49 pages • 1 hour read
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No longer trusting himself to make responsible use of his new powers, Zach puts his patrolling on hiatus. While studying in a secluded spot in Central Park, Zach gets another visit from Mr. Herbert. The old man says he and John don’t see eye to eye, but he doesn’t hate John for it. He says Zach needs to learn to control both sides of him, the bad and the good, to successfully use his powers.
He and Zach walk around, searching for more private spots in the park. They play hide-and-seek, and Zach—imagining Kate in peril—quickly locates Mr. Herbert, over and over, almost as if he has x-ray vision.
Zach feels pleased. He really didn’t know how good he was. Mr. Herbert says, “You may just be ready, Zacman” (234).
Kerrigan will speak at a rally in Central Park in late June. Zach tells his mom that the kids in school seem drawn to Kerrigan and regard the opponent, Vice President Boras, as “Darth Vader.”
John visits for dinner; he, John, and Elizabeth debate the candidates, with John taking Boras’s side. He reminds Elizabeth that he and Tom used to have these same arguments.
Zach and John go for a walk. John warns Zach that he’s not yet ready to take on his father’s mantle. He says the Bads are everywhere, doing whatever they can—moving weapons, installing dictators—to win power and that Mr. Herbert keeps showing up when those things happen.
Zach asks if his dad knew who gave him his powers. John says his father never learned that, but John believes Mr. Herbert knew and had that man killed.
Kate and Zach puzzle over John’s allegation about Mr. Herbert killing Zach’s grandfather. She asks if he’ll question Mr. Herbert on the topic; Zach doubts he’ll be that blunt, but he has a plan to find out the answer.
Early in summer, Kate volunteers herself and Zach to make campaign calls, urging voters to attend the Kerrigan rally. Every afternoon, Zach goes to the park, hoping to get a visit from Mr. Herbert. Meanwhile, his intuition grows by leaps and bounds. It starts at school, where he can tell when a pop quiz is coming. He knows when his mom wants to surprise him. One day in the park, he knows Mr. Herbert will be there, and, sure enough, the old man appears.
Zach asks if he trained his father in the park; Mr. Herbert says sometimes. Zach asks if his father trusted him; the old man replies, “Not completely.” Zach wonders if the Kerrigan rally might be a good place for the Bads to strike; Mr. Herbert says Zach is using his sixth sense again.
They practice for two hours. Zach learns to catch rocks thrown at him and track birds in flight as they flit from tree to tree, half a mile away. Zach asks Mr. Herbert if he thinks he’s ready; the old man replies, “Seems to me you’d better be” (252).
Mr. Herbert leaves. Zach decides to follow him. The old man walks over to the streets beyond the west side of the park and ends up at the Dakota, where John Lennon lived and was shot. Mr. Herbert enters the gated building.
Zach knows why the old man is there: It’s to visit someone who’s lived there as long as Zach can remember: John Marshall.
Zach waits near the Dakota, waiting for Mr. Herbert to re-emerge. He wonders if the old man and Uncle John are somehow in cahoots, pulling him this way and that for their own purpose.
When Mr. Herbert emerges, Zach darts across the street and confronts him. Mr. Herbert is impressed by Zach’s newfound stalking skills: He calls Zach “the invisible boy” (257-58). Zach demands to know what the old man is doing, visiting John. Mr. Herbert says he’s simply trying to help. The boy retorts that Uncle John believes Mr. Herbert only does what’s good for himself. Mr. Herbert nods and admits that maybe John is correct. Therefore, “I want to make things right” (259). He hurries away into the park.
Zach gives chase, but the old man is gone. Zach is angry—not at Mr. Herbert or Uncle John, but at his dad, who never prepared him for all this. He looks down: His hands are fists. Opening them, he sees the two coins he’s been carrying. They’ve done him nothing; their good luck hasn’t helped him, and they certainly didn’t help his dad.
He hurls the coins deep into the park. Overcome by sadness, he crumples to the ground: “For the first time since his dad died, he cried” (262).
Zach gets Kate to help him search his father’s room for clues. She thinks doing so is “creepy,” and Zach agrees, but he tells her about getting the trust-no-one message on his computer. She confesses that she snuck into the apartment and wrote that message in hopes it would help him stand up to the constant back-and-forth pull between John and Mr. Herbert. Knowing he wouldn’t pay attention if she said it to his face, Kate took the stealthy route. She also admits that she’s never really trusted John, whom she considers “too slick.”
Zach’s eyes fall on a framed Pogo comic that his dad kept near his desk. Pogo says, “We have met the enemy. And he is us” (267).
On the day of Kerrigan’s big Central Park speech, Zach, his mom, and Kate climb into a limo to ride to the stage located on the park’s Great Lawn. Police cars escort the limo; crowds line the streets. The stage has a bulletproof, invisible shield to protect Kerrigan, plus police and Secret Service agents. Backstage, Paul Simon waits to perform; beyond the stage is a huge crowd, more people in one place than Zach has ever seen.
Paul Simon walks on stage; the crowd roars; he begins to play. Zach suddenly feels like he’s in “overdrive,” as if something’s about to happen.
The mayor introduces Senator Kerrigan. The crowd cheers, drowning out the mayor. Zach looks around, his senses on high alert. In his head, his dad’s voice says, “Look to the sky, Zacman” (274). Zach scans the buildings around the park and zooms in on a black-clad figure with a rifle, standing where a guard should be. The figure aims his rifle at Kerrigan.
