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80 pages 2 hours read

Victor Hugo

Les Miserables

Fiction | Novel | Adult | Published in 1862

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Themes

Redemption and Grace

Les Misérables interrogates the true meaning of redemption and grace through the life and death of Jean Valjean. In this context, grace is used in a religious sense. The grace of God represents the potential for redemption, even if that redemption is not always realized. Characters move toward and away from grace with their actions. Valjean's frequent acts of charity, for example, bring him closer to God's grace and redeem him for the sins of his past. Thénardier's refusal to entertain any form of morality means that he is denied God's grace. Valjean can achieve redemption because he wants to better himself in spite of his suffering. Thénardier will never achieve redemption because he simply does not care about morality. As such, Valjean's journey from ex-convict to fully redeemed figure demonstrates the potential for redemption in any person, even someone who has supposed been damned in the eyes of society.

Valjean's search for redemption is based on his promise to the bishop. After being released from prison, he finds himself ostracized by society. The people he encounters believe that he is beyond redemption as he is weighed down by the sins of his past, to the extent that they may also be tainted with sin by association. In his desperation, Valjean internalizes this idea. He does not believe that he is capable of redemption, and he believes that he will never achieve grace ever again. He becomes the criminal that society expects him to be, stealing the silverware from the one man who has shown him kindness. However, the bishop is unrelenting in his empathy. He saves Valjean from further condemnation but makes Valjean promise to try to become an honest man. This act of kindness is a revelation to Valjean. He is shown that he is deserving of kindness, even though he has demonstrably sinned. The bishop's radical empathy completely changes Valjean's life, and for the rest of his life Valjean strives to prove himself worthy of this act of kindness. Just as Valjean internalized society's condemnation of his immortal soul and embraced his criminality, he internalizes the bishop's view of redemption. Everything in his life becomes orientated around his pursuit of God's grace, so much so that he never truly believes that he has redeemed himself until the very end of his life.

The focus of Valjean's search for redemption is Cosette. To Valjean, she is a figure of perfect innocence who has been unfairly treated by society. He feels guilty for Fantine's fate, but he also sees himself in the young girl who seems condemned by her material conditions to an irredeemable life. Valjean saves Cosette, and, in doing so, he hopes he can save himself. He loves her so much because she embodies his search for redemption, and by turning her life into a success he can prove to the world that the capacity for good still exists. While Valjean is never comfortable with the idea that he is a good man, he hopes that his care for Cosette will vicariously demonstrate to the world that goodness exists. If an impoverished, hopeless, abused girl can become a beautiful young woman accepted into society, then Valjean has saved a life to atone for his failures. By showing that Cosette is worthy of God's grace, Valjean demonstrates his own desperate drive toward redemption and his enduring hope that, perhaps one day, he will be able to forgive himself for what he has done.

The Fight for Social Justice

Les Misérables depicts the fight for social justice in many ways. There are explicit challenges to socially unjust institutions, such as the riots, and the depiction of poverty challenges society's idea of morality and its relationship to material wealth. Characters such as Valjean and Fantine illustrate the fine line between desperation and immorality. For the crime of stealing a loaf of bread to feed his sister's starving family, Valjean is sent to prison. Consequently, society demands that he spend the rest of his life as a social pariah. Similarly, Fantine is abandoned by the father of her child, and she does everything she can to pay the ever-increasing fees necessary to keep Cosette alive. Fantine's fall from social grace is a tragedy; she becomes a prostitute not because of some innate badness or penchant for immorality, but because of her infinite love for her daughter and the cruel exploitation of the world she inhabits. The fight for social justice as depicted in the novel is often a subtle rebuke of the dominant idea that the economically disadvantaged somehow deserve their poverty while the rich deserve their good fortune.

The narrator drills deeper into this fight for social justice by focusing on three areas which contribute most to the suffering in society. A mix of the legal institutions, the educational system, and the inherent misogyny of society leads to the suffering depicted in the novel. Valjean is punished unduly by legal institutions, embodied by Javert’s dogged pursuit. Fantine is victimized by a misogynistic society, particularly in the scene where Javert witnesses a man harass her and then arrests her, rather than the man. In this society, the men who solicit sex workers are tolerated while the sex workers, often forced into this occupation under economic duress, are criminalized. Fantine is further punished for her lack of education, as her illiteracy—working class women were denied an education—forces her to rely on a professional letter writer, who in turn reveals her secret to the rest of the town. In a society built on education, equality, and social justice, neither Fantine nor Valjean would have been punished as severely as they were. Their suffering reveals the inherent flaws of the class system which privileges the rich and powerful over the working class.

