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49 pages 1 hour read

Philippe Bourgois

In Search of Respect: Selling Crack in El Barrio

Nonfiction | Book | Adult | Published in 1995

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Symbols & Motifs

Crack

For the individuals researched in the book, selling crack is a method of securing finances and coping with life. Most of the people who Bourgois befriended were both crack users and dealers. Primo and Caesar often spoke of needing to sell crack because they couldn’t get jobs in the legal job market. Moreover, their money from their job as a crack dealer often went to purchasing drugs and alcohol for themselves. As such, crack is symbolic as a way of life for the people caught up in drug-dealing East Harlem. Even kids are victim to the effects of crack, with most going on to become crack dealers and users, thereby following in their parents’ footsteps. Others fall victim to the violence that rises up around streets imbued with drugs and crackheads. Abuse and violence often go hand in hand with drug culture.

Crack can also be seen as a symbolic indictment of mainstream American culture, which refuses to give minorities like those in East Harlem a place in the legal economy, whether through internalized racism or flatout exclusion. Because of the inability to make a living in the legal economy, people like Primo and Caesar turn to selling crack. Moreover, crack is cheaper than heroin or cocaine, which means they can sell more and, due to the demand, potentially make more money. Therefore, the exclusion from mainstream America breeds the grounds for crack to thrive.

Motherhood

Motherhood is both a prevalent motif and symbol throughout Bourgois’s narrative. Bourgois explains in later chapters that, despite the violence that women and children are subjected to, motherhood is one of the few avenues for women in the underground economy. In fact, motherhood is encouraged and prized in Puerto Rican culture. Women who’ve been abused by boyfriends, fathers, and husbands look forward to becoming pregnant because it carries a romanticism that allows them to escape the everyday dreariness of their lives. Bourgois shows examples from the life of Maria, an expectant teen mother who began writing poetry to her significant other because she was so happy during her pregnancy. Even though Primo wants Maria to have an abortion, Maria feels that her pregnancy is symbolic of her devotion to Primo.

Expectant mothers also receive housing before others, which makes pregnancy an ideal motive for women who want some sense of autonomy. In this sense, motherhood is symbolic of agency in a culture where women have little agency or say in how their lives play out. Motherhood also strengthens the bonds of social kinship because women move from one man to the next and have children with these men, thus strengthening family and friendship ties in the community by connecting everyone.

Jíbaro

A jíbaro is a romanticized caricature of an independent Puerto Rican farmer. They’re depicted as farmers with straw hats who have a connection to the land and who are quiet and hardworking. Jíbaros have a fierce sense of independence and self-respect, with many moving away from factory-crowded environments to subsist on their own. In Bourgois’s narrative, the jíbaro spirit is evidenced in the second generations of Puerto Ricans who now live in East Harlem, even though some dismiss the idea as embarrassing or outdated. Bourgois notes how individuals like Primo and Caesar demand respect, even from bosses in the legal economy. When their pride and manhood are slighted by people who want them to break with tradition, or to show what they consider weakness or vulnerability, they act out in self-destructive ways. Above all, respect and independence as symbolized by the jíbaro play a large part in the decisions of those Bourgois befriends. 

East Harlem

At many times in American history, East Harlem is symbolic of a den of iniquity. From the Mafia to present-day Puerto Ricans (when the author conducted his research), the larger and legal culture of New York and North America has conflated East Harlem with drugs and violence. This stigma has caused the residents to receive less help and aid than other neighborhoods and continues to reinforce the violence that already darkens its streets. Kids in East Harlem don’t get a fair chance at growing up without the allure of street culture and the underground economy. For many, the cards are already stacked against them, which is why turning to a life of crime is so appealing. They don’t identify with the middle-class culture and teachings found in schools, where they are subjected to internalized alienation. The streets allow them to form a new culture and feel a sense of self-respect. Violence from fathers and abandonment from both fathers and mothers also play a role, making East Harlem a neighborhood of statistics. For Bourgois, East Harlem is symbolic of all inner-city communities where poverty and racism keep people locked in a cycle of oppression.

Clothing

Clothing, and street culture on a larger level, is integral to the residents of East Harlem and symbolic of autocracy. Clothing defines who they are, which is why many have issues with the legal economy when they are forced to have dress codes at work. Dress codes are akin to adopting another culture, or at the very least erasing their identity for a job that doesn’t even pay much. It can also be a sign of vulnerability to give up their streetwear. When people in middle-class offices look down on clothing, they are "dissing" cultural identity at the same time. Clothing, then, is also an important factor in internalized racism. When looking at clothing in a larger context, as a part of street culture, clothing is an oppositional force. Clothing shows the viewer that the wearer identifies with a set culture and finds his or her identity in this culture. It fights back against the racism in corporate America and allows the wearers to feel pride in their ties to the streets and autonomy.

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