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67 pages 2 hours read

Caroline Kepnes

Hidden Bodies

Fiction | Novel | Adult | Published in 2016

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Chapters 1-5Chapter Summaries & Analyses

Chapter 1 Summary

The narrator, Joe Goldberg, buys violets for a woman named Amy Adam. Joe is in Rhode Island, which makes him remember when his previous girlfriend—Guinevere Beck—was threatened by her friend, Peach Salinger. Both are deceased. Joe remembers his mistake last winter when he killed Peach Salinger in her home; he hid in the Salinger closet for so long that he had to urinate in a mug, which he then left behind.

He recalls when Amy came to Mooney’s Rare and Used, the bookstore where Joe works, for the first time. She had worn gloves to protect the rare books from her hands. Five months earlier, she’d begged him to buy a signed edition of The Easter Parade.

Together, they are amassing copies of Portnoy’s Complaint, their favorite novel. Amy is mad when Joe returns to New York with the flowers. She didn’t have the keys to open the case so that she could sell a first-edition Yates book. She says she should have keys if they’re going to work together. Joe gives her a key. That night, he tells her she has two hours to pack because is going to take her somewhere.

Chapter 2 Summary

Amy shaves her legs, and Joe rents a red convertible. As they drive, Joe thinks, “We are your worst nightmare. We are happy. We don’t need you, any of you. We don’t give a fuck about you, what you think of us, what you did to us” (7). He blames everything that has gone wrong on Guinevere Beck and believes she suffered from Bipolar Personality Disorder, which he says cannot be fixed. An Elton John song comes on the radio, and Joe grimaces: Beck corrupted Elton John for him, because it was playing when he killed her friend, Peach Salinger.

The fact that he left the mug haunts him because it is proof of his imperfection. He blames Beck for being such a mess that he had to hack into her e-mail and surveil her constantly. Amy isn’t online, so he can’t stalk her. She doesn’t even have a bank account. Even though she uses burner phones, he still checks them to “know she isn’t lying” (9). Amy always wears college apparel despite not going to school.

Behind them, a cop turns on his lights. As Joe pulls over, Joe replays his memory of murdering Beck, and also how he framed her therapist, Nicky Angevine, for murdering Peach. He also killed a man named Benji Keyes and a woman named Candace.

The cop, Thomas Jenks, says Joe didn’t signal when he turned. Twenty minutes pass while Jenks is in his car, checking Joe’s information. Joe knows a Rhode Island police officer named Nico, and Officer Nico thinks Joe’s name is Spencer. Amy eats a peach while Joe thinks about the mug and wonders if his alias is about to cause problems with Jenks. However, Jenks lets them go and says his system was slow.

Chapter 3 Summary

Joe and Amy have a picnic at a lemonade place, where they criticize the allegedly famous slushies. He tells Amy about Beck and her snobby, Ivy League views. She asks for the story, and he tells her that Beck cheated on him with her therapist. Amy googles Dr. Angevine and reads about the murder. When she goes to the restroom, Joe looks at her phone. He thinks about how Amy’s search history vindicates his feelings for her. Then she catches him and demands the phone. They look at a happy family sitting nearby. Joe says they both have issues with trust because they didn’t grow up like them. Amy agrees that they are similar, with similar emotional baggage.

They can see the Salinger cottage from their hotel. Joe tells her about Peach’s friendship with Beck and Peach’s (presumed) suicide. All the while, he thinks about getting the mug back.

Chapter 4 Summary

Joe and Amy go to the beach, and he wonders how to get into the Salinger home. A man comes over to tell them the beach is private. Amy strips off her top as a distraction and the man goes back to his wife. Joe is shocked that the Salingers aren’t mourning Peach but are instead frolicking on the beach. After swimming, Amy reads a children’s book called Charlotte & Charles to Joe. It’s a story about two giants living on an island. Humans arrive and try to kill them by ringing bells—the noise hurts the giants—but Charlotte and Charles discover that they can protect themselves by putting cotton in their ears. At the end of the story, humans are arriving again, and Charlotte is excited. Joe finds the story depressing.

That evening, they go to a restaurant called Scuppers by the Bay. It is busy and they don’t have a reservation. They talk to a couple—Pearl and Noah Epstein—at the bar. Soon, a host seats all four of them at a table together. After dinner, Joe and Amy skip out on the check. Back in the hotel, he looks at the nearby lights from the Salinger house.

Chapter 5 Summary

They head home. The next day when Joe goes to work, the door is ajar, and the violets are on the floor. His laptop is missing and there are papers everywhere. The basement is open as well. He goes downstairs with a machete to find that the wall of Portnoy’s Complaint is gone, next to an empty bowl filled with fruit stains. The Yates book is gone as well. Amy left her copy of Charlotte & Charles, along with a note. It says they are too similar, they both lose control, and they both have secrets. She also stole Joe’s acting manuals. His laptop is downstairs, but the search history has been cleared: However, Amy only erased an hour of the search data. While looking through the rest of the search history, he finds a schedule for an Improv 101 class in Los Angeles. She has left to make it in Hollywood. Enraged, he plans to kill her.

Chapters 1-5 Analysis

The first five chapters serve as an introduction to Joe and Amy, while also serving as a brief summary of the previous novel’s events. The first book focused on Joe’s relationships with Beck, Peach, and Dr. Angevine and Joe’s entanglements with the Salinger family.

The author uses Joe’s summary of the previous murders—and his rationalizing them as necessary actions—to introduce the theme of endlessly repeating cycles of mistakes. It is quickly apparent that Joe’s infatuations with women will only last as long as his partners are willing to fulfill his needs to the letter. Joe swings from absolute adoration of Beck and Amy to murderous rage within seconds once he believes that they have betrayed him, or will no longer meet his needs.

The author uses these early chapters to show that there is little in Joe’s nature that is lukewarm. He vacillates between deep hatred and what he thinks of as deep love, with little to no middle ground.

Joe has little identity outside of what is happening to him at any given moment. When he realizes that Amy has left him, he is furious, but he is also afraid: “There is nothing more terrifying than realizing that the one who knows you best loves you least, pities you even” (34). Joe is stunned by her duplicity, even though he lives a life of even more extreme superficiality and deception. When he decides to kill her, he is repeating another cycle of behavior; he becomes infatuated with a woman, she doesn’t conform to his expectations, and he becomes murderous.

His patterns are mirrored by Charlotte’s naïve optimism as she sees humans approaching again. This is a depressing piece of foreshadowing that will only become truer as Joe goes to Hollywood. Like Charlotte, he will immediately feel hopeful again when he meets Love, although it seems likely that they will repeat a similar trajectory.

The use of Portnoy’s Complaint adds another layer of insight into Joe’s character. Alexander Portnoy, the main character in Philip Roth’s novel, is a neurotic, sex-obsessed man whose story unfolds as a relentless monologue, similar to Joe’s train of thought in Hidden Bodies. Portnoy makes his confessions to a therapist, while Joe makes them to the reader. The major difference between Portnoy and Joe is that Portnoy does not kill people. Amy’s theft of Portnoy’s Complaint is the final insult to Joe. For all his faults, Joe legitimately loves literature, and the fact that someone pretended to love a cherished book is abhorrent to him.

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By Caroline Kepnes