81 pages • 2 hours read
Sarah J. MaasA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Chapter Summaries & Analyses
Prologue and Part 1, Chapters 1-7
Part 1, Chapters 8-14
Part 1, Chapters 15-21
Part 1, Chapters 22-24 and Part 2, Chapters 25-28
Part 2, Chapters 29-35
Part 2, Chapters 36-42
Part 2, Chapters 43-47 and Part 3, Chapters 48-49
Part 3, Chapters 50-56
Part 3, Chapters 57-63
Part 3, Chapters 64-70
Part 3, Chapters 71-78 and Epilogue
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Book Club Questions
The world of Midgard is deeply hierarchical, and like most hierarchical societies in the real world, it draws its authority from official, unquestioned history. Historical narratives give the Asteri authenticity and authority: According to history, the Asteri are living stars, therefore, the Asteri are above every other being and meant to be obeyed. Another official narrative is that the shifters are different from the Fae, even though they also possess magical abilities and skills, such as Mordoc's and Danika’s gifts for sniffing out bloodlines. Such is the power of official narrative that people do not question its flaws and plot holes. For instance, most people in House of Sky and Breath do not ask where the Asteri came from. Even the people who guess at these facts stay quiet out of fear or are forced into silence, such as in Danika's case.
The novel shows how the "truth" might be a lie manufactured to maintain a certain system. For instance, in the Bone Quarter, the Under-King tells Bryce that the Sleeping City is a lie meant to comfort folk, “one for your benefit” (336). The comforting lie of the afterlife prevents people from questioning where the dead go. Thus, the current system is perpetuated. The history of Midgard is built on many such lies, which are uncovered in the course of the novel. Bryce and her friends learn that Hel has been trying to reach Midgard for millennia not to destroy them but to inform them of the truth. If the people believe that Hel is a monstrous place, the Asteri have distracted them from the truth that the monsters are living right amongst them.
Official versions of history erase the mention of people who question them. For example, little is known of the last Starborn Queen Theia, who rose against the Asteri. As Rigelus (pretending to be Aidas) mocks Ithan in Chapter 15: “The Asteri fed their lies to your ancestors. Made the scholars and philosophers write down their version of events under penalty of death. Erased Theia from the record” (177). The statement highlights how the victors and the powerful often write history, and alternate versions of history are snuffed out. Most of the Fae believe in the history told from the victors' point of view. They do not know of the historical accounts of the humans, witches, or shifters. Each faction in the novel is preoccupied with the lore of their kind. This prevents them from discovering the commonalities between their histories, but it also keeps them divided against each other.
The plot of the novel focuses on an underground rebellion dependent on information gathered from spies and double-agents. Though many of Bryce and Hunt’s old and new acquaintances are secretly working for the rebellion, the protagonists do not see this as they are bound by the limits of their own prejudices and presumptions. In fact, almost all of the main characters are limited by their presumptions in many ways, which leads to misreading and underestimating people. While most people underestimate Bryce because she is a gregarious and beautiful woman, she also tends to misread people, such as her own best friend Danika. The many reveals about Danika shake up Bryce as she realizes that she let many things about Danika slip, such as the fact that Danika stopped dating for two years before her death.
Hunt also makes presumptions based on superficial information, such as when he refuses to consider that Baxian might have changed. Baxian points this out when he tells Hunt: “You never asked me why I was in her triarii, you know. Not once, in all these decades. You’re like that with everyone, Athalar. Surface level” (164). Hunt does not believe that, like him, Baxian could have been forced into Sandriel’s triarii, neither does he entertain the notion that, like him, Baxian might have changed because he found love.
The novel also contains multiple examples of prejudice. The class-divided society of Midgard is deeply prejudiced on account of gender, house, and species. There are derogatory terms used toward mer, wolf shifters, and women. The Fae dislike angels and shifters and vice versa. These presumptions and prejudices prevent various factions from understanding each other’s points of view and instead help the ruling-class Asteri stay on top. Significantly, it is when the various factions unite, such as in the quest for Sofie and Emile, that the mission begins to gain traction. Bryce, Ruhn, and Cormac (Fae) work with Hunt (angel), Ithan (wolf-shifter), and Tharion (mer) to gain answers. Along the way they seek the help of Hypaxia, a necromancer witch, and the object of their search are humans. Thus, the novel emphasizes the importance of shedding prejudices and coming together for the larger good.
The novel also uses the theme of prejudice to question privilege and entitlement. It is presumed a rich prince like Ruhn cannot have any difficulties, while Bryce knows that lamenting over her Starborn princess status will win her no sympathy. Characters who have experienced prejudice from the highborn Fae presume many things about them as well, which is natural. Day assumes Ruhn has had an easy life, which is partially true. Ruhn, on the other hand, can afford to be flippant about everything to Day, as he presumes her life is similar. His privilege is the source of his presumptuousness.
Love and sacrifice are powerful motivators for the characters, whether it is Bryce and Hunt’s love for each other or Day and Cormac’s love for their cause. Bryce is fiercely protective of her loved ones, ranging from Hunt, Ruhn, and her parents to her friends Juniper and Ithan. It is her love for Juniper that propels her to call in a favor as Starborn Princess, an act which is out of character for her. When Ruhn and Hunt are being tortured in the Asteri’s dungeons, Bryce feels their pain as if it were her own. In the novel, love often involves sacrifice and putting others first. Bryce experiences this when she must leave Hunt and Ruhn in the Asteri’s custody to seek help from Hel: “She couldn’t do this. Her heart was shattering; her bones were screaming that this was wrong, wrong, wrong” (785).
Yet, she must leave them not just out of love for Hunt and Ruhn but for the love of other folk as well. Thus, love manifests itself in different ways: as romantic passion, friendship, familial love, and love for all living beings. Love also extends to those who are dead, such as Bryce and Baxian’s continuing love for Danika and Cormac’s love for Sofie. Cormac directs his grief for Sofie into a loving devotion to an idealistic cause. He sacrifices himself in the end so he can blow up the threat Pippa represents and the deadly mech suit that could be used as a weapon for genocide.
Love is not restricted to bloodlines and families of origin. In fact, many characters, such as Ithan, find kinship and love outside these bonds. Bryce also finds her tribe with Juniper, Fury, and her other friends, while Ruhn opens his heart to Day. Thus, families are created rather than inherited. This point is underscored via instances where biological families or tribes refuse to accept their members. The Autumn King loathes Bryce, while Ithan is shunned by his pack. Yet, both of them find plenty of love outside these bonds. While love is often transformative—as symbolized by the power unleashed through Bryce and Hunt's union—it can also drive people to desperate actions. For instance, Celestina’s love for Hypaxia possibly contributes to her betraying Hunt. Hunt is in danger of losing control over his power when Bryce gets threatened. The novel does not judge these actions, it only shows how love is a powerful motivator for most of the actions of the chief characters.
By Sarah J. Maas