52 pages • 1 hour read
Erin A. CraigA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: House of Salt and Sorrows includes disturbing imagery, several deaths, murders, and a stillborn birth in the Chapter 38 Summary.
Eighteen-year-old Annaleigh Thaumas is at a seaside cave for the water burial of her sister Eulalie. The oldest of the 12 Thaumas sisters, Eulalie was known for her beauty, wit, and smile. Her many suitors mourn her, and Annaleigh tries to summon tears as Eulalie is given to the Salt, the sea surrounding the Salann Islands. Though Annaleigh will miss her sister, she’s already lost three sisters over the years: Ava died from a plague, Octavia fell off a library ladder, and Elizabeth drowned in a bathtub. Her sisters’ watery graves and statues surround the mourners, along with her beloved mother Cecilia’s statue. Cecilia died years ago, but Annaleigh still visits her shrine every week.
As the priest leads the mourners in prayer, Annaleigh wonders if her family is cursed, if they somehow angered the gods. Her mourning father, Duke Ortun of the Salann Islands, invites everyone to join the family at their castle, Highmoor Manor, for food and drink in Eulalie’s honor. Morella, his new wife, holds his hand. Annaleigh can tell the crowd is also speculating the family’s curse.
After everyone leaves, Annaleigh spends time alone at Eulalie’s grave. She cries and asks aloud if Eulalie tripped or was pushed from the cliffs. She pictures Eulalie waiting for a lover, one of her mourning suitors, and then falling to her demise, where fishermen found her mangled body. Annaleigh never questioned her other sisters’ deaths but worries Eulalie may have been murdered. Annaleigh walks home in a storm.
After changing in Highmoor Manor with the help of her kind maid Hanna, Annaleigh braves the wake. Morella, her stepmother, asks for company. Since Morella is from the mainland and not much older than Annaleigh, she doesn't understand the island tradition of burying people in the sea, the Salt. She asks about the Salt, and Annaleigh explains that the islanders believe Pontus, the god of the sea, created their islands and humans from the personalities of sea creatures and strength of waves. Since humans were made in the sea, they must return to it in death. Though Morella is empathetic toward Annaleigh’s grief, she insists they shouldn’t have to wear black and gray for a year. She hates seeing the remaining eight sisters—Camille; Annaleigh; triplets Lenore, Rosalie, and Ligeia; Mercy; Honor; and Verity—depressed. She wants to wear her wedding clothes and focus on her pregnancy. Morella rings a bell for attention, calls Ortun to her side, thanks the mourners for honoring Eulalie, and announces the impending arrival of her son. Annaleigh is shocked by her improper timing.
After the wake, the older sisters gather in Annaleigh’s room. They and their maid, Hanna, who helped raise them, are aghast at Morella’s announcement. Camille, who is 10 months older than Annaleigh, mimics Morella’s announcement. The triplets, Lenore, Rosalie, and Ligeia, ask why Camille hates Morella since she’s been a good mother to the younger sisters. Camille feels Morella is trying to take their mother’s place and poising her son to take their wealth in the future. According to island tradition, the eldest child inherits their family’s estate regardless of gender, though Camille jokes Highmoor Manor will be Annaleigh’s fortune when she herself dies from the curse. Annaleigh believes the curse is nonsense. When the triplets beg for a 16th birthday ball to debut in society, which Morella encouraged, Camille storms out of the room.
Six-year-old Verity, the youngest sister, enters the room complaining that she can’t sleep because Eulalie keeps stealing her covers. The other sisters are concerned, reminding Verity that Eulalie is in the Brine, the open sea, with their deceased family members. The triplets leave to check on their other sisters, assuming they played a trick on Verity. Annaleigh comforts Verity and lets her sleep in her bed, and then she talks with Hanna about Eulalie’s strange demise. Eulalie hated heights, so she questions why she was on the cliffs alone at night. Hanna believes she was waiting for a suitor. Annaleigh asks if anything was suspicious about her body, but Hanna doesn’t want to discuss Eulalie’s corpse. She insists Annaleigh needs rest.
