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Abraham LincolnA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: The source material and this guide reference the enslavement of Black Americans and the associated racism and prejudice.
A metaphor is a figurative comparison between two things (e.g., objects, actions, processes, etc.). A metaphor is a master figure (or trope) in that it includes many subordinate figures such as simile, personification, and hyperbole.
Lincoln resorts to metaphorical language at many points in “A House Divided.” For example, he directly compares the “legal combination” by which the Democrats have conspired to open the territories to slavery as “machinery” (426). He indirectly compares (simile) “squatter sovereignty” to temporary scaffolding or a mold used for an iron casting (429). Likewise, in an appeal for The Need for Moral Leadership, he indirectly compares the precautions taken by Douglas to the “patting and petting [of] a spirited horse” (430). Later, he compares Senator Douglas to a caged and toothless lion (433).
Metaphor is used in “A House Divided” to persuasively connect with the audience. “Machinery” suggests that the Democrats are using a tool to achieve their pro-slavery purpose as opposed to a genuine and honest use of the legal system. “Temporary scaffolding” suggests that “squatters” are taking advantage of the lax regulations to solidify immoral government. These examples evoke emotion in the reader and also make complex political subtleties accessible to the layperson.
There are several major forms of irony, but one of the most common is situational irony, in which circumstances contradict expectation, often in a manner that is humorous but concerning.
While the tone of “A House Divided” varies from an objective relation of the status quo to an uneasiness with the impending crisis to outright indignation and fear, it is full of irony at every turn. Specifically, Lincoln wants his audience to realize that Senator Douglas’s supposed respect for democracy is entirely contradicted by his “care not” policy as well as his eager endorsement of the Dred Scott decision, by which “the perfect freedom of the people [is discovered to be] no freedom at all” (emphasis in original) (430).
Another apt use of irony lies in Lincoln’s observation that language in both the Kansas-Nebraska Act and Justice Nelson’s concurring opinion in Dred Scott claims that states are to be left “perfectly free” to govern the practice of slavery “subject only to the Constitution” (431) or that, “except in cases where the power is restrained by the Constitution of the United States, the law of the State is supreme over the subject of slavery within its jurisdiction” (432). What Lincoln points out is that while the language in each case touts the perfect freedom or supremacy of the people or State, this expectation is undermined by the fact that the political will of both are tacitly undermined by an interpretation of the Constitution that prevents the exclusion of slavery.
A rhetorical question is a question, not intended to be directly answered, which a speaker uses to make a point or create an effect or an emotional response in the audience. Lincoln uses rhetorical questions throughout “A House Divided” with increased frequency as the speech progresses. The first rhetorical question comes as Lincoln transitions from the opening quotation of the speech into an articulation of his primary argument. “Have we no tendency to the latter condition?” asks Lincoln (426), that is, the condition of slavery. Lincoln does not use this technique again until after he has objectively laid out his arguments as to the current state of affairs. He then poses questions to demonstrate that a number of circumstances suggesting a hidden agenda cannot be overlooked.
Lincoln also uses a series of rhetorical questions to draw attention to the fact that the Kansas-Nebraska Act, which only applied to territories, oddly mentions states. Lincoln begs the convention to consider how the Republicans and other anti-slavery allies might best oppose the countervailing political will. “This is what we have to do. But how can we best do it?” he asks (432). He continues by questioning whether Douglas is really, as even some Republicans believe, the best man for the job: “[C]an we, run ahead, and infer that he will make any particular change, of which he, himself, has given no intimation? Can we safely base our action upon any such vague inference?” (433).
Finally, Lincoln asks whether the party will be just as brave now as it was in the last presidential contest. He asks, “Did we brave all then, to falter now?—now—when that same enemy is wavering, dissevered and belligerent?” (434). The rhetorical questions throughout the speech help develop the building sense of urgency within it as well as the transition from the objective description of a crisis to a call to action.
An allegory is a system of symbols, presented in either narrative or visual form, used to suggest a moral or political meaning. Lincoln uses an allegory to describe the conspiracy between the Democratic leaders, whom he believes have conspired to open up all federal territories to slavery. For example:
We cannot absolutely know that all these exact adaptations are the result of preconcert. But when we see a lot of framed timbers, different portions of which we know have been gotten out at different times and places and by different workmen,- Stephen, Franklin, Roger and James, for instance-and we see these timbers joined together, and see they exactly make the frame of a house or a mill, all the tenons and mortieses exactly fitting, and all the lengths and proportions of the different pieces exactly adapted to their respective places, and not a piece too many or too few-not omitting even scaffolding-or, if a single piece be lacking, we see the place in the frame exactly fitted and prepared to yet bring such piece in-in such a case, we find it impossible not to believe that Stephen and Franklin and Roger and James all understood one another from the beginning, and all worked upon a common plan or draft drawn up before the first lick was struck (431).
The allegory here is of workmen building a house. The four workmen—Stephen, Franklin, Roger, and James—are the first names of each of the principle co-conspirators accused by Lincoln: Senator Stephen Douglas, President Franklin Pierce, Chief Justice Roger Taney, and President James Buchanan. Each of these “workmen” has brought timbers, representing his part in the conspiracy, to build a house. Seeing each part of the house, such as Douglas’s Kansas-Nebraska Act, Taney’s decision for the Court in Dred Scott v. Sanford, and Buchanan and Pierce’s speeches endorsing it in isolation, it would not seem obvious that these were all intended to be part of a single work. However, when one witnesses the house in its completion, it becomes obvious that this was the intention all along. The use of a house as the object of the allegory is apt because it proceeds by developing the same object with which Lincoln begins his speech. In essence, these Democratic conspirators have replaced the Union, a house divided, with a new one built for the expansion of slavery.
By Abraham Lincoln