52 pages • 1 hour read
Eva IbbotsonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Situated in the drainage basin of the Amazon River and its tributaries, the Amazon Rainforest is one of the world’s most biologically diverse habitats and harbors millions of animal and plant species, including many that have yet to be documented by science. Since its discovery by Spanish explorer Vicente Yáñez Pinzón in 1500, the Amazon has captured the European imagination as an exotic territory full of both dangers and riches. Over time, many European scientific and commercial expeditions have been launched, motivated by Romantic Portrayals of Wilderness Exploration and Human Greed and Exploitation.
The novel is set in the early 1900s, a time in which much of the rainforest was still unsettled wilderness, before large-scale deforestation began in the 1960s. During the early 1900s, it was common for American and European natural history entrepreneurs to fund their voyages of exploration to the Amazon by collecting and selling exotic specimens. One famous example is the British explorer Percy Harrison Fawcett, who made multiple journeys along the Amazon River between 1906 and 1925. He chose to travel light and live off the jungle to avoid attracting the attention of Indigenous tribespeople, who were known to react with hostility to white invaders. Fawcett spread wild tales of the exotic species he’d encountered, such as anaconda, giant spiders, and two-nosed tiger hounds. He also wanted to discover a lost ancient city that he believed to be buried in the jungle. In 1925, Fawcett disappeared in the jungle, sparking wild theories on how he met his death. Hundreds of unsuccessful and often deadly missions were launched by those eager to discover Fawcett’s remains.
Given the problematic nature of invasive explorations by American and European explorers, the wording of the novel itself is designed to reflect early 20th-century attitudes toward exploration and exploitation in the Amazon, and both the flat and the dynamic characters demonstrate the nature of the biases inherent in society during this time frame. The main protagonists in the novel (Maia, Finn, and Miss Minton) all have a unique connection to the Amazon’s ecosystem as naturalists, explorers, and healers, and their innate appreciation for the Amazon drives their transformative arcs in the story. This positive trend culminates in their journey on the Amazon River’s largest left tributary, the Rio Negro, or Black River, which is notable for its aquatic species richness and turtle beaches. The author also echoes the historical accounts of Fawcett’s disappearance when reports of the protagonists’ mysterious disappearance inspire the river police’s search-and-rescue mission to bring them back to Manaus. However, while the protagonists display a deep love and spiritual connection with the Amazon, both minor characters and flat characters—such as the Carters, the investigators, and the girls at Maia’s school—are terrified of the prospect of unknown dangers represented by Amazonian wildlife and people. Their Fear of the Unknown creates their flat and stereotypical characterizations in the novel, and by refusing to develop such characters to any great depth, the author likewise implies that the very shallowness of their views renders them unworthy of time or discussion. Her attention likewise remains focused on developing those characters who embrace the life and people of the Amazonian jungles with eager enthusiasm.
From 1879 to 1912, European immigration increased dramatically in the Amazon Basin as people moved to take advantage of the bounty of natural rubber trees available there. Despite its brevity, the rubber boom had a significant impact on the economy and social structure of the area. The two major cities affected by the boom were Brazilian state capitals Belem and Manaus. Known as the “rubber capital,” Manaus’s economic prosperity caused its rapid urban development, and it soon had “an excellent system of waterworks, an efficient garbage collection and disposal system, electricity, telephone service, handsome public buildings, and comfortable private residences” (Burns, E. B. “Manaus, 1910: Portrait of a Boom Town.” Journal of Inter-American Studies, vol. 7, 1965).
One of the most significant architectural landmarks was the Amazonas Theater, an opera house whose construction was funded entirely with the profits of rubber plantations. The European-style building was also a symbol of the changing demographic of the city, whose society was dominated by foreigners who passed as white. The opulence of the Manaus “boomtown” and of its inhabitants contrasted sharply with the wild beauty of the jungle, and in the novel, the author utilizes this contrast to emphasize the effects of Human Greed and Exploitation when compared to the Romantic Portrayals of Wilderness Exploration that motivate Maia and her friends to seek out a more adventurous life. Accordingly, Maia is ostracized from the theatrical society by the Carters and instead finds her place in nature with Finn, who also avoids the city and rejects his paternal European inheritance in favor of his maternal Indigenous blood and a life in the jungle.
By 1912, due to other country’s exploitation and theft of rubber tree seedlings, Asian production of rubber started to outcompete that of the Amazon, and the boom collapsed. This event is a contributing factor to the dramatic climax of the novel, as Mr. Carter’s loss of profit echoes the crash. His financial desperation drives him to bring Maia to live with his family in the Amazon, and his family’s obsession with money causes the housefire that nearly kills Maia.