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72 pages 2 hours read

Gary Paulsen

Hatchet

Fiction | Novel | YA | Published in 1987

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Themes

Man Versus Nature: Acclimating to the Wilderness

Brian’s experience of nature is limited before he crashes into the lake. He is a self-described city boy, and it takes him quite a while to acclimate to living in the wilderness. He must learn to distinguish between foreign sights, sounds, and smells to survive. He must learn to think like an animal to protect himself. When he achieves this change in perspective, he states, “I am not the same […] I see, I hear differently” (100). He finds that all creatures are similarly motivated. They each have simple desires—to find food, water, and shelter. Once he understands the similarities between himself and the animals of the forest, Brian finds a peaceful clarity about his position in the ecosystem: “Brian knew the wolf for what it was—another part of the woods, another part of all of it […] he knew the wolf now, as the wolf knew him” (115).

Brian also learns to differentiate blind fear from keen awareness. This transformation is most apparent after Brian’s attempted suicide. After succumbing to isolation and hopelessness, Brian wakes to realize he failed to kill himself. This moment represents a rebirth: Hating “what he had done to himself when he was the old Brian and was weak,” Brian resolves to never “let death in again” (117). This new Brian redoubles his efforts to live off the wilderness, mastering the bow and arrow and achieving other victories, like hunting for meals and designing a fishpond. Brian learns that the wilderness is often more supportive of his life than not, and the longer he survives, the deeper his connection to and appreciation for nature becomes.

By the time of his rescue, Brian has acclimated to the woods. He identifies with the hatchet, recognizing that without this man-made tool, “he was nothing. The hatchet was, had been him” (162). However, he also identifies with the natural world—he “knew the wolf” (115) and “was the water” (113). His parents, friends, teachers, and urban experiences help him survive, but his assimilation into the wilderness allows him to thrive. This is why retrieving the survival pack, full of other man-made tools like a rifle, a lighter, and a fishing pole with lures and hooks, provokes conflicted emotions. Brian is ecstatic to have these convenient tools, but he recognizes that their presence causes an immediate disconnection from nature. If he had begun this journey with all these tools, they would have kept him apart from nature, and he would have never learned as much or become as attuned to it. The author reinforces this idea in the Epilogue when he implies that Brian’s powers of perception and appreciation for nature are permanent positive changes.

The Transition from Boy to Man

When the novel begins, Brian is just a boy. He is disturbed by his parents’ divorce because it forces him to mature in new and unwelcome ways. Suddenly Brian is expected to fly alone to spend the summer with his father in a new environment, and the subsequent plane crash forces him to quickly deal with solitude and self-reliance. Typically, a boy becomes a man gradually, but these circumstances force Brian to individuate from his family and become independent overnight. The transformation is not easy, and Brian is beset by loneliness and homesickness, constantly thinking of his loved ones and his life back in the city.

Brian struggles with this transition until his suicide attempt, a turning point in the plot as well as Brian’s development. After this incident he is a changed and much more mature person. He decides to fight for his life and focus on positive thinking, resourcefulness, and learning from his mistakes to survive. This marks his transition from boyhood into manhood, a change that develops alongside Brian’s relationship with nature, as he shifts from hopeless to self-sufficient, from dependent on his parents to providing for himself. Brian loses some of the fear he once carried and gains confidence in his ability to recover from any challenge or setback. Ironically, it is not until he is fully comfortable in nature and confident in his survival skills that he is finally rescued.

Spirituality and Rugged Individualism

Brian doesn’t espouse a particular spiritual belief; instead, he relies on himself. When he is struggling with panic or depression, he turns to the power of positive thinking. He insists, “right now I’m all I’ve got. I have to do something” (51). This theme of self-reliance is repeated throughout the novel, reinforcing the idea that no one and nothing can save Brian other than himself. As such, his perspective becomes the most important tool in his possession. When he gives up hope, he gives up the will to live, as evidenced by his suicide attempt. It is only when Brian stays focused on positive thinking that he maintains his will to survive and makes true progress toward that goal. While hopelessness almost cost him his life, hope ensures his survival, even when rescue seems impossible: “He could feel new hope building in him. Not hope that he would be rescued—that was gone. But hope in his knowledge. Hope in the fact that he could learn and survive and take care of himself” (120).

Brian represents a secular approach to finding spirituality. Rather than praying to god or turning to religion, he uses reason and individualism. For example, when he wants to honor the pilot’s death, Brian does not use the word “prayer” or reference any kind of afterlife. Instead, he simply says, “have rest. Have rest forever” (149). When he does find a kind of spirituality, it is through his relationship to animals and nature. He considers himself reborn after his suicide attempt, and the new version of himself is attuned to and inseparable from nature, demonstrated by his instinctual understanding of the wolf and his identification with the water.

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