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Brynne WeaverA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Leather & Lark is the second novel in the Ruinous Love Trilogy, which focuses on the three Kane brothers: Rowan, Lachlan, and Fionn. As with most romance trilogies, the books in the series share common characters, but each installment focuses on a different couple and can be read as a standalone novel. However, when read in the proper sequence, the novels of the trilogy combine to create a broader story and a much richer world. Butcher & Blackbird is the first novel in the trilogy and features Lachlan Kane’s younger brother, Rowan Kane, along with Lark’s best friend, Sloane Sutherland. The narrative reveals that Sloane and Rowan are both killers dedicated to murdering other serial killers in order to make the world a better place. They meet each other after Sloane kills a serial killer that Rowan is also targeting. After feeling an immediate attraction and connection, they subsequently take part in an annual competition in which they both target the same serial killer to determine who can reach the target first. This morally questionable tradition brings them closer together, and they eventually start a relationship and continue to kill together. The novel reaches its structural climax when Sloane saves Rowan’s life.
As the series continues with Leather & Lark, Brynne Weaver deliberately incorporates details and characters from Butcher & Blackbird in order to build a more complex and comprehensive world. The most prominent example of this approach occurs when Leather & Lark opens with details from Sloane and Rowan’s wedding, which is an integral moment at the end of Butcher & Blackbird. The first novel in the series also introduces Abe Mead, the antagonist in Leather & Lark, whose brother Rowan kills. In the second novel, Abe Mead plans to kill Lachlan Kane in order to get revenge against Rowan. Against this ominous backdrop, Lachlan Kane and Lark Montague embark upon a marriage of convenience that soon develops into a genuine romance as they both search for the killer who is disrupting their lives. The next novel in the series, Scythe & Sparrow, features Lachlan’s brother, Fionn, and Lark’s friend, Rose, and is scheduled for release in 2025.
Dark romance is a subgenre that explores romantic relationships within an ethically compromised and inherently violent world, and such stories often contain elements of suspense and horror. In most cases, dark romances often focus on more tension-driven themes like revenge and forbidden love, and one or both of the protagonists may have a penchant for controversial activities such as stalking, sexual assault, kidnapping, and violence. In some cases, scenes featuring dominance and submission take center stage, and many dark romances feature morally gray protagonists who are murderers, assassins, or criminals.
Historically, the romance genre has often conformed to patriarchal patterns and plotlines, usually developing dark and brooding male protagonists who eventually find themselves “tamed” by pure, innocent female protagonists. A prime example of this dynamic can be found in Charlotte Brontë’s Jane Eyre, which follows the fraught relationship between the moody Rochester and the titular character. More recently, the dark romance genre has been complicating this traditionally gendered pattern, and many female protagonists—such as Lark in Weaver’s Ruinous Love series—are just as prone to violence and darkness as their male counterparts.
Dark romances still generally conform to the expectation that the two main protagonists get together by the end of the novel. However, while the characters do tend to grow and heal through their complex love for one another, finding a new sense of authenticity, the “happily ever after” ending is often discarded in favor of a much edgier resolution. In Leather & Lark, for example, Lark and Lachlan find love because they allow each other to see the “darkest” parts of themselves; Lachlan accepts and appreciates Lark’s deepest secret—that she kills predatory men—and he actively supports her by helping her kill a predator from her past. While Lachlan relinquishes the role of assassin at the end of the novel, there is no indication that Lark’s or Lachlan’s taste for violence will be dulled by their romantic relationship. Instead, they support each other’s goals and interests, regardless of the morally questionable behavior patterns that characterize their relationship and their approach to life in general.
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