46 pages • 1 hour read
Thrity UmrigarA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In Meena’s monologue, she relates what happens after the non-guilty verdict. At Anjali’s law firm, she apologizes and cries. Meena realizes she will never see her again. At home, she is without hope. She hears drums and knows men are coming to kill her—including Rupal. Meena tells her mother-in-law to take Abru and hide in bushes. She picks up stones and hopes she can delay the mob.
Smita has a premonition that Meena is in trouble. However, she falls asleep while writing her article, and she and Mohan arrive too late to help her: Meena has been stoned by a mob of men and is lying on the ground, barely alive. Smita and Mohan risk their lives and confront the mob. The dying Meena whispers to Smita, revealing where her mother-in-law and Abru are and asking her to take Abru to America. Rupal drags Smita and Mohan to the family’s hut and looks for Abru. Smita lies, telling him that she is with Anjali. Mohan calls the police, but no one answers; he pretends to call a superior police officer. The men whom Smita insulted demand an apology. She thinks of her father and what it means to love someone enough to sacrifice one’s pride, and she apologizes. The mob leaves, allowing her and Mohan to rescue Meena’s mother-in-law and Abru and bring them to Mohan’s house. The mute Abru suddenly wails for her mother but looks at Smita.
Smita and Mohan do not speak of what happened; she does not want to involve him in her “hunger.” Meena’s mother-in-law gives Mohan and Smita custody of Abru. She wants Mohan in particular to adopt Abru, but Smita says Meena wanted her to have custody. Mohan asks Smita to move to Mumbai with him, for love. Otherwise, he will take a leave of absence and move to America with her. Abru falls, and the pair console her and fall sleep together. Smita thinks her family would love Mohan.
Smita and Mohan visit Shannon, who thinks Smita looks happy with Mohan. The pair then have lunch with his landlord, his friend’s mother. She is protective of him, pinching Smita and warning her not to hurt him. Smita sees a reflection in a mirror that shows her and Mohan as a happy older couple. She realizes this sight is wishful thinking. Abru already treats her as her mother.
Mohan drives Smita to the airport, as she is leaving for America. She opens the car window, and India “enters” like a third passenger. Mohan has already started redirecting his love for Smita to Abru. Smita believes people like Mohan, Meena, and Abdul are from a different tribe than her, as they are willing to risk everything for love. While she waits for boarding, a young girl spills Smita’s coffee. The girl’s name is Meena, and this causes Smita to doubt her decision to leave. She runs from the airport and finds Mohan waiting for her plane to take off, as per Indian tradition. She finally realizes Mumbai is home.
This section opens with Meena awaiting her death by a mob of men. Tension is built through the sound of their drums, making her, in Smita’s words, a “sacrificial lamb” who must pay for her transgression of gender norms (248). However, she accepts her fate and instead prioritizes Abru’s safety: When Smita arrives to face the mob, having been prompted by a premonition, Meena begs her to take Abru to America. Smita almost denies this request until she meets a child named Meena at the airport, a coincidence compounded by her earlier premonition. While facing the mob, both Mohan and Smita show strength. He stands up to them, feigning a connection to the police to protect Smita. She herself lashes out at the mob but ultimately swallows her pride and apologizes in order to disperse them and protect Mohan. In this moment, she understands why her father converted to Hinduism to protect her and her brothers decades ago. However, Smita is not yet ready to accept this love and plans to leave India until the appearance of the second Meena. She briefly sees a reflection of her and Mohan as a happy couple, but like her growing feelings for Mohan, she interprets this sight as wishful thinking. Her trip to the airport mirrors Mohan picking her up from the airport, except she now believes she has a place in her homeland—reinforcing the theme of Personal Redemption and Reunification.
The now deceased Meena has the last words in the novel in a final interior monologue that is also the last chapter of the novel. By allowing Meena the final words in a novel revolving around her fate, Umrigar allows the subaltern character to have the final say, once again positioning Meena as a complex individual and not a two-dimensional plot device.
By Thrity Umrigar
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