46 pages • 1 hour read
Diane Guerrero, Michelle BurfordA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Chapter 13 focuses on the beginning of Guerrero’s journey to better mental health. She describes having sought professional help for depression and self-harm before her suicide attempt, at Brian’s urging. Her first session with Lorraine, a Latina therapist serving underprivileged communities, sets her at ease. Guerrero tells Lorraine about her problem with cutting, her family’s deportation, her financial struggles, her failures at school, and her alcoholism. She also admits to feeling guilty for alienating her parents. The sessions do not keep Guerrero from having suicidal thoughts, but they do keep her from acting upon them, as evidenced by her night on the rooftop of her building.
Guerrero’s path to mental wellness contains setbacks. A new job as a cocktail waitress exacerbates her drinking problem, while competition with colleagues over tips leads to verbal and physical altercations at work. Guerrero quits her job, enrolls in paralegal courses at Bunker Hill Community College, and takes a part-time position as a receptionist at a law firm. With Lorraine’s help, she comes to see that acting is her dream career, not law. Moreover, she realizes that her fear of failing has held her back from pursuing her true passion. During a particularly enabling session, Lorraine tells Guerrero that she is more than the sum of her mistakes, and that her failures do not have to define her. Lorraine’s words resonate with Guerrero, inspiring her to enroll in acting classes at Boston Casting.
Chapter 14 addresses Guerrero’s first foray into acting. She reads industry gossip columns, takes acting classes, and goes to auditions, telling no-one but Brian. The classes spark excitement in Guerrero, especially improv. She stops drinking at night and sleeping her days away. Her acting teacher, Peter, makes her feel like she belongs. With his encouragement, she begins to come out of her shell. The more time passes, the more certain Guerrero is about her decision to forgo law, yet she keeps her job at the firm to pay for her acting classes.
When that proves insufficient, she supplements her income by bartending at a nightclub. She auditions for unpaid work in short films and music videos. A part as an extra in Zookeeper marks her introduction to union work. Despite many setbacks and disappointments, Guerrero’s focus on acting lifts her out of her depression and helps her cut back on drinking. She forges new friendships with classmates, including Dave, who encourages her to audition for the lead role in a short by an undergraduate film student at Harvard. Although she doesn’t receive payment for her work, she gains confidence from the experience. A part for the ABC series, Body of Proof, comes soon after. Papi beams with pride when he learns of Guerrero’s success, while Mami, who now lives in Madrid, remains disconnected from her daughter.
Chapter 15 centers on Guerrero’s pursuit of an acting career in New York City. She commutes from Boston twice a week to take classes at the Susan Baston Studio, where she taps into her childhood experiences to improve her emotional range. Guerrero enjoys New York’s eclecticism and energy, as well as its spirit of competition. After a few months of commuting, she finds a job at a midtown bar, cuts ties with Brian, and moves into her aunt’s basement in New Jersey. Although she is thrilled to be following her dreams, she struggles with poverty and self-doubt. In 2012, Guerrero signs a lease on a studio in Hoboken. Having her own home makes her feel like an adult for the first time.
Guerrero visits Madrid to mend her frayed relationship with her mother. Her mother’s changed appearance shocks her, especially her mother’s nose job. Pained that her mother moved on without her, Guerrero’s goals shift from reconnecting with the woman she knew to getting acquainted with the person her mother had become. Guerrero is pleased with her mother’s nice apartment and financial stability, but the visit is not without tension. Mami treats Guerrero like the little girl she was, rather than the woman she has grown into. Guerrero also resents hearing about her mother’s hardships, which she feels downplay her own. A heated argument leads to a heartfelt apology from Mami, and forgiveness from Guerrero. Guerrero returns to New York with a newfound sense of freedom. Soon after, she signs with an agent at VAMNation Entertainment. After a slew of rejections, her agent sends her to audition for the role of Maritza in the Netflix series, Orange is the New Black. Guerrero gives it her all and waits for a callback.
Chapter 16 opens with a career-defining moment: Guerrero receives news she landed the part of Maritza. She is at once stunned and elated when her agent fills her in on the premise and reveals that the renowned Jenji Kohan is at the helm. Filming begins the following month. Guerrero gets nervous when she sees Jason Biggs, Laura Prepon, and Taryn Manning, but other cast members make her feel like part of the group. After a long day and night waiting, she is called to the set for her first scene. She flubs her lines, but the director wraps the shoot. It takes Guerrero three days to settle into her role. Orange is met with instant acclaim. By the fourth season, the cast and crew are like family. Guerrero forms lasting bonds on the show, notably, with fellow cast member, Jackie Cruz, who plays Guerrero’s onscreen confidant.
