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58 pages 1 hour read

Louis-Ferdinand Celine, Transl. Ralph Manheim

Journey to the End of the Night

Fiction | Novel | Adult | Published in 1932

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Pages 341-441Chapter Summaries & Analyses

Pages 341-360 Summary

The crypt houses a selection of mummified corpses. Grandma Henrouille is making a great deal of money by showing people around the crypt. She puts on quite a show, reveling in the grotesque nature of the display. Robinson, meanwhile, has little to do aside from griping. Nevertheless, as his sight returns, he complains that the old woman is taking too big a share of the profits and leaving too little for him. Bardamu is not impressed by Robinson’s attitude. Grandma Henrouille does not spend long grieving her son’s death. She lives with Madelon and Robinson in a small, dark annex. Madelon is keen to get married, but she begins an affair with Bardamu behind Robinson’s back. Bardamu insists that the pair had a tacit agreement, in which Robinson would have Madelon after marriage and he would have her in the present. Bardamu gets the idea to give Madelon advice about how to have an affair before he leaves, planning to teach her about condoms and encourage her to use them. He comes to realize how little he really knows Robinson.

As Bardamu is about to leave town, he agrees to stay for another week to see the countryside around Toulouse. He feels “paralyzed by so much kindness” (348). Bardamu, Robinson, and Madelon take trips to the country. They come across a group of rich people entertaining themselves on a houseboat. They are invited to stay, though Bardamu feels out of place among such wealthy people. He feels overwhelmed by “crushing banality” (356) but tries to remain polite. Later, Robinson and Madelon begin to argue. They veer violently between accusations and declarations of love, leaving Bardamu to speak to the rich hosts. Bardamu overhears the lovers, realizing that they are talking about him. Madelon is criticizing Bardamu as a womanizer with a drug addiction who is a bad influence, all of which Robinson agrees with. She insists that she wants Robinson “all to [herself]” (360).

Pages 361-380 Summary

Two days later, Robinson pushes Grandma Henrouille down the stairs to the crypt, killing her. Bardamu leaves town that night and returns to Paris. Having kept out of trouble, Bardamu seeks out Parapine to help him find a job. He gets a job with Dr. Baryton, Parapine’s boss, who operates an asylum in the Paris suburbs. Bardamu is not paid much, but he is given lodgings and meals, as well as frequent contact with the nurses. The staff eat together; at meals, Bardamu senses a tension between Parapine and Baryton. Parapine keeps quiet at mealtime, leaving Bardamu to entertain Baryton with stories from his life. Baryton confides in Bardamu about his dislike for Parapine. At the same time, he is fascinated by the English language and starts to receive lessons from Bardamu. Baryton becomes obsessed with the language, history, and literature of England. His passion is “insatiable” (380).

Pages 381-400 Summary

Baryton becomes so obsessed with England that he begins to lose his passion for running the asylum, for his patients, and for administering electro-shock therapy. He then decides to leave France to go to England, placing Bardamu in charge of the mental health facility. Bardamu and Parapine are not “sorry to see him go” (386), though the institution feels emptier without Baryton. The months pass quietly, interrupted only by news from Protiste, who now suspects that Robinson killed Grandma Henrouille. Robinson quickly left Toulouse, the priest explains.

Much to Bardamu’s displeasure, Robinson visits him soon after. Robinson has now recovered his sight and wants a job. He stays with Bardamu, taking up space while fruitlessly searching Paris for something suitable. He finds nothing and asks Bardamu if he can have a job at the asylum. Even better, he wonders if Bardamu could “make it look like [he’s] nuts” (392) and have Robinson committed to the asylum. Robinson confesses to killing Grandma Henrouille. The old woman annoyed him, he insists, and he hoped that he and Madelon would inherit the business in the crypts. Madelon was somewhat involved in the scheme, Robinson says, but he has decided to end their relationship. Madelon still wants to marry him, but he wanted to be left in peace. He ran away from her shortly after regaining his sight. Madelon had become jealous and erratic, Robinson claims, and she blamed Bardamu for Robinson’s behavior. Now, Robinson believes that he would be “a lot safer” (400) if Madelon found him committed to the asylum.

