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78 pages 2 hours read

Pierre Choderlos de Laclos

Dangerous Liaisons

Fiction | Novel | Adult | Published in 1782

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Themes

Libertinism in Pre-Revolutionary French Society

The novel portrays the excesses and moral decay of the French aristocracy in the late 18th century, during the ultimate decline of the Ancien Régime, a time when libertine attitudes towards sex and pleasure were becoming more prevalent. With very few exceptions, the main characters are indifferent to the traditional moral codes of society. Adultery, premarital sex, and other forms of sexual transgression are depicted as commonplace, forming a power struggle between men and women. The dissolute lives and amorality of the main characters embody the corruption at the heart of the old aristocratic class and the emotional emptiness of their lives.

This power struggle is most notable in the two protagonists, the Vicomte de Valmont and the Marquise de Merteuil. These two characters view sex and seduction as a means of gaining power and influence over others. Valmont, while enjoying the pleasures of sexual intercourse, is motivated mainly by the egotistical satisfaction seducing women brings him. While he can share lovers, he must always be the preferred lover, as witnessed in Letter 51 and the love triangle between himself, Vressac, and the Comtesse. When women attempt to resist his advances, as Tourvel and Cécile do, he pressures them into sex through either intimidation (Cécile) or emotional blackmail by vowing to die by suicide if denied (Tourvel). For Valmont, the prime satisfaction inherent in sex is not the pleasure or emotional connection it can create, but the sense of conquest it affords.

Merteuil, on the other hand, behaves similarly to Valmont, except she does not share—she relishes total and exclusive control, with sexual pleasure as an added benefit. This behavior is highlighted in the scenes when she falsely accuses Prévan of sexual assault through setting a trap for him. While she finds Prévan handsome and charming, she knows he has been making bets about seducing her and, to gain the upper hand and assert dominance, she frames him. Like Valmont, sex is utterly devoid of emotional connection or meaning for her: It is merely a game of power, one in which she excels throughout most of the narrative.

Furthermore, Merteuil and Valmont repeatedly seduce and ruin others with little regard for the consequences of their actions, openly flaunting their amorality. The shame, pain, and social decline experienced by their lovers/victims are not only inconsequential, they are also oftentimes pleasurable in themselves. The most important examples of this behavioral pattern are the seductions of Cécile and Tourvel. Merteuil manipulates Cécile knowing that Cécile trusts her and looks up to her, coolly destroying Cécile’s chances at a respectable marriage and personal happiness. Likewise, Valmont leaves Tourvel utterly ruined both socially and mentally, even toying with the idea of trying to further manipulate and harm her after she has first entered the convent. In this way, the novel suggests that the corruption and amorality of these characters is a destructive force not just in their own private lives, but in the lives of others and their social class at large.

Love, Lust, and Happiness

The novel explores how competing notions of love, lust, and happiness have the power to make or break the lives of the characters. While some characters do try to pursue genuine love and happiness, their attempts are doomed to failure, as they are caught in a world between calculating “marriages of convenience” and the libertinism of French high society that transforms love into yet another ruse for power and control.

The parallel character arcs of Cécile and Tourvel see both characters pass through the stages of social conformity, rebellion, and tragedy, as their attempts at seizing a genuine, mutual love connection lead to destruction for both. Cécile is a young woman and Tourvel is an older and established woman in high society. Both women have strict, sheltered upbringings in which their sexuality has been carefully guarded and then disposed of by others: At the novel’s opening, Cécile is aware that her mother is arranging a marriage for her but is entirely in the dark about the details. Likewise, Tourvel insinuates that she also had a “marriage of convenience” and has never been allowed to freely explore love and sexuality on her own terms.

Both Cécile and Tourvel then end up briefly rebelling against these social constraints, with Cécile starting secret relationships first with Danceny, then with Valmont, and Tourvel yielding to Valmont’s seduction due to the love and passion she now feels for the first time. Both women risk their reputations in trying to secure a genuine love of their own choosing, and both are deceived by lustful libertinism: Cécile is ruined by Valmont and given up by Danceny, while Tourvel is betrayed by Valmont and dies after a period of physical and mental deterioration. The character arcs of Cécile and Tourvel and the dilemmas they face therefore suggest that, in the corrupt world of the Ancien Régime, women who attempt to follow their own hearts in finding love and happiness will be destroyed by the control and manipulative lust of others.

