46 pages • 1 hour read
Thrity UmrigarA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Fire plays an important role in Honor, as well as Hindu culture and religion in general. It is fire that kills Abdul and maims Meena, leaving her with a scarred face that looks like “a map created by a brutal, misogynistic cartographer” (69). Fire is connected to death, as bodies are traditionally burned and more recently cremated in Hinduism, compared to the “burial” traditions of Islam or Zoroastrianism (exposure to the sun and consumption by birds). For Muslim people, cremation is forbidden, seen as destruction of property belonging to the divine. For Parsi people, cremation or burial is seen as an act of pollution.
Fire is generally seen as having the power to cleanse and purify in many cultures and religions. Hinduism has several gods and rituals connected to fire, such as the Vedic fire ritual. Fire in the form of burning coals is used to test Meena’s “purity” (virginity) in the novel. While she had not been physically intimate with Abdul at this point, she loved him and was therefore not “pure” of heart. She did not pass the test, as it, like medieval witch trials, resulted in false positives to condemn women. Fire is also a source of light and life, as Meena named her daughter Abru (“honor”) “to tell the world that you can burn a man alive, but still not put out the nobility in his heart” (323). In other words, she named Abru “to make sure that [her] daughter would keep Abdul’s flame alive within herself” (323).
The meaning of Abru, the name of Meena and Abdul’s child, is “honor”—from which the novel gets its title. Like many things in India, the word abru has a complex history, with roots in ancient Persian and Sanskrit, the language in which the Hindu scriptures are written. It also exists in the Indian languages of Hindi, Hindustani, Kannada, and Marathi. Therefore, it is an appropriate name for a child meant to represent new India. Meena’s final monologue lists the reasons why she named her daughter Abru: She explains that Abdul made the word “bloom” with every kind word and deed (323), making their child a peaceful flame to her brothers’ violent fires.
The Taj Mahal Palace Hotel is a heritage five-star hotel, one of several real-life locations in Mumbai. Hotels, like airports, are transitional spaces through which people move without making lasting connections. While Meena’s former village imposes strict rules, Smita can navigate her hotel following her own rules. While there, she can safely navigate memories of dining with her family in India, which mirrors cappuccinos shared with friends in America. The hotel’s name harkens back to India’s imperial past, as the famous Taj Mahal Palace was built in memory of Emperor Shah Jahan’s favorite wife, Mumtaz. The Taj Mahal Palace Hotel was built in 1903 by the Parsi industrialist Jamsetji Tata, founder of the Tata corporation for which Mohan works, after he was denied entry into the once European-only Watson’s Hotel. Smita herself frequently wishes to return to the luxury of the hotel, as it is a reminder of her privilege—a way to both confront and forget her trauma.
By Thrity Umrigar
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