Before bed, Annaleigh watches a light in the rain outside her window. She sees her father go through the hedge maze, stopping at a bench. He sits beside Morella, who comforts him as he sobs. Annaleigh is grateful for Morella.
The next morning, Annaleigh and Morella eat at the breakfast bar, as they’re awake before everyone else. Morella is wearing bright blue, not black, which upsets Annaleigh. Ortun enters, admiring Morella and her pregnant belly. He tells Annaleigh to wake her sisters for some news. She goes to wake Camille first, who is readying herself in front of her mirror, which the family is supposed to cover as per the mourning tradition. Camille insists that Eulalie’s spirit won’t get stuck in the mirror and that the sisters shouldn’t spend their life in mourning, or else they’ll never find husbands or leave Highmoor Manor.
An awake Rosalie calls her sisters downstairs, where Ortun announces the time for mourning is over, as he has a surprise in the parlor. Annaleigh fights with him, as she believes they are disgracing Eulalie’s memory by ending mourning early. The fight escalates until Annaleigh and Ortun decide to go outside, where he admits he never thought he’d find happiness again after Cecilia died, but Morella has brought new light to their lives.
Annaleigh acquiesces and rejoins her sisters, and the room is covered in various materials for dresses. The sisters swoon over the materials, and Morella helps them choose patterns. One of the sisters finds beautiful dancing shoes, which Verity calls fairy shoes. Every sister wants a pair, but they’re expensive. Ortun inspects the shoes, which the cobbler promises are sturdy, comfortable, and long-lasting. He smiles and buys everyone a pair.
Annaleigh sails on a dinghy to a neighboring island; one island builds ships for the king’s naval fleet, another focuses on trade, and another focuses on fishing. Another island hosts a lighthouse called Old Maude, which Annaleigh dreamed of taking care of as a child. The lighthouse keeper, Silas, has an apprentice, Hanna’s son and Annaleigh’s childhood friend, Fisher.
Annaleigh searches the fishing island for clues regarding Eulalie’s strange demise. Though one of the fishermen who found her body is sailing, the other netter, a blind man, remembers Eulalie. The men discovered her body below the cliffs with an inscribed locket that read “I dwelt alone / In a world of moan, / And my soul was a stagnant tide, / Till the fair and gentle Eulalie became my blushing bride” (42). The man grabs Annaleigh’s arm and shouts about falling stars, though she sees none in the clear sky. She hurries away, running into a handsome stranger.
The stranger, Cassius, has brilliant, starry eyes. He helps Annaleigh gather herself and the coins she dropped. She’s immediately attracted to him. Cassius is trying to find his father, a sick captain, whom he’s never met before. Annaleigh helps him find his way to the market for his quest. When the crowd murmurs about her family’s curse and Eulalie’s death, Annaleigh races off, with Cassius calling her name. She hurries to her dinghy, ashamed to be judged in front of Cassius, but refocuses on Eulalie’s death. She now believes Eulalie was murdered by a scorned lover who pushed her from the cliffs.
Annaleigh searches Eulalie’s room for clues. Underneath drop cloths and stacked books, she finds a hidden door behind a plant, which one of her sisters mentioned. Inside the hidden space, she finds risqué books, perfume, trinkets, a pocket watch, and a handkerchief. The pocket watch contains a lock of bright blonde hair, too light to belong to anyone in the family; the handkerchief smells like pipe smoke. Annaleigh is interrupted by Verity, who enters with her sketchbook since the governess let her off from studying today.
Verity says Eulalie wouldn’t like Annaleigh being in her room, and Annaleigh reminds her that Eulalie is gone. Verity comments on no one missing Eulalie in favor of the triplets’ bathroom ball, and Eulalie thinks everyone forgot her. Annaleigh assures her this isn’t true, but Verity speaks on behalf of Eulalie and Elizabeth, saying the living sisters are different now and have forgotten them. Annaleigh tries to clarify Verity’s comments as elaborate memories, but Verity doesn’t explain what she meant. The triplets rush in to announce the dancing shoes have arrived.
