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Leigh BardugoA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
During the chaos, Hanne slips back to the convent to restore her features and put on a dress. In the wagon, Nina goes to port. Hanne returns and asks about Nina’s power. She knows who Nina really is: Nina Zenik, “the girl who maimed [her] father. The Corpsewitch” (482). Nina confesses to being an agent of Ravka who came to free Grisha. She apologizes for hurting Hanne, but she must stop men like Brum from hurting Grisha. Hanne joins the cause to save them.
While Hanne drags her father into the woods, Adrik approaches Nina. He accuses her of rigging the bombs to explode the dam. Nina admits it. She explains that the Fjerdans now see them as Saints, Sankta Leoni of the Waters and Sankt Adrik the Uneven; they will save Grisha through miracles. Adrik relents and wants to get going. Nina pauses and tells him about Brum’s letter. It discusses an assassination plot against Nikolai. Adrik is furious that she kept that information secret, but Nina knew he would have canceled the rescue mission if she shared earlier. He insists on leaving now. They have to get word back to the capitol. Nina says she is staying behind with Hanne to ferret out other Fjerdan experiment sites and free more Grisha.
Nikolai pulls free from the thorn wood. The great palace crumbles in the distance. Zoya, lying on the ground near a pile of dead bees and bear and human bones, wakes. They find Yuri buried in sand and bind his hands. Nikolai can “still feel the monster somewhere inside him—weakened, licking its wounds, but waiting for the opportunity to rise again” (488). He keeps this feeling to himself. The three of them leave the Fold, and Nikolai watches Zoya threaten the young healer into silence. Her eyes flash silver like a dragon’s. They ride hard to Os Alta, and Nikolai and Yuri enter the city disguised as Zoya’s prisoners. They pass through the palace gates unchallenged.
Nikolai and Zoya notice the lively party. They dose the monk with Genya’s sleep tonic and hide him in the bushes, then split up in search of the Triumvirate, Nikolai keeping to the shadows. He is drawn to movement in the conservatory. He peers inside and sees himself. He is shocked and excited. With a double, he could be in two places at once. Nikolai watches Princess Ehri join his doppelganger. They come together in a tight embrace. The princess pulls a knife.
Isaak is nervous. He manages to slip away from Tamar and Tolya and meets Ehri in the conservatory. When she steps toward him, he pulls away. He needs to tell her the truth. Isaak tells Ehri all the things he likes about her. He steps closer, pulling her to him, and asks if she would still love him if he wasn’t the king. Ehri says yes and starts crying. Isaak, thrown off by her tears, doesn’t see the knife. It’s only after she shoves him away that he notices the dagger in his chest. Isaak falls. She explains it is for her country and her queen. She picks up the dagger, confesses that she is not Ehri, and stabs herself.
Jarl Brum introduces Nina to his wife as his savior. Once the wagon with women left, Nina and Hanne woke Brum. They say they found him laying by the road after the explosion. He wasn’t hurt and had no suspicions regarding Nina. She accompanies Hanne to the Ice Court where they meet her parents. Nina teaches Hanne how to act like a lady to fool her parents into appeasement. Vadik Demidov is due to arrive soon, and Nina intends to learn all she can about the Lantsov pretender.
Zoya senses trouble; the dragon links her to everything, and her senses are heightened. She feels the urgency in the conservatory. She comes upon the Triumvirate standing over the bodies of a Shu girl and man who looks like Nikolai. The real Nikolai, in his prisoner garb, stands with them. Nikolai shares what he saw. Tamar works on reviving the princess, who is not quite dead. Nikolai steps into action. They will lock up the conservatory, and he will return to the party and meet with the Shu delegation.
After the festivities, they return to the conservatory. Nikolai struts in, dragging Mayu Kir-Kaat alongside. He reveals her true identity as Princess Ehri Kir-Taban; the fake Ehri is an assassin planted to kill the king and herself to spark a war against Fjerda. After the assassination, the real princess would have received a new name and life in the country. Zoya points out that as second in line for the throne, she could never live freely in the country. Her sister would definitely have her killed to tie up loose ends. Nikolai says he will keep her in Ravka as his queen, forging an alliance with the Shu. Ehri protests but relents when faced with the prospect of execution. Tolya and Tamar place Ehri under guard in her rooms.
Nikolai makes amends with Hiram Schenck by giving him the real plans for the izmars’ya; they will need allies when Fjerda invades Ravka under the pretender. Nikolai and Zoya bring Yuri before the Triumvirate. Yuri absorbed some of the Darkling’s spirit that escaped Zoya’s flames, and his features have morphed to resemble those of the Darkling. The Darkling has returned. He greets his old friends, the Triumvirate, who stand before him in shocked, angry silence.
Nina’s storyline ends with her character emergence as a trickster figure who uses her cunning to subvert and exploit societal convention. After the water and tree “miracle”—whereby Nina uses the townspeople’s traditional religious persuasion to her advantage—Hanne returns her features to normal and confronts Nina about her true identity as the Grisha witch who disfigured her father. Hanne forgives her for lying and agrees to help her find and rescue more Grisha. Now, just as Nina has done many times, the two women strategically harness others’ sexism for their own benefit: With Hanne pleasing her parents with ladylike mannerisms Nina teaches her, they will work together covertly to create a new world while burning down the old one. This trickster plot carries the central theme of transformation, but it also adds a subtle comic element to an otherwise serious narrative.
Bardugo leaves two final plot twists for the last few chapters. The first plot twist happens when “Ehri” pulls a Fjerdan knife and stabs Isaak, and then, in Shakespearean fashion, stabs herself. Things escalate when the real Ehri is revealed to be the Shu soldier Mayu, and the assumed Mayu is actually the princess. The assassination of king and princess would have “[given] the Shu a reason to go to war” (506), but now, to keep prevent this war, Nikolai intends to marry the real princess Ehri against her will. This instance of female disempowerment is far more ethically thorny than those seen in Nina and Hanne’s storylines; Ehri attempted murder, and the forced marriage is a utilitarian measure to avert immeasurable wartime suffering.
The second plot twist is the return of the Darkling. Yuri’s tragic flaw (sometimes called hamartia in literary studies) comes full circle as his loyalty makes him the perfect vessel for the Darkling’s spirit. In a dark variation on the theme of transformation, the Darkling effectively replaces Yuri in looks and mannerism. The Darkling speaks “from the mouth of a loyal, gullible boy, another fool who had loved him. ‘It’s good to be home’” (511). The Darkling enjoys seeing the Triumvirate and their fear and anger at his return. Bardugo ends the narrative with this drastic revelation. The story continues in the sequel, Rule of Wolves.
By Leigh Bardugo
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