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46 pages 1 hour read

Alice Munro

Lives of Girls and Women

Fiction | Short Story Collection | Adult | Published in 1971

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“Epilogue: The Photographer”Chapter Summaries & Analyses

“Epilogue: The Photographer” Summary

Del recalls her mother’s claim that Jubilee “is rife with suicides” (265). She initially took this statement at face value, but later argues with Ada over the credibility of this statement. Del recalls only Miss Farris’s drowning and the death of Marion Sheriff by suicide, noting how the townspeople, like Fern, draw their own conclusions about the deaths.

When the library’s collection of stories no longer satisfies her, Del decides to become a writer and begins a novel based on the Sheriff family. While she changes the family name, she focuses the subject matter on the daughter, Marion, whom she reimagines as a black-haired temptress named Caroline who pursues men like “weary husbands” and “defeated salesmen” who travel through Jubilee. Del decides to keep her book a secret, carrying “the idea” of her story with her in her mind instead of writing it down out of the fear that it will not translate how she wants it to on the page.

Del outlines the details of Marion’s life that either stay the same or change in her novel, eliminating the brother who dies of alcoholism but retaining Bobby, who spends time in a psychiatric hospital, as Del believes that “three tragedies” are too unbelievable for one family. In Del’s novel, Caroline sets her sights on a nameless school photographer—“The Photographer”—whose photos cause everyone to look older than they are. After Caroline discovers his car abandoned by the Wawanash River, she dies by suicide. Caroline’s brother then discovers that the photographer’s photo of her captures her eyes as white orbs. Del notes that she still had not thought through the “implications” of her story, hoping that the reasons behind the novel’s events would “come clear” later on.

At the end of Munro’s story, Del sits down with Bobby Sheriff, who is home from the hospital, and hopes to catch a glimpse of his “madness.” After a polite but otherwise mundane conversation, Bobby wishes her luck in life as she waits to hear back on her college scholarships. Del responds “Yes,” rather than thanking him.

“Epilogue: The Photographer” Analysis

The final story in the collection focuses on Del’s understanding of what it means to be a writer and what this process looks like for her. The tone of this section is less reflective and closer to the narrator’s present compared to the previous stories focused on her childhood and adolescence.

By altering the language to reflect Del’s present state of mind, Munro implies that Del has come into her identity—that of a writer—despite her decision to not write her story down. She claims, “I wrote out a few bits of it and put them away, but soon I saw that it was a mistake to try to write anything down; what I wrote down might flaw the beauty and wholeness of the novel in my mind” (267). Munro implies that although Del has come into her identity, she still reflecting on and processing her childhood, as well as her hometown. Words and language help her understand the world around her, but she now must spend time grappling with how she wants to use language for herself and in her own stories, advancing The Discovery of Identity Through Exploration.

This story also allows Munro to discuss writing as a craft, particularly how a writer can come up with their story’s content. Del wrestles with how to represent her characters and setting, believing—in some cases—that real events, such as three tragedies striking a single family, are too unbelievable to include in a fictional narrative. She juxtaposes these decisions about what is real versus what feels “true” with other, more fantastical details, such as the photographer’s eerie photo of Caroline, hoping that the story’s elements will all congeal and “come clear.” In this way, Munro both explores Del’s tentative first steps into the craft of writing, but also raises questions regarding Del’s narration in the stories that precede “The Photographer.”

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