57 pages • 1 hour read
Lois DuncanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Print media is a motif that develops the theme of The Effects of Guilt About Manslaughter. The antagonist (Bud/Collie) sends the teens physical items to remind them that they killed a little boy in a hit-and-run accident. The title of the novel is a handwritten message on a “folded sheet of lined paper” (8) that Julie receives in the first chapter. Ray receives a newspaper clipping in an envelope that is “addressed in the same block printing” (87) as Julie’s letter. The handwriting is part of the medium, bringing the physical hand of the antagonist to the teens—the hand that later enacts violence on them. Helen receives a picture of a boy on a bicycle clipped from a magazine ad. The act of cutting out the picture builds on the motif of the antagonist’s physical acts that make the teens remember their guilt.
The newspaper article that Ray receives not only contains content about the accident, but its form is also significant: “The clipping was yellowed from exposure. Someone has handled it often and read it many times. It was creased down the middle and had the smell of old dollar bills. Someone had kept it in a wallet perhaps” (53). Again, the hand of the antagonist is shown in the folding of the article. His handling of it leads to the discoloration, and keeping it in his wallet shows how he physically carried it with him. The trauma of the accident is felt and described physically, using print media.
The novel uses the familiar symbolism of eyes as windows to the soul. In other words, eyes show the characters’ morals and personalities. Helen has “deep violet eyes, her most unusual feature” (35). This unusual color helps her win the beauty pageant that gets her the job as the Channel Five Future Star. It also sets her apart as “prettier” than women who do not compete in beauty pageants, like Julie, her neighbors, and her sister. Julie contrasts Ray’s green eyes with Bud’s “brown eyes” (37). She finds Ray’s eyes attractive and comforting, symbolizing how he loves her.
Both Julie and Helen note the darkness of the antagonist’s eyes. When Bud/Collie is about to attack Helen, she thinks, “I don’t want to see anything through his eyes [...]. I don’t even want to look at his eyes. There’s something wrong with them. They’re getting darker!” (183). The darkness of the antagonist’s eyes symbolizes his evil nature. When he is violent, his eyes become even darker, emphasizing the connection between darkness and evil.
In addition to eye color, the colors of flowers, paint, and hair offer clues to the antagonist’s identity. This motif develops the theme of The Effects of Guilt About Manslaughter. Julie, wracked with guilt, anonymously sends yellow roses to the funeral of the boy the teens killed in the accident. These are how Bud/Collie discovers the identities of the people who killed his half-brother. Later, yellow reappears on the trim of the house of Bud’s family. The yellow paint helps Ray identify Bud as the antagonist—he has a “smear of yellow paint across the back of one” (176) of his hands. Finally, Julie’s red hair is noted in the first chapter. When the antagonist tells Helen he has a date with a redhead, this is a clue to his dual identity as Bud and Collie.
By Lois Duncan