45 pages • 1 hour read
Alice OsemanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The Shakespeare Society meets to rehearse a scene from Much Ado About Nothing. Georgia struggles being the romantic lead. Pip and Rooney argue over directing, performing the romantic roles in the scene to demonstrate their vision. Georgia, Jason, and Sunil are hypnotized by their energy. Later, Georgia and Jason talk about the sexual tension in Much Ado About Nothing. Jason says sex is fun, but he wouldn’t mind being in a relationship with someone who didn’t want to have sex. Georgia is pleasantly surprised by this. She likes the idea of being in a loving relationship without sex, even though she assumed sex would naturally come with such a relationship.
For a long time, Georgia felt embarrassed about being a virgin, but now, she’s learned from Sunil and Jason that sex is not necessarily a requirement in relationships. She discusses sex with Rooney, and Rooney asks if she masturbates. Georgia does masturbate, inspired by the chemistry between characters in fanfiction. Rooney thinks about both men and women when masturbating, and is perplexed that Georgia doesn’t imagine herself having sex with people in her fantasies—not even celebrities. This confuses Rooney, which confuses Georgia because she assumed fantasizing about celebrities only happened in movies. Georgia decides to text Pip for her input as well. Rooney thinks this is a good idea, and Georgia teases her for being interested in Pip’s opinions about sex. Pip says she pictures herself having sex with celebrities and other real people. Georgia is horrified that she’s never considered this a real possibility. At a loss for words, Rooney simply advises against doing anything she doesn’t want to do, such as having sex with Jason.
Georgia and Jason go on their third date. She mentions Rooney thinking it odd that they haven’t kissed yet, but Jason says there’s no rush. He spills hot tea on himself, and Georgia helps him cool the burn, putting them in close proximity. He searches her face for signs that he can kiss her. Georgia feels dread, but is determined to kiss Jason. He leans in and kisses her.
Georgia’s first kiss with Jason is terrible: She “felt a deep, empty dread in the pit of my stomach. I hated how close he was. I hated the way his lips felt against mine” (211). Jason can tell she didn’t like the kiss, and assumes she isn’t into him. When Georgia explains she wanted to see if she could fall in love with him, she realizes this sounds like she was using him. Jason is hurt because he has feelings for her.
Georgia now believes romance and marriage will never be part of her future, even though she’s long fantasized about her wedding. She realizes “even though I’d longed for these things, I knew that they’d never make me happy anyway” (214).
After a study session, Georgia and Pip return to Georgia’s dorm to find Rooney crying in bed. Pip tries to comfort her, but Rooney demands that she leave. Georgia asks what’s wrong, and Rooney says she just had sex with a boy, but it made her feel lonely and sad. Georgia and Rooney get into bed and watch silly YouTube videos. Eventually, Rooney tells Georgia about her ex-boyfriend, whom she had been with for three years in high school. She says she’s never liked anyone the way she liked him, except now, she likes a girl who can’t stand her—Pip. Georgia suggests that she wants a real relationship.
Georgia texts Jason, but he doesn’t respond. When he shows up to the Shakespeare Society’s rehearsal, he doesn’t speak to her. Rooney brings Pip a coffee, which pleases her. Pip proposes that they include Georgia in a scene from Twelfth Night as a clown; to her surprise, Rooney agrees. Georgia performs a monologue and is applauded.
The Shakespeare Society continues to rehearse their scenes in preparation for the Bailey Ball, a formal dance for St. John’s College. Rooney replaces Georgia as Juliet in Romeo and Juliet. Georgia appreciates the rehearsals for distracting her from her identity crisis. She notices Rooney is acting differently, not going out anymore. Neither Georgia nor Rooney checks in with each other, too consumed with their own conflicts.
Georgia prepares for the Bailey Ball. In the past, she would have dressed for potential partners, but now, she dresses for herself. The theme of this year’s ball is Romeo and Juliet. Georgia and Rooney get drunk. Rooney leaves her, Jason, and Pip, claiming she has other friends to hang out with—which Georgia questions. Georgia asks Pip about her crush on Rooney, making her defensive. She then looks for Rooney, worried she’ll do something she regrets.
As Georgia looks for Rooney, she notes that because of the ball’s theme, every song played is a love song. She feels sad, being surrounded by flirting and lovestruck students. Pip finds Georgia before Georgia can find Rooney; together, they find Rooney. Pip and Rooney stare at each other with such passion that Georgia gets jealous of their connection. They go to a bouncy castle in which a game, “The Capulets vs. The Montagues,” is played. Pip and Rooney go in, the goal of the game being to knock each other down. Pip wins, and Rooney storms off. Pip follows, accusing Rooney of hating her. Georgia wants to intervene, but passes out from drinking.
