67 pages • 2 hours read
Riley SagerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Maggie looks for the library but learns that it has closed after burning down. She goes to the Gazette offices to talk with Brian Prince. She says if he’ll help her, she’ll give him an exclusive interview. He takes her to the archives, where she selects a binder for 1889, in addition to four other volumes. She finds an article titled “Town Mourns Garson Heiress” (281). The article focuses on William’s grief rather than Indigo’s death, which annoys Maggie. The maid’s claim about the baneberries is mentioned near the end. The next article is what Ewan wrote about in House of Horrors: the one vindicating William Garson in Indigo’s death.
Brian begins the interview, and Maggie gives noncommittal answers as she reads. In the 1941 issue she finds the article about the bathtub drowning. In the 1955 and 1956 volumes she finds the articles about the deaths at the bed-and-breakfast. Throughout, she remains unhelpful in her answers to Brian’s questions. The 1974 volume contains an article titled “Fatal Fall at Baneberry Hall.” Brian is increasingly frustrated. Then she finds the article about her family’s departure dated July 17: “The Haunting of Baneberry Hall.” She wonders what her life would have been like had this article never been published. The next article is about the murder-suicide of the Carvers. The byline is also Brian Prince. Now she decides to start interviewing him.
Jessica is done with ghost talk and refuses to entertain Ewan’s ideas about the Ouija board. Jessica refuses to believe any of it is real and blames Ewan for encouraging it. She throws a coffee mug and says she won’t be there to clean up if he makes the wrong choice. Four bells ring, one at a time. Then the pattern repeats, like a code. Ewan takes the Ouija board from the trash and uses the letters to decode the rhythm of the bells. The first word is HELLO. Ewan questions the spirit, which says it’s CURTIS CARVER. The spirit admits that he said Maggie would die there. He also says that he doesn’t plan to kill her. Then, Carver says he didn’t kill his daughter.
Prince says the Carver piece was his first big story and that Marta Carver had been happy when he interviewed her. He says that Curtis was cremated, at Marta’s request. Marta also refused to bury him near Katie, and a rumor holds that she threw his ashes away. He and the town admire Marta for staying and thriving. Maggie considers, for the first time, that the current events surrounding her return also affect Marta in ways she might be unaware of. As far as Prince knows, Marta never returned to the house.
Maggie decides that she needs to speak with Marta and goes to her bakery. At the counter, she asks if they can talk. Marta surprises her by agreeing and saying that they’re alike: Baneberry Hall has changed them both. She says she’ll come to Maggie and face the house with her together.
Petra babysits Maggie after Jessica leaves for work and Ewan goes to Marta’s bakery. She’s reluctant to talk until he tells her that he’s worried about Maggie. She asks to meet at the library in 10 minutes. Marta tells him that she never saw anything to make her think the house was haunted. However, she says Curtis heard noises sometimes, which startles Ewan. That means the noises he hears probably aren’t related to Curtis.
Marta says Katie was ill. They even took her to an oncologist, but every test was negative. When he asks what happened that day, she says, “My husband murdered my daughter, then killed himself” (297). He asks for more details, for Maggie’s sake. Marta says she found Curtis first, on the study floor. She heard a thud and then went to the study and found his body with the bag on his head. Then, she found Katie, but she won’t say more. When he asks what time she heard the thud, she confidently says it was 4:54am.
Ewan is starting to believe that Curtis isn’t threatening them but warning them. He wonders aloud if something else killed Curtis and Katie. The question disgusts Marta. When he says her husband told him he’s innocent, Marta says Ewan is more cruel than naive. He’s sorry to upset her, but he thinks something is about to repeat itself in the house. On the way out of the library, he notices Garson’s portrait again. For the first time, he sees that Garson is holding a cane, which reminds him of the tap-tap-tap he hears every night in addition to the thud in the early mornings.
Marta comes to the house with a cherry pie and says she hopes they can be friends. Maggie worries aloud that her father was right and hopes Marta can help her find out the truth. Marta says her part in the book is mostly accurate. However, she also says that Ewan lied about something she said. He wrote that she didn’t think Curtis was guilty. This was fiction, and Marta claims that she always believed Curtis was the murderer.
Maggie asks if Marta ever wondered if Ewan had been right. Marta says Curtis left a suicide note that didn’t make it into the police reports. Curtis was depressed and Katie’s illness exacerbated the problem. He wrote that he wanted to end their suffering, and forensics prove that he was responsible. Marta believes that Ewan wrote the book to justify his own crime. She cryptically says that it’s only now that she understands what his crime actually was. Maggie is confused when Marta says that now understands why Maggie is selling things from the house on the auction site, including the most recent item: a letter opener. Maggie doesn’t know what she’s talking about until she looks at the website, which shows the letter opener she found on the desk, for sale.
