52 pages • 1 hour read
Erin A. CraigA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Annaleigh, Camille, and Morella go to a dress shop for their final fittings. Camille is ecstatic for the ball, which will be full of suitors, but Annaleigh is nervous; she would only be interested in Cassius if he attended. Annaleigh’s seafoam green dress is lovely, but she feels the strapless top is immodest. Camille, Morella, and the dressmaker assure her that she looks fashionable. When the dressmaker claims Pontus may take her away himself, Morella confirms that mainlanders worship other gods:
Vaipany, lord of sky and sun; Seland, ruler of earth; Versia, queen of the night; and Arina, goddess of love. There were dozens of other deities—Harbingers and Tricksters—who ruled over other aspects of life, but for the People of the Salt, Pontus, king of the sea, was the only god we needed (64).
The dressmaker implies she makes dresses for Arina herself. Outside the dress shop, Annaleigh spots Edgar, one of Eulalie’s suitors. She tries to engage him in conversation, but he clearly needs to leave. However, Camille makes pleasant conversation about his clock-making business. Annaleigh notes his light blonde hair, which matches the lock in Eulalie’s locket, before he rushes to work.
Annaleigh returns from shopping and notices wet footprints from an open bathroom. She smells the same scents that her deceased sister, Elizabeth, used for baths and assumes someone found a forgotten bottle. She follows the wet footprints to Verity’s room, teasing her for not toweling off. However, Verity is busy drawing and completely dry; she states Elizabeth is the culprit. The wet footprints lead to Elizabeth’s old room. Annaleigh enters the room, but no one is there.
Fearful, Verity says Elizabeth sometimes visits Octavia on the fourth floor. Annaleigh pushes her to explain, and she says she sees their deceased sisters. Annaleigh reiterates that they’re all deceased, but Verity shows her drawings—which depict Ava, Octavia, Elizabeth, and Eulalie with their respective injuries. Verity was only two years old when Ava died, so Annaleigh knows she would never remember her visage. She is disturbed, and Verity says she now knows to look for their sisters too.
Annaleigh explains Verity’s drawings to Hanna, who is busy preparing for the triplets’ 16th birthday ball with the other servants. Hanna assumes Verity’s imagination is vivid. Annaleigh brings up Verity’s youth, the impossibility of her knowing her deceased sisters’ visages. Hanna urges her to get ready, promising to discuss Verity later. Last night, when Annaleigh told Camille about Verity, she didn’t believe her either.
Camille pushes Annaleigh to take a bath before the ball, intent they will find suitors. Annaleigh is reluctant to bathe in the tub where Elizabeth drowned. She tenses when the water turns black, a force pushes her under, and octopuses grapple her. She wakes from her nightmare to Camille hurrying her. Toweling off, Annaleigh notices scratches on her back. Camille assures her that she scrubbed too hard, but Annaleigh insists she didn’t. When Camille pulls the tub’s plug, Annaleigh sees Elizabeth’s ghost bubbling from the water, reaching for them. Annaleigh flinches but keeps the vision to herself. In her room, she realizes her scratches are bruises, as if Elizabeth poked her to get her attention.
At the triplets’ birthday ball, fog stops some guests from attending, but Highmoor Manor echoes with life. Ortun, Morella, Camille, Annaleigh, and the triplets greet guests, and Annaleigh’s friend Fisher (Hanna’s son and apprentice to the lighthouse keeper) arrives among them. He hugs Annaleigh and teases her about her growth into a lovely lady; she and Camille used to be infatuated with Fisher but now treat him as a brother. He calls Annaleigh “Minnow” and signs her dance card. They catch up and talk about his time at the lighthouse.
After dinner, Annaleigh dances with her uncle, a distant cousin, and Fisher; others don’t sign her and her sisters’ dance cards as expected. Mercy and Lenore are upset, as is Camille, who tries to talk to Robin Briord, a lord she likes—but he keeps ignoring her. After chasing Robin, Camille rushes to Annaleigh, pulling her outside into the foggy garden.
Camille rants about Robin framing the Thaumas sisters as poison. She blames the family’s curse, regardless of its reality. She and Annaleigh dream about traveling to other lands, where no one knows of the curse. Suddenly, Annaleigh sees Eulalie walking toward them in the fog, hearing her laugh. She asks if Camille sees the ghost, but she doesn’t, dismissing Annaleigh as inebriated.
Annaleigh has trouble sleeping after the guests leave. She looks at Eulalie’s pocket watch and Edgar’s lock of hair. She wonders why Eulalie would keep his hair if she rejected him. Annaleigh plans to explain her theory to her father and ask for help.