Zach’s eyes can see the assailant’s finger pull the trigger. Zach hurtles across the stage, knocking Kerrigan over just as a bullet blows a hole in the campaign sign behind them. Pandemonium erupts. Suddenly, Zach is pushed down by Mr. Herbert, who says, “Always gotta watch out for the second bullet, boy” (276). Everyone is pulled quickly offstage by Secret Service.
Zach’s mom hands him her phone: It’s Kerrigan, who thanks him and says that only Zach’s father could do what Zach just did. The boy notices Mr. Herbert quietly exiting the tent, and he follows.
Mr. Herbert sits down under a tree. Zach sees blood on the old man’s shirt. The second bullet hit him while he was protecting Zach. Zach wants to take him to a hospital, but Mr. Herbert has him sit: “Let me die in peace […]. With my grandson next to me” (279).
Mr. Herbert explains that, as an earlier hero, he tried to win adulation from both sides in the war of good and evil but merely ended up doing evil. To make up for his sins, he hid his relationship to Zach’s dad to protect him so Tom could eventually be free to do good. Finally, he pulled Zach’s dad off the street and raised him, as the heroic power shifted from father to son.
Mr. Herbert tells Zach his father would have been proud of Zach today, “Very proud” (283). He closes his eyes for the last time.
Zach confronts John at the Dakota apartment. He accuses John of letting Zach’s dad die and then allowing the assassin to try to kill Kerrigan. John replies that Tom Harriman had gotten too full of himself. Zach says the Bads long ago turned John; John doesn’t argue. Zach calls him “scum” and warns him to stay away from the Harriman family. John warns him that the Bads have enormous power; Zach says, “Bring it,” and leaves.
He runs through the park, realizing that he’s no longer worried about watching his own back. Instead, “the Bads better watch theirs” (289).
The final chapters describe Zach’s formal training and his first act as a “hero,” when he saves the life of presidential hopeful Bob Kerrigan. Zach also solves the chief mystery of the book: He finds that his own Uncle John was responsible for his father’s death.
When Zach realizes that John allowed his father to be killed, the boy is enraged and accuses John of being a secret agent or mole who works for the Bads. John’s response isn’t the usual one from a character caught red-handed: Generally, they crow about the virtues of their wickedness, but he instead argues that the issues are complicated.
As both John and Mr. Herbert assert, Zach’s father grew too self-satisfied to be safe anymore in a dangerous world. The first chapter makes clear, through Tom’s voice, that he does seem to think he’s the best thing since sliced bread, and Tom ignores Mr. Herbert’s warnings that he be more careful. The man’s fatal flaw points up one of the chief pitfalls of heroism—that it can make a person dangerously conceited. (The next book the author wrote, the middle-grade sports novel True Legend, treats this topic at length with a talented and egotistical young basketball player who learns humility from a washed-up ex-player.) Zach discovers his capacity for arrogance; his struggle to overcome that obstacle is only partly completed when the book ends.
John also argues that politicians such as Kerrigan often turn out to be talented phonies. That is a truism, but neither it nor John’s argument about Tom’s conceit absolves John of his crimes. John’s defense suggests that he may be a lone wolf who makes his own decisions; if not, perhaps he’s a frightened collaborator, making excuses for kowtowing to the forces of evil. Either way, the rest of the baddies have yet to be discovered.
Kerrigan’s political rally on the Great Lawn in Central Park begins with a short musical performance by Paul Simon. The novel mentions Simon’s 1981 reunion concert with Art Garfunkel, an event that also took place on the Great Lawn; it made a big impression on New York and the music world. Simon and Garfunkel were important folk-rock stars during the 1960s when the author came of age; his love for Central Park is prominently on display in Hero, and he borrows the excitement of the Simon and Garfunkel reunion performance to emphasize the enthusiasm of the crowd at Kerrigan’s political rally in the park.
No book is perfect, and Hero contains a few errors or omissions that conflict with the plot. Mr. Herbert explains to Zach that “there can only be one hero at a time” (207), but the old man seems to retain much of his powers. The reader is forced to invent an explanation: With old age, the heroic powers pass on, but some may remain if the old hero is still alive. Early in the book, Zach learns of his father’s death, and “he was cried out by the time he went to bed” (19). In Chapter 37, Zach realizes the silver-dollar coins he’s been carrying have proven nearly useless, letting him down much as his father did; angry, he throws them away, and, “for the first time since his dad died, he cried” (262). It’s an important moment of realization and mourning for the boy, but it’s not, in fact, the first time in the story that he cried about his dad.
Minor glitches aside, the book does a good job of maintaining the plot’s suspense, much of which transpires inside Zach’s mind as he struggles to understand the newly dangerous world in which he now dwells. In that respect, the book is as much a psychological drama as it is a thriller.
The book’s final chapter leaves the impression that more story remains to be told. Zach has barely begun to make inroads against the Bads; Spencer Warren, the school bully, hasn’t finished trying to win Kate; Zach’s own relationship to her remains unclear; and the book’s central villain, John Marshall, is still alive and kicking.
Meanwhile, Mr. Herbert’s group of young men have strange powers that need explaining, and it’s unclear whether they’re Bads for hire or good guys who play bad to help train Zach. Aside from John, the only person who’s arguably a Bad is the anonymous, black-clad assassin who tries to kill Kerrigan. Because readers know the Bads primarily by reputation, as described by Tom, John, and Mr. Herbert, their true nature remains mysterious. It’s possible they, too, have complex ideas and a complicated backstory: Sometimes, the Devil has good reasons for being bad.
More than a decade after publishing Hero, the author hasn’t written a sequel; for now, the book must serve as the entire text. Readers can, of course, imagine for themselves what might happen next. Perhaps one of them will write a fan fiction sequel.
By Mike Lupica