Pages 401-420 Summary

Bardamu is cautious about Robinson’s story. Nevertheless, he takes Robinson on at the asylum. Robinson is given a small set of responsibilities, including playing the accordion for the patients. For several months, no news comes from Toulouse. Robinson’s disposition improves. Bardamu and Parapine inquire about Baryton’s whereabouts but receive little information. Bardamu is concerned when he recognizes a familiar face in a crowd. He is sure that he has seen Madelon, but she disappears too quickly for him to confirm. Baryton sends postcards. He is now in Finland and says nothing about his return. Haunted by nightmares and the possible presence of Madelon, Bardamu wonders whether he should return to Rancy. He finds the Henrouilles’ house, where Madame Henrouille now lives alone. Standing outside the house, Bardamu loses all interest in going inside. He is nothing to Madame Henrouille, as she is to him. Next, he passes the house where Bébert lived with his aunt. Again, he chooses not to go inside. He passes through the old neighborhood, recognizing “those dirty, dingy, dismal things” (406) that no longer speak to him.

At the asylum, Bardamu and the staff eat together. They are joined by a local traffic cop named Gustave, whose two sons once received treatment from Bardamu in Paris. Gustave prefers to dine at the asylum, as his drinking gets him into heated political discussions at the local bar; Bardamu does not want to tell him to stop coming. Bardamu receives a series of anonymous letters filled with accusations about him and Robinson. Bardamu suspects that Madelon is behind the letters. He does not want to receive a visit from Madelon or the police. Bardamu often plays cards with Gustave. During one game, he realizes that Gustave is short sighted. He improves Gustave’s vision, but this improvement fills Gustave with a sudden urge to win, which leads him to cheat. During an angry outburst, Gustave warns that a woman is stalking around the asylum. Bardamu knows that this is Madelon. This throws Robinson into a panic. Nevertheless, he does nothing. He refuses to leave, because he is “sick of moving around” (410). They try to find Robinson a job elsewhere, but he is quickly fired. Then, Madelon appears. Bardamu tries to make her leave, but she refuses. Bardamu slaps her “hard enough to stun a mule” (411), but this does not deter her. In the following days, Parapine spots Robinson with Madelon in public.

For six months, Bardamu tells himself that whatever affair Robinson has with Madelon is not his business. During this time, he begins to date a Slovakian nurse named Sophie. She is often unfaithful to him, but he likes her very much. Bardamu comes up with an idea to go on a double date; he and Sophie will accompany Robinson and Madelon to the carnival. Bardamu also hopes that the evening might result in a sexual encounter. At the carnival, they ride the dodgems and play at the shooting gallery. As the evening progresses, Bardamu suspects that his attempt at reconciliation is not working.

Pages 421-441 Summary

Bardamu’s attempt at reconciliation with Robinson and Madelon deteriorates further. Madelon is angry with everyone, but Bardamu suggests that they return to the asylum, where they can find an empty room for Madelon and retire to bed. Just then, a heavy rain falls, forcing them to take a taxi. Madelon, incensed, launches a verbal tirade against Robinson that continues into the taxi. The four people are crammed together, with Bardamu and Sophie forced to awkwardly witness the argument between Robinson and Madelon. She blames Bardamu for Robinson’s inability to love her. She says that Bardamu will never understand “anything that’s clean and beautiful” (428). Madelon issues Robinson an ultimatum, asking him to choose between her and Bardamu. He refuses Madelon once again, infuriating Madelon further. She threatens to go to the police and tell them about Robinson’s crimes, even though she will be implicated. Robinson defends himself: It is true that he does not love Madelon, he says, but she shouldn’t take it personally: He is disgusted by “absolutely everything” (431). He rejects the concept of love.

