of integrity, an innate and unwavering sense of right and wrong. Lu shows this when he convinces his teammates to forfeit their championship meet to support Coach and his family at the hospital.

By developing his integrity, Lu also strengthens his confidence and overcomes obstacles. Lu carries some insecurity within himself because of his albinism. He tries to mask this by wearing gold chains and diamond earrings, which he believes makes him look cool and therefore inoculates him from teasing. What Lu learns throughout the text is that his gold jewelry may look cool, but that it acts as armor “made out of fly” (156). When Lu decides to stop wearing his jewelry, he decides that he is enough on his own without physical adornments; he no longer needs to dress a certain way to feel good about himself on the inside.

Once he gains this sense of inward confidence, Lu can forgive those that have harmed him in the past, especially his classmate Kelvin Jefferson. When they run into each other again at the basketball court intervention for the Wolf, Lu notices Kelvin’s sneakers are second-hand from his friend, Ghost. Instead of teasing Kelvin about his “bashed-up shoes” (178), Lu decides: “You saw nothing. And he ain’t see you see nothing. Nothing at all” (178). Lu forgoes commenting and instead the two boys sit in companionable silence, coming to an unspoken agreement that they no longer view each other as enemies. 

Gordon “Goose” Richardson

Gordon “Goose” Richardson is Lu’s father. Lu has immense respect for his father at the beginning of the text. Lu describes his father as “literally the coolest dude I know [...] Matter fact, he might be the coolest dude anybody knows” (48). Lu wears a string of gold chains around his neck and diamond earrings, gifts from his father, to try and emulate his father’s style. However, what Lu learns about Goose throughout the text forces him to grapple with his perception of his father and to come to a deeper understanding of him and what it really means to be cool.

After enduring bullying over his stutter as a teen, Goose sought out social status by any means necessary, which led him to dealing drugs. Goose acts as a reminder that good people can cause harm, and that while some mistakes cannot be fixed, it does not mean that one cannot do the right thing to try and make reparations. Goose shows this in giving back the medal to Coach, as well as in his work as a rehab recruiter. Goose shows that one’s entire life need not be defined by their worst choices, and Lu helps Goose come to this realization. After returning the medal to Coach, Goose thanks Lu for encouraging him to do something he was afraid of: “I think there’s some things in you that you see in me, that I didn’t even know were there” (164). He also shows that he wants more for his son and encourages Lu’s sense of integrity by telling him that he is proud that Lu’s own struggles with albinism and insecurity haven’t led him down a similar path: “I’m just saying that I’m happy you haven’t let the … pressure make you small. That you haven’t let it eat you” (164). Through Lu, Goose learns that it is never too late to try and make amends and decides to return the medal to Coach solely because of Lu’s influence.

By admitting his mistakes and returning the medal to Coach, Goose shows Lu the importance of confronting one’s hurdles head-on rather than letting them get bigger and more insurmountable over time. Goose teaches Lu the meaning of integrity. Though Lu no longer needs his father’s armor via the gold chains, at the end of the text, it is significant that Lu chooses to wear one of them: “Then I grabbed one chain–just one–and put it around my neck. I mean, they were my father’s. And I’m his son. Gold. Shining. Cool” (195). The gold chains no longer symbolize Lu’s pursuit of social status and coolness; instead, they symbolize a way to honor and connect his identity to his father’s, who Lu once again views as a role model. 

Otis “Coach” Brody

Coach is another example in the text that good people can make mistakes and cause harm, sometimes without realizing it. Coach grew up in a challenging home: his mother worked constantly while his father was addicted to drugs. Despite these challenges, Coach made a name for himself as a runner, going as far as to win an Olympic gold medal and now tries to help burgeoning athletes in his community experience similar success. And yet, Coach still caused harm to others by constantly making fun of Gordon Richardson, cementing his nickname of “Goose.” Even Goose admits to Lu that “I don’t think he, or any of them, meant it to be mean. It was just something everybody was in on” (51), and yet it still pushed Goose down the path that led him to sell drugs and harm his and others’ lives.

Regardless of his past mistakes, Coach proves himself to be a dependable adult in many of his athletes’ lives, including Lu’s. Coach relentlessly supports his athletes, even though at times his support comes across as tough love. An example of this is when Coach has Lu practice jumping hurdles without his contact lenses, without which he can only see far distances. Coach rationalizes this: “You don’t have to see the hurdle to know it’s there. You’ll feel it in your way. And sometimes timing is all you need to get over it” (101). Much of what Coach says is both literal and metaphorical. In this case, Coach creates a timing routine for Lu to successfully jump the hurdles, but his statement also encourages Lu to remember that when it comes to overcoming obstacles, sometimes one just needs to wait until the right moment to surmount it. Lu remembers this when approaching hurdles in his personal life, such as his lingering problems with Kelvin, his relationship with his father, and his new baby sibling.

