53 pages • 1 hour read
Bob GoffA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Goff uses the metaphor of Tom Sawyer Island at Disneyland as a representation of a joyful (what he terms “whimsical”) and imaginative approach to life. He describes this place as his “office,” a space where creativity is unfettered and where he can engage in the art of dreaming and planning grand adventures. Goff describes a sense of ownership over this space as an example of his argument claiming a stake in something––be it a place, an idea, or faith––can transform one from a spectator to an active participant. He draws a parallel between this and faith, suggesting that faith is most alive and effective when it is owned and acted upon.
The introduction is a call to action, urging the reader to move from planning to doing––to embrace the “do” part of faith. Goff emphasizes his belief that love, like whimsy, is to be experienced rather than merely contemplated. Using the accessibility of Tom Sawyer Island as an allegory, he argues that there are no barriers to entry for living a life full of love and adventure––in his view, it is available to all, regardless of one's background. This reflection sets the tone for the book, advocating for a life that actively pursues love in action, as encapsulated in the phrase and title of the book: “love does.”
Goff tells the story of his friendship with a man called Randy, as a means to exemplify a previous transformation in the author's approach to relationships, from “fixing” people to simply being with them.
Randy is a man with a motorcycle, beard, and girlfriend—three things the young Goff aspires to have. Goff admires Randy from afar, learning later that Randy is involved with a Christian organization called Young Life. Despite an initial distance, they become friends, and Randy engages Goff in conversations about Jesus without pressing him. Planning to drop out of high school and move to Yosemite to become a rock climber, Goff visits Randy to say goodbye. To his surprise, Randy decides to join him. Their trip to Yosemite is filled with challenges. Throughout, Randy offers unwavering support.
For Goff, Randy’s behavior exemplifies the act of being with someone without judgment or agenda. Goff introduces the idea of presence over preaching, embodied in Randy's repeated phrase, “Bob, I’m with you” (3), which provided comfort and encouragement in the face of Bob’s continued disappointments. Randy’s actions, which Goff sees a self-effacing and sacrificial, demonstrated a love that was active and present. Goff explains that this experience profoundly impacted his understanding of friendship and faith, teaching him that true love and faith involve presence and sacrifice—a concept symbolized in the Christian belief of Jesus as “Emmanuel,” or “God with us” (8). Goff states that the love exemplified by Jesus, and mirrored by Randy, is not just spoken but actively demonstrated, encapsulating the idea that “Love does.”
Goff draws on a youthful experience with his friend Doug to illustrate a shift in his understanding of following God. He recounts their BB gun adventures, where they would shoot at targets in the woods, fostering a sense of adventure and camaraderie. One day, after Doug upgrades to a pellet gun, a game goes awry, and Goff is accidentally shot, leading to a makeshift surgery at Doug's house. Through this event, Doug, who doesn't fit the young Goff’s stereotype of a religious person, introduces him to Jesus—not as a distant religious figure but as someone intimately involved in the messiness and adventure of life.
Goff presents this encounter as one which challenges preconceived notions of faith, showing that God doesn't require a conformist facade but invites people into a dynamic and real relationship. Goff reflects on how, despite becoming a lawyer and living a professional life, his belief in this dynamic God has persisted. He emphasizes his belief that genuine faith in Jesus doesn't align with typicality but invites a life marked by intensity and authenticity. Goff asserts that loving God is synonymous with loving people, and Jesus calls people to live fully and love deeply, moving beyond mere appearances to a life of genuine action and presence.
Goff tells the story of Ryan. Ryan is a young man deeply in love, planning to propose to his girlfriend in a grand, whimsical fashion. Ryan approaches Goff, a complete stranger, to ask if he can use his backyard for the proposal. Charmed by Ryan, Goff agrees. Ryan’s requests increase: a dinner on the porch, friends to serve the meal, a dance, and the loan of a boat for the proposal. Goff’s story culminates in a romantic and successful event orchestrated with the help of Goff and the Coast Guard, which Goff uses to symbolize the boundless and contagious nature of love. He underscores his idea that love is an action—it does and accomplishes rather than merely contemplating. The narrative illustrates that being engaged in love means fully participating in life's adventures, much like Jesus's love for his followers, which Goff believes is grandly and ceaselessly expressive.