Pip and Rooney shake Georgia awake. As they walk her to a separate room to take a break, a friend of Pip’s invites her to dance. Rooney assures Pip that she’ll take care of Georgia. She and Georgia watch a screening of Romeo and Juliet in a quiet room. Georgia tells Rooney about calling things off with Jason, and that she’s not into boys. Rooney gets excited about helping her find a girlfriend, but Georgia says she doesn’t want this either. When Georgia tries to explain her asexuality, Rooney proposes that they kiss to see if she likes kissing girls. She kisses Georgia, and Pip walks in on them before cursing them out.
Rooney and Georgia chase after Pip, trying to explain what happened. Rooney says the kiss was her fault, as was Georgia dating Jason. Pip is enraged that Georgia used Jason. Rooney then accuses Pip of hating her for being close with Georgia. Georgia tries to talk to Pip but can’t find the words. Pip runs off.
Georgia stays up until 6 am, as ball attendees who stay up all night are called survivors. She can’t find Rooney or Pip. Sunil runs into her, and she tells him that she thinks she might be asexual. Georgia doesn’t know what to do about it, but Sunil says there’s nothing to do, that her only responsibility is to be herself. She worries she’s nothing, and he reassures her.
In Part 3, Oseman explores the realities of sexuality and masturbation. Self-pleasure can be an important part of developing sexual identity. Rooney and Pip both easily fantasize about sex and describe the instinct as something that happens without their summoning it. This ability to indulge in fantasy is surprising to Georgia, her lack of instinct being another way in which she feels different from others. However, these open, somewhat embarrassing conversations are important. They help Georgia face her illusions about sexual fantasies, an important step in figuring out her own asexuality. A major moment of growth is when she tells Sunil about being asexual. In sharing her vulnerability with a new friend, she takes the next step in claiming her identity. This emphasizes the theme of Identity and Self-Acceptance.
However, Georgia finding herself comes at the cost of other people. Though she doesn’t intend to hurt anyone, she hurts her friends’ feelings because she is consumed by her own conflict. When she gives Jason the signal to kiss her, she completes her use of him as an experiment. It takes Georgia a moment to realize this is what she’s doing because in her mind, her intentions were genuine. She genuinely believed she could pursue a relationship with Jason because she lied to herself about not being attracted to him. However, these lies damage her friendship with Jason. Feelings are complicated, for both people figuring out their sexuality and people like Jason (as well as Pip and Rooney) who are guarded. Georgia didn’t realize how much Jason liked her, their damaged friendship threatening her sense of self because their friendship is a comforting, stable relationship—the type she turns to rather than romance, as an asexual person. This uncertain time is when Georgia most needs her friends, but she can’t be honest with them when she’s not being honest with herself.
Georgia’s conflict with Jason escalates into another experiment: She drunkenly agrees to kiss Rooney to test her attraction to women. She doesn’t think through what this would do to Pip, who walks in on them. Pip’s feelings are hurt because she likes Rooney. Even if she knew about Georgia’s exploration of her asexuality, Georgia still kissed the object of her friend’s affections. Pip and Jason, like Georgia, are going through their own journeys. Pip is more confident in her sexuality, but also harbors low self-esteem. Therefore, seeing Rooney seemingly choose Georgia over her threatens her self-esteem. Overall, the three struggle to be honest about their feelings: Georgia doesn’t tell her friends about being asexual, Pip refuses to admit to her crush on Rooney, and Jason has long kept his crush on Georgia to himself. By isolating themselves, they find themselves in a more precarious conflict. This emphasizes the themes of Identity and Self-Acceptance and The Power of Platonic Love.
Rooney struggles with her own journey as well. The more she insists she enjoys casual sex, the more Georgia suspects she is not being honest with herself. Casual sex can be pleasurable, but it’s not giving Rooney the companionship that she longs for. She starts feeling lonely and depressed, compounded by her flings. She starts to feel like an object and not a person. But in presenting herself as a free-spirited woman, Rooney has a difficult time coming to terms with her real feelings. She reciprocates Pip’s crush, but both girls believe the other doesn’t like them. Their friendship is full of conflict because they want to hide their feelings.
Georgia and her friends’ experiences with love mirror their Shakespearean plays and real life. Through these plays, overwrought with humor and resolutions, the friends play out their real emotions. For example, Twelfth Night is a play about a woman who disguises herself as her brother, creating conflicting feelings between her and another woman who sees her as a man. This conflict mirrors what Pip and Rooney are going through, as Pip is in love with Rooney but uncertain if Rooney is interested in girls. Much Ado About Nothing explores communication, as its lovers are duped into believing others are in love with them. This highlights the lack of communication between all four friends. Romeo and Juliet’s titular lovers serve as a warning about being secretive and succumbing to societal pressures surrounding love. While rehearsing, Georgia finds she doesn’t fit romantic leads, but thrives as comedic relief. In trying to force herself into roles like Juliet’s, her stage persona is as performative as her real-life persona trying to fit in with girls like Rooney and Pip.
By Alice Oseman
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