As she criticizes everything, Madelon pulls out a revolver. She shoots Robinson and then exits the taxi, running away into the night. Robinson is badly injured. The taxi rushes back to the asylum, where Bardamu tries to treat his friend. He knows that there is very little he can do, so Bardamu watches Robinson die. When Robinson passes, he seems “like a stranger in the room” (436). Gustave arrives and makes arrangements for the body to be taken to the police station. Sophie seems numbed by the experience. After the body is carried away, Bardamu thinks about death. After, Bardamu finds a bar with Gustave, Parapine, and Sophie. Despite the early hour, the bar is open to serve the men who work along the riverfront. They drink and reminisce; they argue and they drink more. A tugboat whistles in the distance, summoning other ships. Bardamu feels as though he and everyone else is being summoned as well, and when they follow, it will be “the end of [them]” (441).

Pages 341-441 Analysis

Bardamu, always several steps behind Robinson on his journey, is destined to follow him when he goes south to Toulouse after failing to kill Grandma Henrouille. Throughout the novel, he has always felt an inevitability about Robinson appearing in whatever locale he happens to be in, from America to Paris. This time, Bardamu makes a conscious decision to follow Robinson, embracing the repeated physical dislocation of his life as a way of avoiding self-reflection. Going to Toulouse—rather than staying in Paris, alone with his thoughts—is a way for Bardamu to constantly move forward without any meaningful change to his actions. The time in Toulouse, however, is brief. Bardamu’s life is reduced to a series of intermittent journeys, part of a wider, futile attempt to escape himself in pursuit of Survival by Any Means. These trips are becoming more common, shorter, less productive, and more violent. Amid arguments and the eventual murder of Grandma Henrouille, Bardamu returns to Paris once again. He is running out of places to go. Just as he always finds himself back with his thoughts, he always finds himself back in Paris.

Upon his return to Paris, Bardamu takes up a job in a mental health facility. In effect, his journey obeys a chiastic structure. At the beginning, he was sent to a mental health facility to recuperate. Now, having not made any meaningful progress on his recuperation, he joins another mental health facility as a member of staff, calling the facility’s credibility into question. During this period, Bardamu abandons any pretense of medical knowledge. He is a trained doctor, but he dedicates none of his narration to how he might actually be helping patients. He follows the same routine as his absent boss, a cycle that reduces medical care to the extraction of profits from wealthy patients. Bardamu is not enriching himself, in a financial or a material sense. He is not helping anyone or even pretending to do so. He can barely help himself.

While Bardamu is working at the asylum, Madelon comes to Paris. In Toulouse, she was the latest in the long line of women Robinson and Bardamu have lied to, tricked, and manipulated in pursuit of Sex as Pleasure and Distraction. Whereas most of these romantic partners are cast to the side during the relentless nature of the journey into the nihilistic night, Madelon confounds the men by believing their lies. She believes Robinson when he says that he loves her, even though he does not. She accepts this declaration of love as a promise of loyalty and intends to hold him to it. When both men flee Toulouse for Paris, they expect Madelon to remain behind. She refuses to do so. In effect, she becomes a harbinger of their future, a nemesis who refuses to allow them to abandon all responsibility. In contrast to the listless detachment of Robinson or Bardamu, Madelon relishes her own agency. She tracks down Robinson and insists that he make good on his declaration of love, much to his chagrin. She pursues Robinson and Bardamu like the Furies who pursued transgressors in Greek myth, right up until the moment she shoots Robinson and then vanishes into the night herself.

Madelon is the sum effect of years of alienation and cynicism, paid back in full to Robinson, an embodiment of The Tragic Consequences of Nihilism. Bardamu, whose traumatic experience of death and violence set him off on this journey, has his life brought to a crushing halt when his friend is shot dead. The man with whom he tried to escape from the war, whose escapades have mirrored his own so closely, is brought to a violent end as the consequence of his own actions. Bardamu is left alone with his thoughts. He cannot outrun them any longer. As the dawn breaks, the figurative journey into the night is brought to a close. Whether Bardamu resolves his own alienation is left unsaid, but the traumatic journey that began with the violence of war ends with the suggestion that the war never ended—it just changed into something else. As Bardamu realizes this, he ponders his own capacity to change, engaging in self-reflection at last.

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