The riot emerges as the desperate expression of the frustration with social injustice. The revolutionaries behind the barricades come from many different backgrounds. The students such as Marius are privileged members of the middle class who view the fight for justice as an intellectual exercise. Gavroche has no such intellectual pretensions but is willing to fight back against the social institutions which target him and offer him no help. Even men like Mabeuf, a former church warden who wants nothing more than to settle gracefully into old age with his book collection, is forced to take up arms because society has given him no other option. The riot is portrayed as a desperate shout of the marginalized and the ignored. The fight for social justice in Les Misérables becomes increasingly desperate until the characters feel they have no other option than to turn to violence. The sheer extent of the social injustice validates the rioters' behavior as a critique of a society that permits these characters to become this desperate. In the narrator’s view, violence is a justifiable tool in the hands of those who have been terribly mistreated by the same institutions they oppose. That the revolution fails illustrates the pernicious and ongoing nature of social injustice, as the fight for justice can never end. Somewhere, there is always someone who is mistreated, and the novel provides those marginalized people with hope.

Infinite Nuance

A key theme in Les Misérables is the seemingly infinite nuance that can be applied to every story and every character. Through its sheer length and scale, the novel portrays this nuance by delving deep into the lives of tertiary characters and their settings, in addition to the major characters, settings, and historical events. For 19 chapters, for example, the narrator explains the details of the Battle of Waterloo and its political and social repercussions, rather than reducing the battle to a sentence or paragraph. To understand the totality of the novel, the narrator suggests, the audience must understand the morally and historically nuanced setting in which it takes place. The intricacies of Parisian slang, for example, are as important as Valjean's actions because they describe the shifting, evolving underworld of the city which contains the characters. To understand this world, the narrator demonstrates, the audience must be confronted with the intricately nuanced nature of society itself. There are few absolutes in Les Misérables. Instead, everything operates on various degrees of nuance, from morality to religion to riots.

In a novel of this length, some characters are bound to be less nuanced. Thénardier, for example, is unrepentantly evil. He is a being of pure malevolence, hindered only in his pursuit of immorality by his lack of social standing. More striking is Javert who, though not one-dimensional as a character, insists that the world can be viewed in absolute terms. Javert frames himself as the ruthless enforcer of society's rules and rejects any suggestion that breaking these rules can be explained by nuance or empathy. He rejects Valjean's offer to compromise his beliefs for the betterment of society by refusing to ignore Valjean's past, even if doing so will help many people in the small town where they live. In Javert's binary worldview, morality is absolute. People are good or bad, and any complexity or nuance should be ignored or rejected.

Ultimately, however, both Thénardier and Javert are punished. Thénardier is punished in a more esoteric sense. His absolute refusal to do anything other than the worst possible thing is punished by the denial of God's grace. Unlike Valjean, he will never achieve redemption. Valjean's behavior brings about Javert's self-imposed punishment. Through his actions, he shows Javert that nuance exists in the world. Javert is forcibly confronted with this challenge to his worldview, and he cannot tolerate living in such a nuanced world. He dies by suicide, embracing his absolutist ideology in the most tragic way possible.

Valjean demonstrates the importance and prevalence of infinite nuance in the novel, particularly when observed from the perspective of other characters. The key depiction of nuance is contained within Marius's perception of Valjean. While the audience is aware of Valjean's past, Marius lacks this information. His interpretation of Valjean's moral character evolves over the course of the novel. He sees Valjean first as a domineering and harsh father figure, then as an irredeemable criminal, and finally as a saintly figure. At each turn, Marius is given more information, and his understanding of Valjean grows more nuanced. Importantly, none of these ideas of Valjean are incorrect. Valjean is a former criminal and a domineering father figure. He is also a saintly presence in the novel who does more than anyone else to redeem himself in the eyes of God. Marius adds nuance to his understanding of Valjean and thus is capable of adding nuance to his understanding of the world, in a way that Javert was not able to do.

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