45 pages • 1 hour read
Natalie LloydA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Lending its name to the title of the novel, the legendary hummingbird is the most significant symbol in the text. It is a figure shrouded in mystery and legend throughout the novel; even at the narrative’s end, there is no explanation of its origin or powers. The hummingbird is the most prominent element of the novel’s magical realism conventions and facilitates the characters’ emotional journeys. It symbolizes transformation, enabling Olive and other characters to come to important truths about themselves. These truths form the basis for explorations of the Fragility, Vulnerability, and Strength and Existing with Limitations themes. Descriptions of the hummingbird link it with light—in an almost heavenly sense, evoking its transcendent and magical nature—while simultaneously implicitly likening it to Olive herself. In the original legend of the hummingbird Mr. Watson relays in Chapter 9, Twig Moody describes the creature as having “magic in the bone” (83). This creates an immediate connection with Olive, whose brittle bones are often a source of mixed feelings for her. When Olive finally encounters the hummingbird in Chapter 33, she describes it as “tiny but blinding in its radiant light” (339). Like the hummingbird, Olive is tiny, yet possesses an inner shine that is evident in her resilient and joyful, indomitable spirit. Beyond being a symbol of transformation, the parallels between Olive and the hummingbird suggest that Olive possesses this magic herself. The hummingbird being likened to Olive as small and delicate yet having an innate, incredible source of power also reinforces Fragility, Vulnerability, and Strength, reinforcing the idea that one’s fragile and vulnerable places open the door to magical experiences.
Lloyd uses foreshadowing to introduce the hummingbird in Chapter 4 before it receives an explicit introduction in Chapter 9; doing so establishes the hummingbird’s importance early in the narrative. It acts as the object of a quest and drives the action forward in the narrative. Using it as a concrete focal point facilitates the emotional journeys of the protagonists. As such, the hummingbird advances the Fragility, Vulnerability, and Strength theme; as the hummingbird itself exists in a liminal space of a seemingly paradoxical union—paradoxical unions being another common characteristic of magical realism—where “fear and wonder both collide” (84), it requires the protagonists to delve into a paradoxical union between their own vulnerable places as a source of strength. Olive does this when she meets the hummingbird; she confronts her own doubts and fears about her limitations to step onto the stage as Emily Dickinson in Chapter 32, and in doing so finds the ability to express herself and unlocks her deepest truth. The key to the hummingbird being “the words you didn’t know were missing” also acts as a facilitator for the protagonists to achieve deeper truths in themselves (85), thus driving not only the novel’s major thematic elements but also the character development of major characters like Olive. Through its positioning as the resolution of an emotionally significant quest, the hummingbird symbolizes the resilience, joy, and transformation that ultimately define Olive’s arc in the novel.
While the hummingbird is the most significant symbol in the novel, birds in general recur as motifs that signal places of belonging and connection for Olive. Birds are important to Olive and her world; for starters, they are an important point of shared interest between herself and Grandpa Goad. Birds also appear at other “magical” spaces inside the text—most notably, the Macklemore library in Chapter 18. Like many other things in Wildwood, the library is described whimsically; as the former site of the town aviary, the library still maintains some of its former architecture and is a home for both birds and books, reinforcing the library as a place of magic and safety and belonging for Olive. In addition, birds connect Olive to Emily Dickinson (who famously wrote in her titular poem “‘Hope’ is the thing with feathers”); it is also significant that in the play, Olive is initially cast as the Bird of Joy, reflecting her optimistic and hopeful nature. This reinforces Olive’s place of belonging there at the school. It also reinforces Emily Dickinson’s connection to Olive as a model of transcending limits. Ultimately, the bird motif characterizes the setting and plays a supporting role in transmitting Olive’s unique connection to magic and the transformation it brings.
Heralding the hummingbird’s arrival, the falling white feathers symbolize the impending transformation associated with the hummingbird. The white feathers work in tandem with change, another motif in the novel, to accomplish this effect. The novel opens with expectations for an impending change, with Uncle Dash’s “flutters” and his announcement that “change is on the wind” (3). Change and the white feathers become inextricably linked in Chapter 4. After Olive decides to convince Mama to allow her to attend Macklemore, she feels certain that “Change was finally about to happen!” (29). Immediately following that moment, the white feathers begin to fall. They are described in whimsical language, such as melting “swift as a dream” (30), clearly indicating them as a magical element and setting up expectations for the magical journey Olive is about to embark upon. The white feathers continue to foreshadow change throughout the novel, using the same whimsical language and creating an anticipatory or excited mood whenever they appear. They are juxtaposed to pivotal moments that prove essential for propelling Olive forward on her character journey. For example, in Chapter 6, the feathers fall after Olive’s parents agree to let her attend Macklemore, and there they are “delicate as butterfly bones on glass” (52), creating an image of their ephemerality. They lead Olive to the auditorium in Chapter 10 for play auditions, and float around her at the end of Chapter 11 when she decides to pursue her wish with the hummingbird. The feathers build the excitement and anticipatory mood and signal impending transformation for Olive whenever they appear in the text.
Fragility recurs frequently throughout the novel and is a source of conflict for Olive; as it is often directed at her in reference to her OI, the word “fragile” evokes feelings of frustration, insecurity, and isolation. Fragility appears as a motif structuring Olive’s conflict from the very first chapter; when the woman at church refers to Olive as “fragile as a falling star,” Olive reflects: “fragile is how people always describe me. [...] And I wish they’d see other things like my dark hair or my heart-shaped sunglasses or even my dress” (10). The frustration of feeling confined to people’s perception of her as fragile pushes Olive to prove herself at Macklemore, and the “fragile” descriptor recurs as a continual source of conflict for Olive as she deals with barriers to accessibility her perceived fragility creates for her.
In Chapter 28, Olive acknowledges a paradoxical facet of fragility that foreshadows important conclusions at the climax—that brokenness in certain contexts can sometimes be a pathway for positive things: “For a second, it occurred to me that some broken things really were amazing, like eggs and poetry. And some broken things were awful, like bones and hearts” (299). She connects this thought to Emily Dickinson’s poetry, as she considers the fragmented verse characteristic of Dickinson’s writing style and how it creates deeper meaning and beauty in her poems. This foreshadows the conclusion of the Fragility, Vulnerability, and Strength theme as Olive learns that confronting fear and vulnerable places can often open the door to magical and wondrous experiences. Just as Dickinson fragmented her lines intentionally to create the wondrous effect that is her poetry, Olive’s ability to accept and confront her fragile places gives her access to the place “where fear and wonder both collide,” where she encounters the hummingbird and the truth within her.
By Natalie Lloyd