The two become inseparable on and off the screen. Even more consequential are the lessons Guerrero learns about leadership, female empowerment, and the fight against injustice. The parallels between her life and the lives of the characters on Orange weigh on Guerrero. The prison setting, menial jobs, and minority characters remind her of her parents. She travels to Los Angeles to audition for the part of Lina on Jane the Virgin and lands the role. While shooting, she forges a close friendship with the star of the show, Gina Rodriguez. The show’s focus on an American family of Venezuelan descent strikes a chord with Guerrero. She falls in love with a man she refers to only as J during a girl’s weekend in Atlantic City. Life becomes even sweeter when she wins a SAG award for her work on Orange in 2015. Viewers write to her to share their personal stories, while her parents look on with pride.
Chapter 17 describes Guerrero’s experiences after going public with her story. She pens an op-ed piece for the Los Angeles Times that instantly goes viral. She appears on national news broadcasts, including an emotional CNN segment. Her story draws both praise and criticism. She receives letters of thanks from people who feel she has given them a voice. Some children tell her about their fears of being separated from their parents, while others confess they are already on their own. The more feedback Guerrero gets, the more motivated she is to promote change. As she contemplates sharing a more complete version of her story, she receives a call from the White House inviting her to an immigration event hosted by President Barack Obama.
She breaks down when she meets him after his speech. He tells her she is important, praises her work on Orange, and signs their photograph with the words, “Thank you for getting involved” (230). The picture makes the front page of El Tiempo in Colombia. Guerrero’s parents encourage her to tell her story on her terms. Writing the memoir is gut-wrenching, but ultimately helps Guerrero heal. She travels to Colombia and introduces J to her family, including Mami, who has moved back from Madrid to be closer to Eric. A side trip to the coffee-growing area of Armenia provides an opportunity for Guerrero to reconnect with her father. When Papi states he wants to return to the US to be close to her, Guerrero decides to do everything in her power to bring her parents back to America. She dreams of buying a duplex next to her home and having one parent live on each floor. Life remains challenging, but the hope of reuniting her family keeps Guerrero strong.
Chapters 13-17 describe Guerrero’s path to mental wellness, her pursuit of an acting career, her professional successes, and the beginning of her journey as an immigration reform advocate. Courage is a running theme in these chapters. Guerrero’s bravery is on full display during her initial encounter with Lorraine. Like other children of undocumented parents, secrets were central to Guerrero as early as she can remember. (She initially kept her parents’ status to herself, and later hid the fact that they were deported). Being open in therapy about her family, as well as her struggles with cutting, alcoholism, and debt, is not easy for someone as guarded as Guerrero. Discussing her alienation from her parents proves to be even more difficult. However, Lorraine inspires trust and tells Guerrero exactly what she needs to hear: that she is going to be okay.
Guerrero’s decision to quit her paralegal career and pursue acting also attests to her courage, in addition to her tenacity. Giving up a steady paycheck is never easy, especially for people with debilitating debts. With Lorraine’s help, Guerrero comes to see performing as an essential part of her identity. She also understands that fear of failure has been holding her back. For Guerrero, acting is not just a job, but a passion: “You don’t choose your life’s work; it chooses you. It’s this new love that sweeps you up in its momentum” (169). Guerrero proceeds cautiously at first, keeping her job at a law office while enrolling in acting classes in Boston.
When that paycheck proves insufficient, she finds work as a bartender. She is equally prudent when she moves to New York, staying with her aunt until she has enough money to live on her own. The road to self-actualization and career fulfillment is filled with setbacks, but Guerrero never gives up. She works without pay on student productions, takes parts as an extra, and spends every spare dollar on improving her craft. She also goes on a slew of auditions. As hurtful as it is to face rejections, Guerrero sticks with it. Her tenacity and hard work pay off when she lands the part of Maritza on Orange, and later, of Lina on Jane the Virgin. Critical success, Emmy nominations, and a SAG award—all in Orange’s first year—propel Guerrero to stardom.
