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45 pages 1 hour read

Rumaan Alam

Leave the World Behind

Fiction | Novel | Adult | Published in 2020

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Chapters 1-6Chapter Summaries & Analyses

Chapter 1 Summary

The novel begins with Clay driving his wife Amanda and their two teenage children, Rose and Archie, into a remote region of the Hamptons where they’ve rented an Airbnb (a private residence that renters sublet through an app). Clay is a professor, and Amanda works in marketing; while they drive, she takes a call from one of her employees, explaining that they will be too far from cellphone reception to reliably stay in touch. There is a subtle tension in Clay’s lack of understanding her career, but they are a happy couple.

They stop and get fast food, and Rose asks if they will be visiting Hazel’s family while they are on vacation. Hazel is a friend of Rose’s, but her family is far richer, and they are staying in a much richer part of the Hamptons; Amanda explains this to no effect. As they drive, they must switch to following written directions as their cellphone service ends and the GPS app on their phones stops.

Chapter 2 Summary

The family arrives at the house. The vacation was Amanda’s idea; she has just gotten a promotion, and she feels this is the last vacation where she will still think of her children as children (Rose is approaching high school, and Archie is about to turn 16). They take a tour of the house and find it beautiful and thoughtfully appointed, and take note of the pool and the owner’s admonition that if a deer fell in it would drown. Clay goes to get the things from the car, which Amanda knows is pretense for smoking a cigarette, an open secret between them. Amanda watches as her children leap into the pool, happy with the scene.

Chapter 3 Summary

Amanda volunteers to go to the grocery store, where she buys a litany of items; the novel slows down to catalog everything she gets for their stay at the vacation home, providing commentary on the quality and meaning of the items as it does so: “three pints of Ben & Jerry’s politically virtuous ice cream,” for example (12). The shopping excites her to the point that it is almost sexual, and she lingers on a fantasy of seducing a teenage employee. Before she drives home, she checks her work email, feeling thrilled that work needs her while she’s away, then stops to buy Clay cigarettes on the way home, knowing that they will have sex that night and then do nothing together.

Chapter 4 Summary

While everyone is in the pool, Clay sneaks off to smoke a cigarette, thinking that he should feel guilty but also convincing himself that tobacco is a part of the American experience. Clay feels safe and private in their remote vacation home, and he thinks about how he and Amanda’s accomplishments (he has tenure at his university, and Amanda is a director at her job) still haven’t provided them with the luxury that this house has, though he is pleased that they’re able to pretend for a week. He goes inside and prepares hamburger meat, then goes outside to grill in his bathing suit, imagining a connection to Indigenous people who grilled meat in loincloths.

Chapter 5 Summary

After dinner, the family lazes in the living room. Archie is considering another hamburger while he watches cartoons with Rose, and Amanda goes to take a shower. While showering, she thinks of her desire to be both powerful and girlish, contradictory urges that make her work life sometimes difficult. When she finishes showering, she dresses and tells the children that it’s nearly bedtime, intimating to Clay that they’ll be having sex soon, then gets in bed and logs her phone onto the Wi-Fi; she enjoys seeing so many emails from work and begins happily working her way through them. Clay arrives, and the two have passionate vacation sex. After, she comments that he needs to stop smoking, which he agrees to without real commitment. Still nude, they go outside—Amanda briefly feels that someone is watching—and sink into the hot tub.

Chapter 6 Summary

The next morning, the family eats breakfast and prepares for a beach day. Archie is starting to see his father in a sad light, particularly in the way he wants others to perceive him as a good cook and in how he isn’t as strong as Archie; Archie’s teenage sullenness goes unnoticed. Their GPS malfunctions, but Clay finds the highway and they eventually pass by a memorial for an airplane crash.

They spend an uneventful day at the beach; Amanda and Clay independently notice and feel attraction toward the lifeguards, but overall it is a lazy, pleasant morning. On their way back to the house, they stop at Starbucks, the familiarity of which comforts Amanda.

Back at the house, they clean up. Amanda agrees to make pasta while Clay goes to the store for cereal; Amanda knows that means Clay will smoke cigarettes and buy too much food, but she doesn’t say anything. They are being sweet to each other, which feels unfamiliar but nice.

While Clay is gone, Amanda makes pasta, noticing a deer and two fauns outside while she does. Clay returns, as expected, with too much food, but he notes that it seems like rain and he didn’t want to have to go back. Amanda feels drunk, having had some wine, and the family spends a lazy evening together watching TV and doing very little. After the children are in bed, Amanda becomes afraid of a noise she hears outside. While she discusses it with Clay, there is a knock at the door.

Chapters 1-6 Analysis

In the tradition of thrillers, the novel spends the first several chapters setting up a comfortable, idyllic situation: The family is on vacation celebrating Amanda’s successful promotion at work and trying to hold off the march of time; the two children are both at a liminal age, and this may be the last vacation they have where the family feels whole. Central to the characters’ enjoyment of their vacation are modern creature comforts provided by capitalism and technology, as is made clear by the long passage detailing everything Amanda buys at the grocery store. The family is trying to disconnect, but they don’t want to be too disconnected, as they revel in what’s available to them at Starbucks, and Amanda takes almost sexual pleasure in logging onto the Wi-Fi to see what she’s been missing at work. The everyday tension between Clay and Amanda is still present, but they enjoy each other on vacation in a way they don’t back in the city, and the novel paints a picture of a relatively well-adjusted family and marriage.

Class and capitalism are undercurrents of these first chapters: Amanda noting “The people who owned this house were rich enough to be thoughtful” (9) drives this point home most clearly, but it exists throughout the beginning of the book. Clay and Amanda are keenly aware that they are renting an upper-class life for the week without having as keen of an awareness of their own privilege as two people with advanced degrees and successful careers. Many of the moments of fulfillment that the family members feel include the creature comforts that economic success provides rather than familial connection; as such, they intended their vacation to be an escape from the modern world, but a controlled escape. For this family, spotty cellphone service is the most they are willing to disconnect, but they still have moments when they feel that even this is “roughing it,” as when Clay imagines grilling burgers as an act that evokes Indigenous people.

The novel also uses its omniscient narrator to set up the dynamics of the family unit and their connection to the outside world. The narrator of Leave the World Behind moves to the viewpoint of different characters freely and sometimes expands scope to detail the world at large or events that are happening in far off places before returning to the immediate setting of the vacation home. This will become a tool that the novel repeatedly uses to show the precarity of the situation the characters are in and the way the interpersonal tensions between them exist in their own individual fears and anxieties. This will also be one way the novel engages in a very particular sort of dramatic irony: by giving the reader a much fuller picture of the world than the characters have (while still often withholding specific, rational explanations), the narration drives home the character’s disconnection from the Information Age that they are so clearly reliant on for comfort and meaningful connection. The central terror of Leave the World Behind is in not knowing; the omniscient narrator is a playful assertion of how precarious modern access to knowledge is, calling the family’s connection to satellites a kind of “Ariadne’s thread” (6), evoking the myth of Theseus using a ball of thread to navigate the labyrinth.

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