39 pages • 1 hour read
Liz MooreA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
When the story begins, the reader sees Mickey Fitzpatrick as a 32-year-old veteran of the Philadelphia Police Force. As the narrator, she shifts between her present as an officer and her past as an Irish American girl growing up with her sister in the economically depressed district of Kensington. Mickey is different in every possible way from her family and friends. She is tall, dark, and introverted, unlike her sister. Also, unlike practically everyone else in the neighborhood, she doesn’t do drugs, wants to get an education, and aspires to a better future for herself and her son.
Mickey’s chief concern over the course of the novel is to find Kacey, who has gone missing at the same time that a serial killer is stalking the district. Because Mickey is frequently self-righteous and judgmental, both these qualities tend to alienate Kacey and make her want to keep away from Mickey. However, as the big sister, Mickey’s one aim in life is to keep her sister safe. By the end of the story, she not only finds her sister but also finds a way help her break her addiction to drugs for good. In terms of the plot, Mickey represents someone who has successfully escaped Kensington’s drug culture.
Kacey is one and a half years younger than Mickey. She is short, red-haired, and rebellious, forming a sharp physical contrast to her big sister. Because she is so outgoing, Kacey attempts to draw Mickey out of herself. Unlike Mickey, she has no memory of their mother, who died of a drug overdose. Kacey herself was born addicted to heroin and had to be weaned off of it from birth. This predisposes her to turn back to drugs later on when life becomes too difficult. Kacey is aware of her own weakness and judges herself harshly for it, especially when compared to her perfectionistic sister. She represents all the lost children of Kensington who succumb to the lure of drugs.
Kacey’s need to escape reality is mirrored in her physical escape from the toxic environment of Kensington before her second child is born. During this time, she doesn’t want Mickey to find her because she fears that her older sister will take this baby away from her, too. That painful possibility, along with the revelation that she herself was born an addict, seems to provide the motivation for Kacey to kick her habit and give birth to a healthy child. The book suggests that this brief interval of sobriety may finally offer a successful fresh start for Kacey.
Gee is the grandmother of Mickey and Kacey. She is in her fifties, petite, and very tough. Gee resents being thrust into the role of parent when her own daughter dies of an overdose, leaving her to care for the two girls. Although Gee loved her own daughter, her attitude toward her granddaughters is harsh. She believes that she needs to toughen them up to face the grim realities of life.
Perpetually in need of money, Gee works several jobs to support her family and has little time for kindness. She holds a grudge against her son-in-law for getting her daughter hooked on drugs and, over the years, deliberately conceals his letters and gifts of money to his daughters. Gee seems disdainful of Mickey’s attempts to rise above her station in life and refuses to complete the financial aid application that would make it possible for Mickey to apply for a college loan. Instead, she prefers to feel bitter about her lot in life without doing anything to improve it. Gee’s mindset typifies the traditional values and beliefs of the families of Kensington.
At the beginning of the novel, the reader believes that Thomas is the biological son of Mickey and Simon. He is a handsome and precocious child, aged five, and the light of Mickey’s life. Only later do we find out that Kacey gave birth to him after a short-lived affair with Simon and that he was born addicted to heroin. Mickey adopts him to save him from a fate like his mother’s. In terms of the plot, Thomas represents all the babies who are born addicted as well as the possibility of rising above that crippling condition.
Simon is a handsome police officer who volunteers his time to work with at-risk youth. In reality, he preys on underage, underprivileged girls and eventually seduces both Mickey and Kacey. Though he briefly shows some sense of responsibility for Thomas’s welfare, he eventually abandons that interest after marrying another woman. In terms of the plot, Simon represents the abusive authority figures who exploit the very people they are sworn to protect.
Truman is Mickey’s African American police partner of 10 years and something of a father figure to her. He spends much of the book convalescing after an angry addict breaks his kneecap. Mickey turns to Truman for advice and support in tracking down her missing sister. She briefly thinks he might be the Kensington serial killer, only to learn that he is secretly helping the addicts in the neighborhood by providing food and clothing. Truman is an idealist who wants to make a difference in his community but becomes disillusioned with his job as a patrolman. Claiming that the force puts too much power in the hands of the wrong people, he eventually quits. Truman functions as the good cop in counterpoint to Simon’s bad cop.