Nowhere is Guerrero’s courage more apparent than in her decision to go public with her family’s story. If sharing her truth within the safe confines of her therapist’s office is difficult, writing an op-ed piece for the Los Angeles Times is nerve-wracking. Guerrero’s decision to speak out comes after an event honoring Latinas helping their communities, where she meets Grisel Ruiz, an attorney for a nonprofit offering resources to those facing deportation. It is Ruiz who encourages her to write the op-ed. The piece is impactful, and the public response immediate. Guerrero is brave yet vulnerable during a CNN interview, drawing even more attention to her story. In addition to receiving praise from immigration advocates, and gratitude from vulnerable communities, Guerrero finds herself on the receiving end of criticism and racial slurs. The vitriolic letters and messages hurt Guerrero, but she does not back down:
The shift came for me as I read through all the other letters I received. As crippling and toxic as negativity can be, there will always be greater power in the positive. For each of the haters, three others wrote to me with stories of recognition; in hearing me speak about what happened in my family, their private fears had been given a voice. A face. An affirmation. At last, someone understood them (227-28).
Inspired by voices from around the country, Guerrero realizes that her experiences can help others. She decides to tell a more complete version of her story, resulting in her memoir. The task is a difficult one: “Putting my ordeal on paper has been gut-wrenching. I’ve felt vulnerable through every step of it. I’ve had to look back at moments I’d rather forget and stare into dark places” (231).
In addition to courage and tenacity, forgiveness takes center stage in the book’s closing chapters. Guerrero’s childhood includes difficult experiences, but none are more painful than her feelings of abandonment. She holds her mother responsible for the family’s separation. Her resentment grows over the years, especially when Mami complains about how difficult life is in Colombia. For Guerrero, Mami’s complaints are not just self-centered, they also minimize her own pain of growing up without parents. After reaching a crossroad in 2012, Guerrero visits her mother in Madrid in hopes of finally putting the past to rest. The distance between them is immediately apparent: “[Mami’s] life had moved on without me in it. It hit me that we had no real relationship anymore, only the shadow of a former one. That realization made me feel so lonely—not just on my behalf but also on hers” (193).
While Mami’s memories of the past are sharply focused, Guerrero’s feel so distant she compares them to faded old photographs. The imagery resonates with the family pictures interspersed between the book’s chapters. Tensions erupt four nights before Guerrero’s scheduled departure, when she tells Mami how she truly feels: “You abandoned me […] You destroyed our family […] I hate you!” she howls through tears (196). After a heartfelt apology, Guerrero forgives her mother, and in doing so, she puts the past behind her: “That night, in the dim light of my mother’s living room, I made the choice to free us both” (197). Guerrero finally realizes how strong her mother was in the face of devastating loss. She also recognizes her mother’s courage: Mami set out for a foreign land with a baby on her hip and without knowing the language, all for a chance at a better life. She endured poverty and violence, as well as discrimination. Guerrero sees her mother through a new lens: “[S]he fell down, got up, and then toppled to her knees again. But in the end, she always got up. She crawled back to her feet. She stood. And she deserved not my contempt but my deepest admiration” (198).
Few issues are as polarizing in America as immigration. By sharing her story publicly, Guerrero puts a human face on what can otherwise seem like an abstract problem—one often reduced to politically expedient soundbites. An important take away from Guerrero’s memoir, then, is that US immigration policies negatively impact families. Those caught up in the immigration system, or who fear being ensnared, are real people who dream of better lives. As Guerrero notes, millions live “under the radar, ashamed […] to say a word about their situation” (228). The sheer number of people living and working in the country illegally should prompt reform, yet the problem persists.
Being on the receiving end of hate makes Guerrero question her decision to come forward. She fears her career is over and contemplates stepping away from political issues. She also worries about having embarrassed her parents, but Mami sets her mind at ease: “This is your story. Tell it the way you want to, and don’t be afraid. Use what we’ve been through to help others” (230). Papi is equally supportive: “Always remember that you’re in charge of your own story,” he tells her. “You get to decide what you want to share. Don’t let others push you into talking about anything you’re uncomfortable with” (230). The advice serves Guerrero well. She continues to speak about her experiences, but on her terms. When she gives interviews, she specifies beforehand when topics are off-limits. Over the course of the memoir, she goes from being a frightened, grief-stricken, and powerless child to an empowered woman who stands by her decisions. Guerrero’s story is one of pain, but also of triumph. The strength of the memoir lies in her willingness to expose her family’s history. Sharing her story helps Guerrero heal, while also helping the undocumented.
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