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Lázaro (Lazarillo de Tormes), the narrator, is a classic representation of a typical picaresque novel protagonist, someone of low birth who must live by his wits in a corrupt society. He is the only character, besides his parents, who is given a name. Lázaro is born poor, the son of a criminal father and a poor mother, and the stepson of a Black man. As a typical hero of a picaresque novel, he consistently presents himself as the victim of his low birth and of his circumstances, even after his station in life improves. His character is meant to be taken ironically. In the Prologue he arrogantly says that his story is one others can learn from. He discusses the virtues of honorable work and advancing in society, but by the end, Lázaro doesn’t work, and he only advances in society by living in denial.
Lázaro is essentially a product of his environment. A series of disreputable masters teach him to trick and manipulate to get what he wants. He also learns that a noble gentleman doesn’t work but gets by on appearances. Lázaro observes the faults in his masters, but he does not grow beyond their poor examples. Rather, the story tracks the disintegration of his morals until he fashions himself as an adult cast in his masters’ warped images. By the end of the story Lázaro has achieved a comfortable, secure life, and he presents the façade of a happy marriage to maintain this lifestyle. He is quick to criticize and threaten others, yet refuses to see his own faults, signifying that in his society, comfort and security take precedence over truth and integrity.
As with each of the masters whom Lázaro serves, the blind man is depicted as cruel and scheming, tricky and greedy. He is a cheater who earns his food by amassing a repertoire of prayers that allow him to prey on vulnerable women. He may be blind, but he easily perceives weakness in others and knows how to manipulate that weakness to his benefit, and he will go to any length just short of criminality to get what he wants. Lázaro encounters the blind man at an impressionable age, and consequently learns some of his most formative lessons through this association. In particular, the blind man teaches Lázaro that surviving in a corrupt world requires deceiving others and, if necessary, even using violence.
The priest represents the Catholic Church. Like the church, he is greedy and stingy; he does not share his food but hoards it all for himself. His eyes are described as being very sharp and intelligent, always “dancing in their sockets as if they were mercury” (x), suggesting he is all seeing and all knowing. He represents a formidable foe for Lázaro. His obsession with the nonexistent mouse and later the snake indicates his willingness to do whatever it takes to guard his bread. The priest is also characterized as a liar, saying that one must be temperate in their eating, but then stuffing his face when others are feeding him. He nearly goes mad after thinking a snake is taking his food. His greed perpetuates this state of rage—indeed, even causes it. In these instances, the priest embodies and symbolizes the greed and corruption of the Catholic Church.
By turns referred to as a squire and a gentleman, this character personifies the inherent problems with the cultural idea of noble birth and its divine gifts. The squire is a man who has taken on all the values of high birth and learned that what matters most is appearances. His presence in the story illuminates the conundrum of being born into wealth. The squire is imprisoned by the standards of honor so that in reality he’s not any freer than Lázaro. He refuses to work not because he is lazy but because it is beneath his station by birth. However, he is not averse to eating the food that Lázaro begs for himself, so long as he can convince himself (and pretend to convince Lázaro) that he isn’t hungry. A man who prefers to starve rather than reveal his poverty, the squire demonstrates that societies built on caste systems perpetuate damaging standards that affect all ranks of class and status.
As with the other characters in the novel, the friar is also presented as a symbol, one that demonstrates the duplicitous nature of the church. While outwardly the friar is a servant of the church, he is actually a man seduced by the sensuous world outside the church. Some of his activities, which presumably take place as he travels about visiting unnamed people and places, are unmentionable. The implication is that the friar is pious in name only. His actions betray his sinful nature.
The seller has the perfect group of people to target with his sales tricks: individuals who are vulnerable, poor, and frightened of spending eternity in hell. This makes him yet another metaphorical character who stands in for the greed and avarice of the church. He is dishonest and crafty, capable of creating elaborate hoaxes to sell thousands of papal indulgences when, ironically, he is the one who would need a pardon the most. Lázaro notably finds him “funny” and “effective” (49), and he admits to being impressed by this master. Though the seller of indulgences is not greedy with food, he still represents the swindlers within the church who take advantage of the commoners’ fears of spending eternity in hell.
Though the artist is dismissed in one sentence, the priest is an important character to the arc of Lázaro’s transformation. The priest gives Lázaro his first paid job, and after Lázaro makes enough money to dress himself well, he quits his job. The priest’s role is to show the hypocrisy built into the transformation of Lázaro’s values. While in the Prologue Lázaro makes a big deal out of self-determination and rising through the ranks with honor and virtue, he immediately abandons both ideas and becomes like the squire, who believes he is above the concept of work.
The archbishop is the epitome of cynicism and an important addition to the cast of characters that reveal the author’s position. The archbishop is relevant insofar as he completes Lázaro’s transformation by duping Lázaro so he can keep his mistress. He embodies all the cultural ills that are laid out in the story, including the power and greed of religious institutions and the clergy. Because there is never any contrasting priest or clergy in the narrative, the story clearly conveys the negligence of clerical conduct. The final scene, in which the priest convinces Lázaro that he should not listen to what others say about him, shows that Lázaro is willing to assume the same dishonorable lifestyle that he once criticized others for living. Through the archbishop and his mistress, the point is well taken: A society that lives corruptly is one that also cannot face its own hypocrisy.
By Anonymous