46 pages • 1 hour read
Mitch AlbomA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Holes in roofs, especially church roofs, appear as a motif throughout the story. The first such hole is found in the roof of the I Am My Brother’s Keeper Ministry in Detroit. Mitch Albom notices the 10-foot hole during his first visit to the church, but it is unclear how long it has been there. Since it is too costly to repair the roof, the church members simply place buckets under the hole to catch falling rain as necessary. However, the hole poses further problems, as it increases the cost of heating the building to the point that the utility company turns off the gas as the church falls further behind in their payments.
Albom learns of a different hole as he examines the Reb’s old sermons. This hole appeared in the roof of the synagogue in the 1970s, and the Reb’s sermon included an appeal for donations to patch the hole; presumably, the church received the funding it needed to make the repairs. Comparing the two experiences reveals differences between the two organizations, with Henry Covington’s ministry serving a poorer demographic. However, the coincidence also enables Albom to see a connection between the two churches for the first time, setting him up to increase his involvement at Henry’s ministry.
Albom also refers to holes in roofs in literary and figurative contexts. He cites a scriptural reference about men who cut a hole in a roof to approach Jesus. Later, he muses that “in some ways, we all have a hole in our roof, a gap through which tears fall and bad events blow like harsh wind. We feel vulnerable; we worry about what storm will strike next” (244). From this perspective, a hole in the roof symbolizes the challenges we face individually or collectively which may require faith to overcome. As the book concludes, the hole in the roof of the I Am My Brother’s Keeper Ministry has not yet been repaired, but Albom expresses his resolve to see the project completed. The hole was, in fact, closed in December 2009.
The Reb’s office contains a variety of files, including one marked, simply, “God.” Albom spots the file early on and begins to wonder what is contains; he draws readers’ attention to it by using “The File on God” as a chapter title. Throughout the main body of the narrative, he continues to refer to the file from time to time, showing that it is on his mind, as when he refers to the “office with all his books and the file on God” (112). However, Albom and the Reb never go through the file together, and its contents remain unknown until the conclusion of the narrative, when Albom goes through some of the Reb’s belongings following his death. At that point, he realizes that the Reb’s search for God was not the means to an end but rather an end in itself. This, in turn, helps him to better understand The Nature and Value of Faith, suggesting that faith develops gradually, through persistent effort and inquiry.
The Reb is fond of singing, and his frequent musical outbursts constitute a recurring motif. Sometimes the Reb sings songs that appear to be of his own making, as when he sings, “The old grey rabbi, ain’t what he used to be, ain’t what he used to be” whenever someone asks how he is doing. On other occasions, he adapts lyrics from well-known songs to suit the circumstances: He once greets Mitch by singing, “Hello, Mitch” to the tune of the Jerry Herman song “Hello, Dolly.” The Reb’s love of musicals is further reinforced when, after the Reb references the musical Fiddler on the Roof while discussing marriage, Albom notes, “I should have seen this coming. I think Fiddler on the Roof was pretty much the Reb’s worldview. Religion. Tradition. Community” (143). Overall, the Reb’s characterization as a “singing rabbi” highlights his upbeat, energetic spirit, as well as his expressive nature. Albom’s comparison between faith and song in the book’s closing passages suggests that his associations with the Reb have effectively blurred the line between the two.
By Mitch Albom