Ewan doesn’t tell Jessica about his conversation with Marta. He goes to the Ditmer cottage with Maggie to see if Petra can babysit. Elsa answers and says Petra is being punished. He hears Petra praying in the background. Elsa offers to watch Maggie for one hour. On the way to the house, Elsa says Maggie sees things the rest of them don’t and adds, “In this house, all daughters are in danger” (310). She advises him to leave quickly. While Elsa and Maggie play outside, he looks at the articles he copied at the library. The 1926 car accident killed Garson’s 14-year-old granddaughter. Her father had been driving.
The 1941 drowning was the four-year-old daughter of the film producer who bought the house. Her father said he had been with her, but he had blacked out. During the bed-and-breakfast years, a 15-year-old girl fell from a window, and a 13-year-old girl died in her bed. They were each accompanied by their fathers. In 1974, a five-year-old girl fell down the stairs. Her father was the witness.
At least seven girls, all under 16, have died in Baneberry Hall. He feels a presence and asks if Curtis is there. The record player starts playing “Sixteen Going on Seventeen” and the player sticks on the words “better be careful.” Ewan believes it’s Curtis’s message that William Garson is making fathers in Baneberry Hall murder their daughters, recreating his own crime against Indigo. Maggie will be next if he can’t find a way to resist.
When Maggie goes to the Ditmer cottage and accuses Hannah of selling the items, Hannah doesn’t deny it. Inside, she says she’s been selling things for two years, ever since Elsa got sick. Maggie thinks Hannah is the one ringing the bells, lighting the chandelier, and turning on the record player. Hannah confesses, saying she wanted to scare her away so she could profit on the house. However, she says that Maggie really was terrified on the night of the sleepover.
Hannah is confused when Maggie mentions Buster, the teddy bear. When Hannah goes to get the house keys, Elsa enters the room and tells Maggie she’ll die if she stays in the house. Maggie pities Hannah and gives the keys back. She says in one week she can sell everything that’s left behind. Hannah says she never used the keys to sneak in; she used the hidden door behind the ivy at the back of the house. She says that Elsa showed it to her.
Ewan wakes to Jessica punching his chest and face. She screams at him and accuses him of hurting Maggie. He goes to Maggie’s room and finds her in bed with red marks—which resemble fingers—around her throat. Jessica said she watched him get back into bed minutes before Maggie screamed. He denies hurting her, but then he tells Jessica that, if it happened, William Garson made him do it. Jessica threatens to call the police, and he thinks she should. If they lock him up, Maggie will be safe. Jessica packs suitcases for herself and Maggie as Ewan protests his innocence. He knows they’ll be safer outside the house, and he’s relieved after they’re gone. Then, he watches the bells and waits.
The initial chapter of this section contains little by way of thematic development, other than the fact that Ewan suspects that Curtis Carver may be innocent. These chapters serve primarily to bring Marta into the stories of Ewan and Maggie, respectively, in the past and present. Maggie’s conversation with Marta is surprisingly pleasant, and it looks as if they’ll be allies, a clever misdirection by the author. Ewan’s conversation with Marta is tense and grows hostile. She insists that her husband is guilty, that Ewan is a cruel dupe, and that his queries will only cause more pain. Marta’s alliance with Maggie foreshadows the book’s ultimate revelation underlying the theme of The Corrosive Effects of Secrets and Guilt.
Ewan and Jessica’s brief argument heightens the tension in their relationship and brings them a step closer to their eventual breaking point. Once Jessica overtly blames Ewan for their situation, it’s both oppressive and liberating for him. He feels that the only way to convince her he’s right is to prove that the house is haunted, which will require measures that will only make him look more unstable to her. This reinforces another horror trope: A character appears to be losing their grip on reality, even as they become more convinced that they’re right, to the dismay and terror of their loved ones.
The primary focus of Chapters 37-40 is to make Maggie aware of the secret entry into the house. Her conversation with Marta is congenial but does little thematic work. Rather, the author uses the conversation with Marta as a final misdirection that will keep the blame on Curtis Carver and remove Marta from any suspicion as an antagonist.
Maggie’s conversation with Hannah is more substantial. Hannah immediately confesses both to selling items from the house and in trying to drive Maggie away by frightening her. The ultimate irony is that if Hannah hadn’t read House of Horrors, she wouldn’t have known which specific cues to use to frighten Maggie most effectively. Ewan wrote about the chandelier, the record player, the music, the tapping, and the thud at 4:54 in the morning. House of Horrors served Hannah as a sort of haunted house starter kit. However, she does make it clear that Maggie was legitimately terrified on the night of the sleepover, a memory that’s still unclear for Maggie, highlighting again the theme of House of Horrors and Maggie’s Search for an Identity.
Hannah’s confession provides temporary relief for Maggie. She no longer has to worry or wonder about the source of the noises or odd events. However, she still doesn’t know why she believed in Mister Shadow and Miss Pennyface, which couldn’t have been Hannah’s doing. As the parallel stories approach their climaxes, Maggie believes she’s safe, and Ewan is relieved to be alone, with Maggie out of his reach, alluding to the theme of The Value and Burden of Family.
By Riley Sager
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