logo

36 pages 1 hour read

Iain Reid

I'm Thinking of Ending Things

Fiction | Novel | Adult | Published in 2016

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Symbols & Motifs

The Farm Animals as Depression, Loneliness, and Fear

Each of the farm animals young Jake shows the protagonist on their arrival at his family’s farm acts as a symbol for Jake’s struggle to decide whether to kill himself. The dead and frozen lambs are indicative of his current state of mind being frozen in indecision. He believes that when they thaw in the spring, his father will burn them, but he cannot say definitively. This symbolizes Jake’s hope that he will eventually make his decision, but as he writes this scene he cannot say for sure.

The pigs and their death as retold by Jake symbolize the way his thoughts, doubts, and fears have eaten away at his mental well-being. The pigs are described as staying in one place, similar to the lambs, indicating Jake’s inability to change the nature of his thoughts or his inability to relate to other people. The maggots eat the pigs alive, just as Jake’s thoughts threaten to eat him. Furthermore, in this scene the protagonist asks, “What if suffering doesn’t end with death? How can we know?” (82). This symbolizes Jake’s fear that he will remain in the same place plagued by the same struggles even after death.

Finally, in the hen house, the protagonist witnesses a hen eating its own egg. In addition to symbolizing the novel’s theme of the circular nature of time, this symbol further corresponds to Jake’s fear that suicide will not alleviate his suffering. The circular nature of time implies the end brings one back to the beginning. By Jake’s estimation, suicide may bring him back to the beginning of his life and force him to re-experience his entire struggle again. The protagonist’s revulsion at the sight of the hen eating its egg further supports Jake’s fear of being stuck in circular time.

Portraits and Identity

Throughout the novel, the protagonist encounters photos and portraits in which her identity seems to be blurred with that of young Jake’s. Additionally, her own reflection is denied to her, as she has her “no-mirror days” and cannot see her reflection in the car window or in the bathroom. This motif of indecipherable or shared reflections corresponds to the novel’s theme of ipseity and the multiplicity of Jake’s identity. The protagonist’s lack of reflection or a face of her own is indicative of a lack of individuality; because she is part of the composite of Jake’s identity, she is not distinct from him and therefore shares his reflection.

The Author’s Presence: Ringing Noises and Fictionalization

The ringing noises the protagonist experiences throughout the novel act as a motif indicating the presence of Jake as a writer actively fictionalizing his memories in the process of making his decision. Jake’s hearing loss manifests itself in the mother’s tinnitus as well as the incessant ringing of the Caller, which disrupts the flow of the narrative at the same time it disrupts Jake’s thought process. By incorporating the Caller; Jake’s mother’s struggle; and other instances, such as the sound of the fan in the basement and the Dairy Queen’s ice cream machines, Reid uses the motif of ringing noises to explain how the events experienced by the protagonist and young Jake are actively fictionalized by Jake.

blurred text
blurred text
blurred text
blurred text