The bonds Coach forges amongst the Defenders appear at the end of the text when they all (led by Lu) decide to forfeit the championship meet to go to the hospital to support Coach and his family. In a final speech to the Defenders, Coach articulates an important message in the text about how nobody is perfect: “if we push, if we aren’t scared to be scared, if we’re not terrified of being uncomfortable, if we can trust ourselves and be honest about where we fall short [...] and can accept a little help, which we all need sometimes, we can be…good” (214). Many characters, such as Goose and Lu, learn this lesson throughout the text. Lu learns to trust himself, forgive others, and not chase social status at the cost of his integrity. In doing so, Lu grows and leads his team to support Coach in his time of need. Through his coaching, Coach helps Lu become a better version of himself.

Christina Richardson

Christina Richardson is Lu’s mother and an enormous influence in Lu’s life. She looks out for Lu and tries to instill a sense of confidence in Lu that comes from within rather than relying on outward appearances. Lu expresses disappointment in having a baby sister rather than brother, in large part because he wanted to see “what I would’ve looked like if I was… normal” (46). Christina is quick to remind Lu that there is no such thing as “normal” and reframes Lu’s thinking to build him up: “And even if she doesn’t look like you, she is going to look at you. And you know what she’s gonna see? [...] Herself. [...] She’s gonna see herself, son. In you” (46-47). Christina reminds Lu that appearances are not everything, that what makes him different makes him special and unique, and that outward appearances are not what will tie him to his baby sister.

Christina’s insistence on teaching Lu to look beyond outward appearances often involves fruit metaphors: “You thought eating an orange was like eating an apple. Just bit into it [...] And then I taught you how to peel it. Told you that skin is part of the orange, but not all of it. It’s just there to protect all the sweet stuff on the inside” (139). This lesson echoes for Lu later in the text when he finally forgives his former childhood bully, Kelvin, and understands that Lu unfairly judged him based on appearances.

Christina also owns and runs a fruit sculpture business, and during the summers Lu helps his mother deliver the sculptures. Christina sees potential in things rather than what they appear to be on the surface. An example of this is when she builds the camel out of blended kiwi and banana: “she started taking the leftover skin from all the kiwis I peeled and began laying it on top of the kiwi-banana blend. What… the?” (112). Her method seems odd to Lu, and yet when she has done, she has created a camel out of fruit. Christina views people the same way. When Lu is angry with his father after learning more about his past mistakes, it is Christina who reminds Lu that there is more to his father than the wrong he has done: “When I met him, your dad was a street dude. At least that is what everybody said. But after I started talking to him, I realized he was more than what people thought about him. He was more than his stutter. More than Goose” (147). Through this, she teaches Lu to have compassion for others and to bear in mind that people are more than what they present themselves to be. 

Kelvin Jefferson

Kelvin Jefferson is a former classmate of Lu’s who serves as one of his antagonists. Though a minor character, Lu’s old school bully teaches Lu an important lesson about having compassion for others. Kelvin is also the reason that Lu begins running track in the first place. After running home instead of staying after school to fight Kelvin, Lu’s mother signs him up for track practice. Kelvin treats Lu poorly. He makes fun of his albinism and uses all sorts of similes to describe Lu’s albinism which haunt Lu, though he retaliates, as well.

The narrative alludes to Kelvin’s “stuff going on at home” (77) which suggests that he experienced abuse before moving in with his grandfather. Lu notes that “he had all these dark spots on his arms and legs. Purple and blue. Told him it looked like God was trying to make a leopard but halfway through changed his mind and decided to make a loser” (73). Erroneously, Lu believes that Kelvin should be immune to struggle or abuse because of his size: “He is big for his age. Too big. It don’t even really look like he was born, but instead was built [...] That’s how I knew them purple and blue spots weren’t bruises [...] Couldn’t have been, because nobody was big enough to bruise Kelvin” (74). Kelvin’s size, and his penchant for bullying Lu, prevents Lu from seeing Kelvin as a person with his own problems and vulnerabilities.

By the end of the story, when Lu sees Kelvin crying at the basketball court intervention for Torrie Cunningham, Lu gains insight into what Kelvin suffered at home. As he sits next to Kelvin on the court, Lu sees that Kelvin’s arms are no longer covered in bruises. When the Wolf says that he will go to rehab, Lu is surprised to see Kelvin crying: “Looked at me, face all wet, and was different. Like his skin had been peeled back, and whatever was underneath was what connected him, somehow, to what we were all watching. I put my hand out. He gave me a five. And I left” (182). In this scene, Lu describes Kelvin almost like an orange that, when peeled, exposes something new and unexpected beneath. Seeing Kelvin like this also enables Lu to understand on some level that Kelvin has suffered, and that this contributed to Kelvin’s treatment of Lu in the past. Watching the Wolf accept help and decide to get sober reminds Kelvin of some aspect of his own story that Lu, while not privy to the finer details of, understands. As Lu navigates his own insecurities and figures out what kind of person he wants to be, forgiving Kelvin enables Lu to move past his former hurt and step into a new phase of life.

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