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67 pages 2 hours read

Caroline Kepnes

Hidden Bodies

Fiction | Novel | Adult | Published in 2016

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 6-10Chapter Summaries & Analyses

Chapter 6 Summary

Joe ends his lease on his apartment and visits Mr. Mooney to tell him he’s leaving. Joe tells Mr. Mooney about Amy and her secret desire to be an actress. Mr. Mooney warns him about LA and begs him not to waste his life in front of a computer. Before Joe can leave New York, Mr. Mooney visits him at his apartment. He advises him not to sleep with actresses and not to become too attached to anyone. He gives Joe an envelope filled with money and leaves.

Chapter 7 Summary

Joe scans Facebook on the flight to California because he thinks friends will be useful as camouflage. He talks online with his first Facebook friend, Calvin, who works at a used bookstore next to the Upright Citizen’s Brigade theater. His second friend is a man named Harvey Swallows. Harvey manages the apartment where Joe applies for housing.

On the flight, Joe writes a casting call and posts it on Craigslist, which he believes Amy will see. He has dozens of responses within minutes, but none are from Amy.

He decides to tell people he’s a writer working on a script called Kev & Mindy Forever, which is a loose adaptation of his story with Amy. He accepts a friend request from Winston Barrel, whom he doesn’t know. The plane descends and Joe is excited about the coming hunt.

Chapter 8 Summary

Joe goes to his apartment and meets Harvey. He also meets Dez, a low-level drug dealer and tenant who tells him not to sleep with a woman named Delilah. While Joe is settling into his apartment, Delilah comes in to use a blender. He introduces himself as Joe Goldberg after listening to her rant and gossip about their neighbors, local restaurants, and various celebrity sightings. Her real name is Melanie Crane. She fell in love with a married man at the New York Times and, subsequently, no longer works in journalism.

Joe gives Delilah his number and she shows him lyrics from a Journey song—“Don’t Stop Believing”—tattooed on her inner thigh. He compares her to Amy. He believes that Delilah tries so hard because she is not beautiful enough to actually be beautiful.

Chapter 9 Summary

Joe goes to a grocery store called The Pantry. He likes the music playlist in the store, whose aisles all have quirky names. Delilah texts him six invites to different events. Then she texts HAVE FUN WITH CALVIN, because she is online friends with him. Joe sees the actor, Adam Scott, his first celebrity sighting. He downloads Twitter and Instagram when he sees everyone taking pictures of the actor. Joshua Jackson from Dawson’s Creek is also there. When Joe checks their profiles on Twitter, people from the store are tweeting about them.

He makes small talk with the cashier, Stevie, and describes Amy to him. Stevie says she was there three days ago. They exchange numbers in case they need to be in touch. Joe then goes to the UCB theater where Amy’s improv class will be held. However, on Facebook, he sees that someone has commented about “Off-the-grid” (60) Amy dropping the class. Joe then goes to a bar called Birds, a place where Delilah parties. He sees Amy’s picture on the Wall of Shame. The bartender, Deana, tells him that Amy skipped out on her bill. A man named Akim overhears their conversation, introduces himself, and says that Amy is still allowed at a bar called La Poubelle. Joe goes there and waits.

Chapter 10 Summary

A month later, Joe still hasn’t found Amy. People tell him to look on Tinder. He hates LA, misses the anonymity of feeling invisible in New York, and thinks he is getting fat. Disappointingly, Calvin is better and more tolerable online than in real life. He watches movies during his shifts at the bookstore, is constantly stoned, and bombards Joe with ideas about a script he’s working for a show called Ghost Food Truck. Joe gets so desperate for someone else’s company that he signs up for Tinder, where he meets a girl named Gwen. After their date, they have sex at Gwen’s apartment. In the morning, Joe wakes to a text from Calvin, informing him that a girl with Portnoy’s Complaint is there at the store. Joe leaves in a Lyft.

Chapters 6-10 Analysis

Chapters 6-10 acclimate the reader to Joe’s perception of Hollywood, his introduction to The Antisocial Use of Social Media, and the vapid superficiality of celebrity worship. There is little impression that Joe is capable of viewing the opinions of others as seriously as his own—unless they are flattering him—but he appears to take Mr. Mooney’s advice to heart as much as he is capable.

Joe’s experience in The Pantry foreshadows the importance that Love’s parents place on her, even though readers have not yet met Love. Readers learn later that Love is responsible for most of The Pantry’s branding, and she is so successful at it that she draws celebrities. Love’s success is one more thing that sets her apart from her brother, Forty, whom readers will also meet later in the novel. Dottie and Ray (Love and Forty’s parents) could not afford to have Forty be part of The Pantry’s image. Love will later say that Forty is an outsider, and that he will always punish them for it. Her influence at The Pantry is an early example of her insider status, and her embrace of an involvement with the Hollywood elite will set up tension between herself and Joe, who eschews Hollywood glitterati. The aggressive quirkiness of The Pantry is a microcosm of the LA scene in which everyone tries to set themselves apart from the crowd with folksy ad campaigns that belie a mercenary agenda.

Calvin’s idea for Ghost Food Truck isn’t necessarily more ludicrous than anything that Hollywood insiders regularly propose. Calvin is proof that nearly everyone in LA is working on—or dreaming of—doing or making something that will make them famous.

One of the most alarming realities in these chapters is that Joe can put out a casting call and receive quick responses, despite having no credentials, no resume, no agent, and putting it on a public resource like Craigslist, which is notable for scams. Joe can prey on the hopes of people who will respond to anything that might be a doorway to fame.

His first impressions of social media are opposites. When he looks at his new friends, he thinks, “I love them; they are like kids, the way they just fucking hope. I hate them; they are like kids, the way they just fucking hope” (46). Joe presents hope as a childish idea and displays his simultaneous need for and fear of it, which he will reinforce throughout the novel. For instance, Delilah embodies the naïve, desperate hope of those seeking recognition in LA that allows the city to exert its predatory nature on desperate people—particularly women.

Amy has the same improbable hope that she could make it in Hollywood, but Joe also thinks her hope that she could get away from him is irrational: “They all think this, these girls—Amy—that they can leave your past behind. Don’t they know it’s not that simple? It’s not the past if it’s not finished” (52). He believes he is the one who gets to decide when his story with Amy ends, and only on his terms.

Joe’s introduction to The Pantry foreshadows his meeting with Love. He loves her playlist and the quirky names for the aisles, which she created. It also allows a plausible scene of celebrity worship as the shoppers take to social media to inform the world that they are in the presence of people who are famous. At the end of Chapter 10, Joe thinks he is closing in on Amy, which is a relief to him; perhaps he can return to New York and escape from LA forever.

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By Caroline Kepnes