The one character who seems to emerge from these cycles of idealization and betrayal relatively intact is a male character: Danceny. Danceny first experiences the flush of youthful, idealistic love with Cécile, with whom he enjoys a reciprocal affair. Danceny is initially reluctant to seduce Cécile, wishing to take care of her reputation and to shield her from risk and harm. Under Valmont’s goading, Danceny’s attitude starts to change: He becomes more open to the idea of sleeping with Cécile, and he begins an affair with Merteuil with seemingly little regard for his betrayal of Cécile. However, Danceny ultimately rejects the world of lustful libertinism he has been initiated into: He kills Valmont in a duel once he discovers the truth about what has been going on with Cécile, he abandons Merteuil, and he leaves for Malta at the novel’s end a far more mature, wise, and self-assured man. Nevertheless, his ideal love for Cécile does not win out in the end, suggesting that idealized love and happiness, once lost, is lost forever.

The Need for Morality

In the world of libertinism and power plays of Dangerous Liaisons, the need for morality becomes readily apparent. The novel suggests that it is only integrity and adherence to a moral code that can prevent deceit and ruin at the hands of others. While some characters demonstrate only a false outward conformity to morality, other characters remain true to their morals to the very end.

There is an important distinction throughout the novel between the characters who pretend to conform to a moral code when it suits them, and those who genuinely believe in upholding moral values. The novel suggests that the corrupting influence of society—in this case, libertinism—can dangerously undermine religious and moral values by encouraging hypocrisy. Valmont and Merteuil reject moral codes, prioritizing their own desires and pleasure over any moral considerations. Nevertheless, the importance of maintaining the appearance of devotion to these values is important, especially for Merteuil, who goes to great lengths to maintain her reputation as a virtuous woman. Merteuil even asserts in some of her letters to Valmont that women run greater risks than men in games of seduction precisely because their moral reputations are both so fragile and so valuable: Yet, in Merteuil’s eyes, such morality is merely a hindrance to be overcome in her pursuit of power, not a genuinely meaningful alternative to the empty libertinism she pursues.

Likewise, Valmont attempts to seduce Tourvel by playing the role of the reformed rake. He claims that he has repented of his affairs and deplores his former dissolute lifestyle. When she removes herself from him, he begins ostentatiously attending Mass and enlists the help of Father Anselme in communicating with her, convincing the priest that he has changed his ways. Therefore, for both Valmont and Merteuil, morality is not a code to live by but a performance to enact when and as necessary—they understand how to masterfully present themselves as moral while continuing to pursue their amoral pursuits in secret.

By contrast, there are characters who do genuinely try to uphold moral codes based on their own convictions. Cécile and Tourvel are protected by moral codes at the start of the novel. Cécile is at first hesitant to be too forward with Danceny and, later, feels wary of Valmont, only to have her moral scruples overcome through Merteuil’s careful manipulation in posing as her selfless friend. Similarly, Tourvel clings to her moral virtues and religious faith in an attempt to keep Valmont at bay, only to fall, little by little, into his trap of believing he has changed and is sincere in his feelings for her. In betraying their moral codes, both Cécile and Tourvel are left exposed as prey for others. 

However, characters like Madame de Volanges and Madame de Rosemonde are steadfastly guided by their religious and moral beliefs throughout, allowing them to provide a moral compass for other characters who have lost their way. Rosemonde's unshakeable integrity and sense of moral probity make her a loyal friend: Even when Tourvel confesses to her affair, Rosemonde responds with compassion and understanding instead of judgement, offering Tourvel her unwavering loyalty throughout her ordeals in an attempt to help her. Volanges initially sees through Valmont’s deceitful tricks; she rejects his supposed “reformation” and warns Tourvel against the deception. Volanges tries to be a moral and loving mother throughout the narrative even though her attempts to protect Cécile ultimately fail. She remains loving and principled at the novel’s end, still seeking a resolution for Cécile that could possibly get her out of the convent, which suggests she may yet prove to be a lifeline for her daughter. Ultimately, both women demonstrate that while resisting the corruption of high-society libertinism is not always easy, remaining true to one’s own genuine moral code is the surest safeguard of not only one’s reputation, but one’s well-being.

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