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65 pages 2 hours read

Vaishnavi Patel

Kaikeyi

Fiction | Novel | Adult | Published in 2022

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Symbols & Motifs

The Blue Thread

Patel uses the Blue Thread that appears in the Binding Plane when someone is under Rama’s influence or control to symbolize the nefarious aspects of Rama’s godhood, underscoring the novel’s thematic interest in Destiny Versus Autonomy. Kaikeyi does not discover the truth of Rama’s influence or the extent of his control until she and Lakshmana journey to Janasthana. When she enters the Binding Plane, she sees it coming from Lakshmana’s neck: “[A] blue cord, so bright it almost hurt[s] to look at. [Kaikeyi has] never seen such a thing before” (299). While Kaikeyi and Yudhajit’s bond in the Binding Plane is blue, but it’s not painful to look at like Rama’s threads are. Rama’s bonds stem from people’s necks, not from the torso like the other bonds Kaikeyi sees in the Binding Plane. Patel’s choice to stem Rama’s bonds from the necks of those in his thrall defines them as “a yoke, not a relationship” (305). Unlike Kaikeyi’s bonds that represent her relationships that she carefully maintains, relationships she can subtly manipulate using the Binding Plane, Rama’s bonds are created by his ability to control those around him. This manipulation becomes especially apparent after Kaikeyi demands her boons from Dasharath. When she tells Dasharath Rama is not ready for the throne, “Horror etche[s] itself in the planes of Dasharath’s face, and the thickest blue chain [she has] ever seen choke[s] him in the Binding Plane” (400). At even the merest suggestion of a decision against Rama’s will, the Blue Thread chokes Dasharath violently. Dasharath is so deeply under Rama’s control, control that it exerts itself violently, preventing him from breaking free. He later dies after fulfilling Kaikeyi’s boons, indicating the intensity of the adverse effects of Rama’s power.

The Binding Plane

Patel frames the motif of The Binding Plane as symbolic of Kaikeyi’s power and autonomy, emphasizing Patel’s interest in Subverting the Prescribed Roles of Women in a Patriarchy. When Kaikeyi first discovers the Binding Plane, she thinks that she’s discovered magic and remarks, “I ha[ve] power” (25). The use of the word “power” suggests that she views the Binding Plane as a source of autonomy and control in her life. The Binding Plane grants her the ability to influence her relationships with others in order to succeed at her duties as yuvradnyi, and then in her role as radnyi of Kosala. However, Patel imbues the Binding Plane with other applications as well. For example, Kaikeyi uses it during the battle against Sambarasura. She notes, “As I [gaze] across the battlefield, I [see] the faint, gossamer threads that [connect] me to Dasharath’s men. And I [see] the places where there [are] no threads at all” (124). She uses the Binding Plane to visualize the battlefield to find and kill Sambarasura, illustrating her power and ingenuity as a warrior. 

However, when Kaikeyi loses her power, the Binding Plane suffers, reinforcing the thematic connection between her power and the Plane. When she returns to Ayodhya after Rama’s coup, she notices, “It [is] an empty, colorless place. I had once been lord of the Binding Plane, but now I merely [float] through it, unmoored” (437). Patel uses the color of the Binding Plane to illustrate the depth of Kaikeyi’s relationships and the diplomatic power that wields. When Rama’s influence destroys her relationships, the Binding Plane atrophies in tandem with her diplomatic power.

Fire/Flames

Patel uses the motif of fire to symbolize the power of the gods-touched, notably Kaikeyi. Fire becomes significant in the Yagna, as the three radnyis must circle the sacred flame ceremoniously. Agni appears in a column of fire, revealing to Kaikeyi that she is gods-touched. Fire appears again in Kaikeyi’s confrontation with Shishir near Janasthana. Amid the fighting, she falls “back, hands scraping against the frigid ground as [her] makeshift torch [rolls] away from me. Still the fire [does] not go out” (309). Even as the torch rolls across the cold ground, the flames stay lit, signifying Kaikeyi’s ability, as one gods-touched, to resist the gods’ control over her. She observes, “The forest and the snow and the wind [are] gods-made and so [remain] powerless to stop the flames lit by my hand” (311). She manages to burn Shishir’s holy grove—a feat that should be impossible for a mortal— because she exists outside of the gods’ authority. She bucks the domination of the gods as she works to create a more egalitarian society that protects the rights of women. She uses her power to metaphorically burn down the patriarchal power structure of her world just as she physically burns down Shishir’s forest.

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