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Part 4 takes place five years after Lucy and Sam part ways. Lucy lives in the town of Sweetwater. She finds work in a laundry and rents a room in a boardinghouse. She even makes friends with a wealthy girl named Anna, who looks identical to her from the back. Anna’s father is a wealthy prospector, just as Ba dreamed he would be. Lucy thinks, “It is as if Anna waved a wand over her friend—only the wand was a dowsing rod, and the rod held by Anna’s father, and the magic only gold. Transformation into the same girl” (203).
Anna is afraid because there are rumors of a wild tiger prowling around town. The girls find a partial paw print in the mud, but Lucy laughs at Anna’s fears. They go to the train station to meet Anna’s fiancé Charles.
Lucy recalls when she first came to Sweetwater. She spends many hours swimming in the river for which the town is named. This is where she first meets Anna. The rich girl gives Lucy gifts of clothing and food. She wants Lucy to move into the mansion that Anna occupies with her father. He rejects the idea, and Lucy goes back to her boardinghouse.
After returning from the river one night, Lucy’s landlady announces that a male visitor is waiting for her. It turns out to be Sam. Lucy observes that if she “learned to go unseen, then Sam spent five years polishing a natural shine brighter” (211). He takes her to a restaurant for a meal. Afterward, he confesses that he has been making the tiger noises and leaving tracks that frighten the town’s inhabitants so he can steal their chickens and beef. The two bump into Anna and Charles on their way home. Lucy lies about her sibling and tells Anna that she and Sam grew up in the same orphanage.
Anna is ashamed of her behavior. Lucy then confesses that she has been encouraging Charles’s attentions. Anna offers forgiveness, and Lucy realizes that her friend views her as a pet. Lucy thinks, “Anna wants a domestic thing, a harmless thing—Anna’s tigers as different from Lucy’s tigers as Anna’s Charles is different from Lucy’s Charles” (227).
Lucy and Sam walk all night until Sam steals a pair of horses. The farther they travel, the more Lucy realizes how mired she became in her old life: “For five years Lucy let more and more of herself be buried. Sank into Sweetwater’s slow life like a mule in quicksand, too stupid to notice till it was half-drowned” (233-34).
The siblings continue to flee westward while being pursued by Sam’s enemies. Lucy remembers the law that says she and Sam can’t claim any gold. She considers it “a treacherous thing, twisting to sink fangs into them however it can. Better to make their own rules, as Sam always has” (242). They pass through the familiar landscape of their childhood for the last time on their way to the coast.
When Lucy and Sam arrive in San Francisco, Lucy finds the city just as treacherous as the wild landscape she left behind: “Later she’ll learn how hard it is to live at the end of the West. Sometimes the ocean takes a life, sometimes the fog that hides lighthouse beams” (247-48). They go to a brothel that Sam knows, where he can get food and a bath. The madame is named Elske, and her girls are dressed as fantasy figures posed in frames. She tries to entice Lucy to work for her by offering a storybook, but Lucy refuses.
The next day Lucy and Sam haggle with a ship’s captain for the price of their passage. Knowing that they are desperate, the captain increases the fee. They don’t have enough gold left, but Lucy plays cards with local gamblers that night and wins every hand; “for one night, at least, they made the hills hold gold” (260).
Sam tells Lucy how he came by the gold he possesses. He says he and some fellow prospectors stole back gold that was stolen from them after they mined it. They split up their shares and threw the remainder that was too heavy to carry into the ocean. It was a way of giving back what was taken from the land. Now Sam is being pursued by the men who stole the gold in the first place. During their last night onshore, Sam’s foes catch up with them. A fat man and his hired gun threaten to kill Sam if he doesn’t return the gold. Lucy decides to bargain with the fat man alone.
Lucy and the gold man haggle. The only price he will accept is Lucy’s servitude as a prostitute until she works off Sam’s debt. After she agrees, he allows her to say goodbye to her brother. Sam doesn’t want to leave for China until Lucy hits him hard across the face. As he departs, Lucy wonders “if Sam will ever remember her without the shadow of that blow” (267).
Lucy goes to work as one of Elske’s fantasy girls. She quickly reduces her debt once she learns how to read the desires of each of her customers. One of them breaks her nose, accidentally correcting the injury her father inflicted years earlier. Before long, Lucy repays the gold man all that Sam owed him. The man says he will give Lucy a parting gift and asks what she wants. She tries three times to articulate what she would like. In the end, she still can’t say: “She opens her mouth. She wants” (272).
Part 4 examines Lucy and Sam’s lives five years after they bury their father. Sam has passed himself off as male and had many adventures, including success as a prospector, until his wealth is stolen. In contrast, Lucy becomes mired in a dull routine in Sweetwater. Her life holds no forward momentum at all until Sam returns briefly for a visit. On impulse, she decides to join him in his flight to the coast.
Despite her attempts to change her circumstances and find a lasting place for herself in the world, Lucy’s efforts are defeated at every turn. This segment emphasizes her lack of a core identity. She attaches herself to Anna because the latter represents a projection of Lucy as the daughter of a rich prospector. She attaches herself to Anna’s fiancé in an effort to feel the romance that Anna enjoys because of her social status. When neither of these relationships gives her any sense of personal meaning, Lucy attaches herself once again to Sam. Her attempt to save his life by prostituting herself casts her once more into the role of a nonentity. She possesses no authentic reality as a fantasy girl posing in a frame for prospective brothel clients.
By the end of the novel, Lucy still hasn’t found a place where she belongs. China isn’t her home because she is American. America isn’t her home because she is viewed as Asian. San Francisco is just as dangerous as the hills of her childhood. She has formulated no dreams to drive her desires. When the gold man says he will grant her a wish before releasing her from his service, she can’t even articulate a thought beyond “she wants.” The real tragedy of the novel is that Lucy seems doomed to flit like a ghost through her own life. She knows she wants something, but that something will never take shape because she never claims or establishes an identity of her own.