Goff reflects on an embarrassment during his first job as a waiter, which he tells as a humorous life lesson. Goff is delighted to be working at Lehr’s Greenhouse Restaurant, a luxurious dining venue. During his first service he strives to make a good impression but breaks wind while serving guests and is dismissed. Goff uses this story to argue that God often guides people into failure as a means of learning and growth, stressing that failure is a part of life and not something to be feared. It’s through these Iessons that one learns what truly matters, Goff states, concluding that it is worse to strive for things that don't matter than to fail at things that do.
Hoping to become a forest ranger, Goff enrolls at Humboldt State University. Learning that this career is less adventurous than he had imagined, he switches to San Diego to be near his high school sweetheart, Kathy. Kathy breaks up with Goff. Heartbroken, he makes a spontaneous trip to confront Kathy, leading to an awkward encounter and the realization that she has moved on.
Goff uses this story to argue that while he tried to manipulate circumstances to fit his desires, it was Jesus using these very circumstances to mold him. The story ends on a reflective note, using origami as a metaphor: the bends and folds in life add depth and complexity to our character, showing God’s work in shaping us through various life events.
Goff immediately develops his major theme of Faith in Action, expounding on the real-life concepts of personal authenticity and acceptance, the positive framing of failure, and the transformational impact of Jesus’s teachings on daily life. The introduction's metaphorical discussion of a life lived imaginatively and without restraint establishes a call to action—exhorting the reader towards living faith as a series of deliberate, loving deeds. This motif of love as a verb is consistently woven through stories in the book, shown here by Goff’s presentation on the steadfast companionship offered by Randy, the flawed yet sincere evangelizing of Doug, or the grand romantic gestures of Ryan. By placing love as a verb at the center of his theology, Goff joins a long-standing debate within Christianity about faith and works, situating himself firmly on the side that believes faith is most properly demonstrated through action, drawing on the Gospel of James, “faith without works is dead” (James 2:26). Goff lays out in these chapters that faith is not a static set of beliefs, but a dynamic, transformative force that should be lived out in the everyday actions and relationships of believers. Goff's writing displays the influence of the ancient Christian monastic tradition of ora et labora (pray and work), which emphasized the sanctity of active labor as an act of faith equivalent to prayer. Goff’s message is also reflective of his position within the social gospel movement, which integrates personal faith with social justice action, and the missional movement, which encourages believers to live out their faith in their daily lives, not just within the confines of church activities.
Goff shares stories which recount missteps of his own in order to illustrate his argument that God is moving in one’s life even at times of failure of disappointment, teaching people resilience and redirecting focus towards what truly counts. These personal anecdotes form part of Goff’s optimistic assertion that past failures and heartaches can be reflective tools, providing clarity and affirmation of a divine presence in human life. The primary theme here is Personal Growth Through Love, i.e., how active engagement with love can shape a life of meaning.
The stories in the first part of the book, focusing on Goff as a young man, engage with ideas around faith, self-determination, and success; underlying the young Goff’s efforts to “find himself” are his efforts to find God which, in his belief system, form a complementary and holistic process. In dealing with the young Goff’s sense of himself and his efforts to find employment and education, stories also challenge the allure of superficial success as a natural human impulse of temptation, urging a genuine engagement with Adventures and Risk-taking in life and relationships. Goff presents risk-taking as an act of faith, the acknowledgement that a greater power is at work in one’s life.
All of Goff’s characters are flawed, including himself. Ostensibly autobiographical, his stories and their characters are deliberately intimate and relatable, tying into the book’s purpose as an approachable and practical guide to faith in everyday life. Goff stands among contemporary Christian thinkers like Henri Nouwen and Brennan Manning, who also advocate for a deeply personal and action-oriented faith. His storytelling method—using personal anecdotes to illustrate larger spiritual truths—aligns with the narrative theology of these writers, where storytelling is used as a vehicle for theological expression. This method grounds abstract theological concepts in concrete human experiences, making them ideally more accessible and relatable to a wider audience.