105 pages • 3 hours read
Cornelia FunkeA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Funke utilizes literary allusion throughout Inkheart. Allusions are references to objects or topics outside of the text, which are meant to draw on a reader’s preexisting knowledge. Each chapter of Inkheart begins with a quotation from a well-known novel, usually a children’s fantasy novel. These intertextual references cue readers, particularly readers who are familiar with a range of widely celebrated literary works, to expect certain thematic features in each chapter.
Chapter 3: “Going South” begins with a quote from The Wind in the Willows about the dangers of leaving the safety of the woods (21). Journeys and adventures are major themes throughout The Wind in the Willows; characters experience excitement, triumph, and tribulation when they leave the woods. This reinforces young protagonist Meggie’s anxiety at leaving the safety of her home and hints that she will encounter a range of unexpected and exciting events on her adventure.
Literary allusion is also used to cue readers to approaching danger and adversity. Chapter 48: “The Magpie” begins with a quote from T. H. White’s The Book of Merlin: “But they woke him early with words, their cruel, bright weapons” (432). The reader is forewarned that Mortola the Magpie will be threatening, cruel, and sinister in her meeting with Meggie Folchart. Similarly, the reader is warned of deception at the beginning of Chapter 7: “What the Night Hides” through an Arabic proverb: “A thousand enemies outside the house are better than one within” (72). Capricorn, the villain, manages to locate Meggie and her father at Meggie’s great-aunt Elinor’s house. The opening proverb warns that Dustfinger—an enemy within the house, who has been pretending to be their ally—was responsible.
Literary allusions also take place directly within the text, such as in Chapter 12: “Going Further South.” Elinor Loredan applauds Meggie’s choice to bring the book featuring “people with hairy feet going on a long journey to dark places” (106). Readers who recognize Funke’s reference to The Lord of the Rings will understand the implication that Meggie, an unlikely hero—like Frodo Baggins, the protagonist of Lord of the Rings—is embarking on a terrifying mission against fearful adversaries. It is further implied through this reference that Mo, Meggie, Elinor, and to a lesser extent Dustfinger, will triumph over evil through love and loyalty.
Inkheart utilizes many common and well-loved features of the fantasy genre. Meggie is the typical unlikely hero who becomes the “chosen one,” called on to save innocent lives from evil. Capricorn is the villainous overlord, who epitomizes hyperbolic cruelty and evil. Dustfinger undergoes a redemptive arc, adhering to the trope of the antagonist-turned-ally.
Funke also applies common fantasy imagery to her settings, both for Inkheart and within the story itself. Fenoglio, the author of Inkheart within the storyline, explains that he based his world of Inkheart loosely on a Medieval-era world while incorporating magical elements. This type of setting—of a pseudo-European-Medieval era with fantastical elements—is very common in Western fantasy literature. Similar settings are present in well-known legends and novels such as Arthurian legends, Lord of the Rings, A Song of Ice and Fire, and Ella Enchanted. In sharing these traits, Inkheart’s familiar setting tells readers to expect certain literary conventions and themes, such as the presence of heroes, terrifying adversaries, a daunting quest, magical powers, and a climactic clash of the forces of good and evil. Inkheart blends these fantasy elements and characters into a modern world setting, resulting in an everyday child hero (Meggie), who is highly relatable to readers, interacting with these fantastical elements.
By Cornelia Funke