At breakfast, Annaleigh reiterates that the family’s curse isn’t real. Camille argues that regardless of the curse’s reality, their guests judged them, so the sisters will end up spinsters. Morella enters, asking if her unborn son will be cursed too. Ortun consoles her out of the room. The oldest sisters argue about the curse and being kind to Morella, whose pregnancy has proven painful. Ortun returns and warns his daughters to stop discussing the curse, as it doesn’t exist. He is leaving for capital meetings for a week, trusting them to take care of Morella. Afterward, Fisher asks Annaleigh if she’d like to go fishing and search for kelp (for Morella’s lotions, to ease her pain); they leave.
Annaleigh and Fisher take a rowboat to an island for kelp collecting, watching sea turtles, Annaleigh’s favorite animal, in the waves. She admits she walked in on a fight between Camille and their father, so she didn’t get to discuss something important with him. Fisher prompts her to confide in him, and she shares her theory regarding Eulalie’s murder. Fisher is empathetic, and Annaleigh cries. As he holds her, she feels romantic feelings bloom.
Annaleigh then asks Fisher if he believes in ghosts. She explains Verity’s drawings and confesses to seeing her sisters’ ghosts. Fisher believes Annaleigh and Verity aren’t seeing ghosts, but rather reflections of their grief. They finally reach their destination, collecting kelp as they talk. Annaleigh mentions the family’s curse, and Fisher wonders if they could travel somewhere new, where no one knows of the curse. He mentions hypothetical doors to the gods, which the gods use to reach the mortal world, including faraway lands. Annaleigh is intrigued, but Fisher brushes the doors off as a fairy tale.
The theme of Layered Mysteries: Reality and Perception heightens the novel’s suspense, as Verity is eventually revealed to be seeing the ghosts of her deceased sisters. Verity’s namesake and drawings finally push the otherwise logical Annaleigh to believe her:
‘When did you do these [drawings]?’ Verity shrugged. ‘Whenever I saw them.’ ‘Why?’ I dared a glance back into the seemingly empty room. ‘Is Elizabeth here now?’ Verity scanned the room before looking back at me. ‘Do you see her?’ The hairs on my arms rose. ‘I’ve never seen any of them,’ [I said.] She took [her sketchbook] and retreated into her bedroom. ‘Well…now you’ll know to look’ (73-74).
Like the rest of their family, Annaleigh initially assumed Verity’s drawings stemmed from imagination, but the youngest could not possibly remember their deceased sisters’ visages due to their age gap. Annaleigh is deeply affected by Verity’s drawings and swayed into considering the supernatural. She cannot deny seeing a ghostly Elizabeth in the bathtub, nor the bruises on her body. These horror elements reinforce the novel’s ominous tone and suspense. Since only Annaleigh and Verity are open to seeing ghosts, no one else is plagued by the hauntings. As a result, Annaleigh questions her perception, a common trope in horror and thriller novels, which she will continue to do as the god Kosamaras’s illusions take hold of her family.
Likewise, the theme of Dark Retellings: Causes and Curses causes conflict as well. The ghosts are framed as a possible effect of the family’s curse, making readers wonder if they’re real or not and if the curse in fact killed Annaleigh’s sisters. The curse is also a point of contention at the triplets’ birthday ball. At the event, no one but Fisher and family members dance with the Thaumas sisters, which perturbs them. Many people in the Salann Islands believe the sisters are cursed and are thus reluctant to be physically close to them. Camille overhears the object of her affection frame the sisters as poison and knows that “[w]hether there is or isn’t a curse, people believe in it. [They’ve] been tried and found guilty in the public’s opinion” (94). Though Ortun and Morella ignore the rumor, it has stained their name, hurting the sisters’ reputations and prospects for marriage. As the family’s heir, Camille worries she won’t find a husband to carry on the Thaumas name, this being her way of Honoring Identity: Empowerment and Love. To her, reality and perception might as well be one and the same.
In the first true homage to the fairy tale “The Twelve Dancing Princesses,” the sisters wear their dancing shoes to the ball and Fisher later mentions a door to other realms, which the gods allegedly use for transportation. The shoes are framed as “fairy shoes,” a nod to the fairy tale and a symbol of escape, freedom, and sisterhood. While imperfect, the ball symbolizes a chance at escape; the sisters will later dance in faraway lands created by Kosamaras’s illusions. When Fisher mentions a magical door, he ultimately brushes it off as a fairy tale, yet another homage to the original fairy tale.
Appearance Versus Reality
View Collection
Brothers & Sisters
View Collection
Fear
View Collection
Grief
View Collection
Romance
View Collection
Safety & Danger
View Collection
Trust & Doubt
View Collection
Truth & Lies
View Collection
Valentine's Day Reads: The Theme of Love
View Collection
YA Horror, Thrillers, & Suspense
View Collection
YA Mystery & Crime
View Collection