Downstairs, the sisters enjoy their slippers, all handcrafted to match their ballgowns and personalities. Morella claims the sisters will soon dance out of Highmoor Manor, as suitors will claim them at future balls. Camille snaps that Highmoor Manor is her inheritance, and Ortun uncomfortably explains to Morella that the eldest child, regardless of gender, inherits their family’s estate. In fact, his grandmother ruled so well that she doubled the islands’ naval fleet; even if he and Morella have a son, Camille will become Duchess. Morella is surprised, as inheritance is handled differently on the mainland. Ortun storms out, saying she is an islander now, not a mainlander.
By beginning with the death of Eulalie, the original heir of the Thaumas family, House of Salt and Sorrows introduces the conflict that will compel protagonist Annaleigh to unravel long-buried secrets. As the Thaumas family has lost four family members over the years, they are believed to be cursed—which adds stakes to Annaleigh’s quest, reinforces the novel’s ominous tone, and introduces the novel’s theme of Dark Retellings: Causes and Curses. While Annaleigh doesn’t believe in the curse, her exposition regarding the sea god Pontus and the Salann Islands’ traditions imply otherwise. The family’s grief is alleviated, albeit uncomfortably, by mainlander Morella’s joy over her pregnancy. Annaleigh’s father, Ortun, and some of her sisters take this opportunity to put aside their grief. However, mourning proves a complex affair, as Ortun expresses joy over his pregnant wife but later sobs over losing yet another daughter. Though he looks forward to a fresh start, he clearly misses Eulalie.
The complexity of the Thaumas family’s emotions regarding Morella’s pregnancy—especially after losing Eulalie—is portrayed realistically. Though shocked, Annaleigh is pleased about Morella’s pregnancy and wants to help her stepmother through it, but her older sister, Camille, is resentful, thinking Morella wants attention and should have never announced her pregnancy at Eulalie’s wake. Though the sisters agree Morella’s timing was poor, most of them band together to help her. In fact, all of them, except Annaleigh, agree that the mourning period should end sooner. In island tradition, mourning is meant to last months, so Annaleigh thinks it’s disrespectful to forget about Eulalie and move on so soon: “‘Now is the time for new beginnings, and I can’t bear to have our fresh start cloaked in sorrow,’ [Ortun said.] ‘Your fresh start. Yours and Morella’s. None of this would be happening if she wasn’t pregnant’” (28-29). This introduces the theme of Honoring Identity: Empowerment and Love. Morella, as a mainlander, doesn’t understand islander culture, though she seems to mean well. Annaleigh’s discomfort isn’t echoed by her sisters, not even the resentful Camille, who points out that Verity, their youngest sister, has spent most of her life in mourning (which comprises wearing black or gray and covering mirrors). While no less saddened by their recent loss, the sisters are somewhat desensitized to death. Annaleigh feels torn since she wants to honor Eulalie’s memory but also agrees her family shouldn’t remain stagnant.
A complex character in her own right, Annaleigh proves both emotional and logical. She acquiesces to her father and sisters’ wishes, agreeing to wear a seafoam green dress, rather than a black one for mourning, showing her empathy and willingness to compromise. She is flexible to others’ wants, willing to sacrifice her time and energy to assist others, as she does when helping her sisters choose dress colors. Because she’s logical, Annaleigh assumes Verity’s talk of their deceased sisters stems from imagination; still, she tries to understand Verity’s talk at the root. This conflict introduces the theme of Layered Mysteries: Reality and Perception in a world already established to have gods and rumored curses. Annaleigh comforts Verity while denying the existence of ghosts but later changes her mind when presented with new evidence. To further show her determination and intelligence, she investigates Eulalie’s potential murder. She gathers clues from the fishermen who found Eulalie’s body and starts to unravel her death—a quest that leads her to love interest Cassius, a mysterious man on a quest of his own.
Appearance Versus Reality
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Brothers & Sisters
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Fear
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Grief
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Romance
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Safety & Danger
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Trust & Doubt
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Truth & Lies
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YA Mystery & Crime
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